Director Yamaoka and the people in his integrated security department.aren’t told about the activities done by Kudou-san and others from thebackground
Minaho-neesan?
If they knew that the person from behind the scenesalready crushed the possibility of attack in advance.the tension of the guards protecting their subject would be gone. Therefore, they’re not told about it .I see
Then.the team lead by chief Tanizawa is an exception. They’re the elite counter-terrorist group guarding the highest level of VIPs
True.Fujimiya-san has a different atmosphere.
Tanizawa-san and others have the first class fighting power.and yet they have the grace and education to cope with the elite people
Fujimiya-san is definitely one but, Tanizawa-san
He’s quite a man with a broken attitude.
He has that kind of attitude because I’m a member ofKuromori Chief Tanizawa is a person who can cope with the elite people and the peoplebehind the scenes He’s like that in front of Kudou-san and me but.that’s because he judged that it’s better to talk to us casually I see.Fujimiya-san knew that I’m fromKuromoriand tried to ignore me.
That’s a natural response from the elite people. However, chief Tanizawa is an officer in Kouzuki security servcice. He also gives Kudou-san and others frombehindinstructions. He has to negotiate with people from organizations like us. Therefore.he was talking casually.
KouzukKakkahas his own team able to talk with the people of the elite world. That’s chief Tanizawa
I see.that’s hard work.
1. Oh, am I mistaken? I thought I heard something about delicious pancakes.
Chapter 229
Yoshida-kun.what do you think it means to bedignified?
Minaho-neesan asks me.
.Dignified?
What isElegantwhat isVulgar? What is the difference between first class and second class? I never thought of that
I lived in a world where that doesn’t matter.
Even in the upper class, there are some vulgar people, and vice versa.then what decides a person’sdignity
Minaho-neesan’s question is hard.
Yoshida-kun.have you seen a genuine art of either Picasso or Van Gogh?
.Genuine? Not a printed or seen on TV.have you seen a genuine thing with your own eyes Never Then, let’s go see next time.
Go see?
Once you see the work of a top-class artist exceeding the first class with your naked eye, even amateurs can tell it’s amazingness
.Un
Therefore, you should feel the amazingness of the top-class work.then compare it to the first class, second class works
Shouldn’t we avoid showing Yoshida-kun the later works of Picasso? That’s a different fight after all
Margo-san intervenes from the side.
Different fight?
Picasso has lived long and has always been a master.even his graffiti scribbles, art dealers collect all of it at high price. That said, it’s not bad work but.I think it’s not good for the aesthetic eyes I’ll let him see from his initial worksBlue PeriodRose periodtoCubism
Minaho-neesan tells Margo-san
That’s a lot. Won’t it be a month trip to Europe?
But still, it’s important to experience the genuine article.
.Err
Is it that important to see the genuine articles?
Margo-san.
If you didn’t see the genuine thing, you can’t clearly know how the author actually made the work
.Un
Talking about my experience.there’s an art textbook that listed a painting of the horse of the King of Europe.1 That horse’s picture is somewhat strange. The horse’s neck is thick and the head is too big .Then?
Then.looking at the textbook, it says The dynamism is being expressed by drawing the thick horse neck. When I read that, I thought ‘Is that how it is?’ but.
Margo-san smiled.
Minaho brought me to the national gallery in London, the real thing was there.then
This person.even though she’s strong.
She’s having fun when talking about arts and music.
The horse picture is very huge.it’s an image you look up from below
A big image.you look up from below
That’s right.looking from below, the neck of the horse that was too fat for the small textbook photo is actually fitting. It’s a perspective trick. The author has that picture from the beginning.he has calculated the angle and distance from where the viewer would see. It’s big after all. Those kind of things won’t be discovered unless you saw the real thing, I’m really moved.
I see.
The photo’s size is reduced so you can’t understand it.
Geez, Maru-chan. In the first place, the color of the real thing and the photo is different don’t you think?
Nei-san comes in too.
Yo-chan.the real oil painting is really sparkly and beautiful!
Right.no matter how much printing technology develops, the real colors can’t be reproduced
Minaho-neesan said.
Besides.the real thing still has the painter’s brush mark still remaining. You can really tell that it’s made by human hands. It’ll make you think humans are amazing. They can express a lot of things with just the point and lines made by the brush sweep Nei-san’s eyes are sparkling too.
I’d like to bring Yoshida-kun to a photography exhibit instead of paintings
Margo-san said.
When a real top-class photographer takes it, the photos developed have a completely different depth. That’s why printing is only half the charm. I think you won’t know the real value unless you see the original print!
Is that so
Anyway.first we’ll let him touch something top-class. Experience the genuine greatness.then understanding the first and second class will be later
Minaho-neesan said.
Right. If you see something half-hearted, your eyes would be clouded
Margo-san said.
Uhm.why is Margo-san and Nei-san so familiar with art?
Margo-san laughs.
Isn’t that obvious?Nei and I received Minaho’s education
Minaho-neesan.
Kyouko-san’s hobby is included too. That person is really fussy to see the first class and hone her aesthetic eyes
I never met her yet but.it seems that Kyouko-san has a variety of hobbies.
If you obtain the power to see through the value of things.then you can also understand the value of others
Minaho-neesan said.
For example.the suit you’re wearing right now. Why do you think it’s a luxury item?
Well.Margo-san said that the cloth of the fabric is vintage
If I recall.that’s what she told me.
Then, why do you think that fabric is vintage?
Well.that is.
Today.there’s no machine remaining that weave that fabic
Margo-san told me.
There’s a much more rational loom now. That cloth takes time and effort to weave.
is that so?
When you think you want to know the value of things.you first need to imagine how much work it would take. Top-class craftsmen’s creation with time and effort are absolutely expensive.
i see.
Next.feel whether the work contains ideas that only geniuses and skilled craftsmen can come up with. It’s calledflash
.Un
In the end, you have to put emphasis on the time and effort taken. Pay flash to the inspiration afterwards.
Minaho-neesan said.
.Why?
The flash and novel ideas stand out but.it doesn’t match the time and effort taken. Trying different ideas after a hundred of times.it removes failures and accumulate experience That’s what’s boring with the modern art you see. They just come up with a new idea, then splash their paint then announce their work.the weight of it being developed over time can’t be felt!
I don’t get the meaning of Nei-san’s opinion.
For example.this ball-pen here
Minaho-neesan took out a pen.
This thing.it took dozens of blueprints to make it
.blueprint
How many mm should be the length.what kind of mixture of king should be put in. A lot of blueprints are drawn, a lot of prototypes have been made to just put ball-pen into the world