His first days back, Rabbit likes to drive around, freshening his memory and hurting himself with the pieces of his old self that cling to almost every corner ofthe Brewer area. The streets where he was a kid are still there, though the trolley cars no longer run. The iron bridges, the railroad yards rust inside the noose of bypasses that now encircles the city. The license plates still have an orange keystone in the middle, but now say You've Got a Friend in Pennsylvania, which he always found sappy, and sappier still those imitation plates that can be bolted on the front bumper and say You've Got a Friend in JESUS. The covers of telephone directories boast The UnCommonwealth of Pennsylvania. Behind the wheel of his car, he gravitates to Mt. Judge, the town where he was born and raised, on the opposite side of Brewer from Penn Park. In this fortresslike sandstone church with its mismatching new wing, the Mt. Judge Evangelical Lutheran, he was baptized and confirmed, in a shirt that chafed his neck like it had been starched in lye, and here, further along Central, in front of a candy store now a photocopying shop, he first felt himself in love, with Margaret Schoelkopf in her pigtails and hightop shoes. His heart had felt numb and swollen above the sidewalk squares like one of those zeppelins you used to see in the sky, the squares of cement like city blocks far beneath his floating childish heart. Every other house in this homely borough holds the ghost of someone he once knew who now is gone. Empty to him as seashells in a collector's cabinet, these plain domiciles with their brick-pillared porches and dim front parlors don't change much; even the slummier row houses such as he and Janice lived in on Wilbur Avenue when they were first married are just the same in shape, climbing the hill like a staircase, though those dismal old asphalt sidings the tints of bruise and dung have given way to more festive substances imitating rough-hewn stone or wooden clapboards, thicker on some facades than others, so there is a little step up and down at the edges as your eye moves along the row. Harry always forgets, what is so hard to picture in flat Florida, the speckled busyness, the antic jammed architecture, the distant blue hilliness forcing in the foreground the gabled houses to climb and cling on the high sides of streets, the spiky retaining walls and sharp slopes crowned by a barberry hedge or tulip bed, slopes planted more and more no longer in lawn but ground cover like ivy or juniper that you don't have to mow once a week with those old-fashioned reel mowers. Some people would rig their mowers with a rope on the handle so they could let it slither clattering down and then pull it back up. Rabbit smiles in his car, remembering those wooden-handled old mowers and that longdead Methodist neighbor of theirs on Jackson Road Mom used to feud with about mowing the two-foot strip of grass between the cement walks that ran along the foundation walls of their houses. The old Methodist couple had bought the house from the Zims when they moved to Cleveland. Carolyn Zim had been so pretty – like Shirley Temple only without the dimple, more of a Deanna Durbin sultriness, on this little girl's body – that Mr. and Mrs. fought all the time, Mom said, Mrs. being jealous. He used to wait by his window for a glimpse in the soft evening of Carolyn undressing for bed, across the little air space. His room: he can almost remember the wallpaper, its extra-yellowed look above the radiator, the varnished shelf where his teddy bears sat, the bushel basket his Tinker Toy spokes and hubs and his rubber soldiers and lead airplanes lived in. There was a taste, oilclothy, or like hot windowsill paint, or the vanilla and nutmeg when Mom baked a cake, to that room he can almost taste again, but not quite, it moves into the shadows, it slips behind the silver-painted radiator with its spines imprinted with scrolling designs in blurred low relief.
Brewer, too, that torpid hive, speaks to him of himself, of his past grown awesomely deep, so that things he remembers personally, V-E day or the Sunday Truman declared war on North Korea, are history now, which most of the people in the world know about only from books. Brewer was his boyhood city, the only city he knew. It still excites him to be among its plain flowerpot-colored blocks, its brick factories and row housing and great grim churches all mixed together, everything heavy and solid and built with an outmoded decorative zeal. The all but abandoned downtown, wide Weiser Street which he can remember lit up and as crowded as a fairgrounds in Christmas season, has become a patchwork of rubble and parking lots and a few new glass-skinned buildings, stabs at renewal mostly occupied by banks and government agencies, the stores refusing to come back in from the malls on Brewer's outskirts. The old Baghdad, once one of a half-dozen first-run movie theaters along Weiser, now stands between two vacant lots, its Arab-style tiles all stripped away and its marquee, that last advertised triple-X double features, peeling and rusting and holding the letters ELP and on the line below that SAV ME scrambled remnant of an appeal for historic restoration. The movie palaces of his boyhood, packed with sweet odors and dark velvet, murmurs and giggles and held hands, were history. HELP SAVE ME. There had been a kind of Moorish fountain in the lobby, colored lights playing on the agitated water. The music store, Chords 'n' Records, that Ollie Fosnacht used to run twenty years ago a few doors up from the Baghdad, and that then became Fidelity Audio, is still a store, called now The Light Fantastic, selling running shoes, two whole windows of them. Must be a market for them among the minorities. Mug and run.
In Rabbit's limited experience, the more improvements they've loaded onto running shoes, the more supporting pads and power wedges and scientifically designed six-ply soles and so on, the stiffer and less comfortable they've become: as bad as shoes. And those running tights the young women wear now, so they look like spacewomen, raspberry red and electric. green so tight they show every muscle right into the crack between the buttocks, what is the point of them? Display. Young animals need to display. Ollie Fosnacht's estranged wife Peggy died about eight years ago, of breast cancer that had metastasized. Rabbit reflects that she was the first woman he has slept with who has died, has actually bitten the bullet. Then realizes this is not true. There was Jill. He used to fuck Jill that crazy summer, though he could tell she didn't much like it. Too young to like it. And maybe that whore in Texas who with a curious drawling courtesy made him an unvirgin is dead now too. They don't have long lives, with the hours, the booze, the beatings.
And the drugs that most of them are into, and AIDS. But, then, who does live forever? We all take a beating. Must be the way they figure, it's sooner or later. They're just like us only more so. These guys in prison now who bite the guards to give them AIDS with their saliva. We're turning into mad dogs -the human race is one big swamp of viruses.
Back from the hollow center of Brewer, in the tight brick rows built a century ago when the great mills now abandoned or turned into factory outlet stores still smoked and vibrated, spinning textiles and casting steel, life goes on as lively as ever, though in a darker shade. He likes cruising these streets. In April at least they brim with innocent energy. Four leggy young blacks cluster about a bicycle being repaired. A Hispanic girl in the late-afternoon slant of sun steps out of her narrow slice of a house in high silk heels and a lilac-colored party dress and a diagonal purple sash and at her waist a great cloth rose: she is a flower, the moment says, and a swarm ofboys has gathered, jostling, bumbling, all dressed in steelgray windbreakers and green Army pants, a gang uniform of sorts, Harry supposes. In Brewer people still use the streets, they sit out on their steps and little porches in an expectant way you never see in Deleon. And the Pennsylvania row houses take a simple square approach to shelter, not so different from those cities of aligned cereal boxes the teacher had you set up with cut-out doors and crayoned-on windows in first grade; it makes Harry happy after his winter in Florida with its condominiums interwoven with golf courses, its tile-roofed towers of time-shared apartments, its villages that aren't villages, its thousand real-estate angles and prettifications of the flimsy.