"Are we lost, Grandpa?"
"We can't be," he tells her.
In their sudden small plight he is newly aware of her preciousness, the jewel-cut of her eyes and eyelashes, the downy glaze in front of her ears and the gleam of each filament of her luxuriant hair, pulled taut into a thick pigtail adomed with an unreal stiff white ribbon. For the first time he sees she is also wearing symmetrical white barrettes, shaped like butterflies. Judy looks up toward his face and fights crying at the vagueness she sees there. "This coat is too hot," she complains.
"I'll carry it," he says. He folds its cloth weight over his arm and she is like a butterfly herself now, in her pink dress. Her green eyes have gone wide in this gray airport's bustling limbo, under reddish-brown eyebrows one of which near the flat bulge of her little freckled nose has a little cowlick fanning the hairs the wrong way; Nelson has that cowlick, and inherited it from Harry, who used to lick his middle finger and try to slick it down in the highschool boys' lavatory mirror. Amazing, that a thing so tiny could pass on. Maybe the only immortality we get, a little genetic quirk going on and on like a computerized number in your monthly bank statement. Ghostly empty shapes, people he doesn't know, push and stream past the two of them. They are an island surrounded by jokes and noisy news and embraces; people tanned that deep settled mahogany that comes only from months and months of Florida embrace newcomers the color of wallpaper paste. Harry says, so Judy will hear her grandfather say something and not just stand there numbly, "They must be over at the baggage."
He looks up and sees above their heads the sign saying BAGGAGE and takes her moist little hand and tugs her toward the crowd around the baggage belt, which is already moving. But neither Pru nor Janice nor Nelson nor Roy is there, as far as they can see. Face after face refuses to cohere into a known face. His eyes, always good, trouble him now in artificially lit places. The blue shoulder bag Pru let him carry for her is heavier than he would have thought; she must have packed bricks. His shoulder and eyes burn.
"I guess," he ventures, though it seems unlikely, "they're already at the car." He taps his pocket for the lump of keys, doesn't feel it, begins to panic, then remembers how he tossed them to Janice. Of course. Confidently now he approaches the brown glass exit doors, but the wrong one pops its seal and slides open when his body trips the electric eye. The wrong one as far as he is concerned; Judy was pulling him in the right direction, where a slice of hot outdoor air swiftly widens. Sun has broken through the milky stratocirrus. It bounces off the waxy leaves of the nameless tropical plants flourishing near his knees. It winks blindingly from a mass of moving cars, a brutal river of them rushing along the access strip just beyond the curb. He holds Judy's hand tighter, in case she decides to jump off the curb, we're all full of crazy impulses. They cross to a lake of shimmering cars, the lot where he parked. Where, exactly? He finds he's forgotten. He is utterly empty of the car's location.
A Camry Deluxe wagon, pearl-gray metallic, with the more potent 24-valve 2.5-liter V-6 engine. He was still so sore at being tailgated by that red Camaro and at Janice criticizing his driving that he wasn't paying any attention to where they parked. He remembers the zebra crosswalk, and the little landscaped mound of center strip where some sun-starved college kid had propped his knapsack and pillowed his head on it to soak up a few rays, and the fussy old guy who thought he was in charge gesturing at you which way the exit and the booth where you pay was, putting too much into it like that husband at the airport gabbing at his wife, Grace, as if she had no sense, meeting that frizzy-haired longtoothed smiling Jewish princess taller than either of them, but he doesn't remember which of these rows he parked the car in. He parked it in the patch of dead blank brain cells like all of our brains will be when we're dead unless the universe has cooked up some truly elaborate surprise. The National Enquirer which Janice sometimes brings home from the Winn Dixie keeps reporting people's near-death experiences, but for Harry they're too close to the little green men in the UFOs. Even if they're true it's not much comfort. Judy's hand has slipped out of his as he stands puzzling on the strip of grass on the edge of the parking lot, that broad-bladed grass that grows everywhere down here, watered by sprinklers, they call it St. Augustine. It doesn't feel like real grass to him, too matted and broad, kind of crunchy underfoot. His chest begins to hurt. A sly broad pain, a kind of band under the skin, tightly sewn there.
Judy's voice floats up to him like a thin lifeline. "What color is the car, Grandpa?"
"Oh, you know," he says, keeping his sentences short, so as not to stir up his pain. "Pale gray. Metallic finish. The same color as about half the cars in the world. Don't you panic. It'll come to me where I left it."
The poor kid is losing it, in her fight not to cry. "Daddy'll drive off!" she blurts out.
"Leaving you and me? Why would he do that? He won't do that, Judy."
"He gets real mad sometimes, for no real reason."
"He probably has some reason he doesn't tell you. How about you? You ever get mad?"
"Not like Daddy. Mom says he should see a doctor."
"I guess we all should, now and then." Rabbit's sense of doom is trickling like cold water through his stomach. Doctors. His own doctor is bringing his son into the practice, so if he drops dead the kid will take right over, won't miss a Medicare form. You fill a slot for a time and then move out; that's the decent thing to do: make room. He scans the ranks of glinting metal in their slots for a strip of gray that will ring a bell, and wonders if he is misremembering the color – he has owned so many cars in his life, and sold so many more. He announces, "I think I left it over on the left. In about the third row. What happened, Judy, was there was this old guy kind of directing things, waving which way everybody should go, and the bastard distracted me. Don't you hate bossy people like that, who know everything better than you do?"
The little girl's glossy red head mutely nods at his side, too worried for words.
Rabbit rattles on, to chase their clouds away, "Whenever somebody tells me to do something my instinct's always to do the opposite. It's got me into a lot of trouble, but I've had a lot of fun. This bossy old guy was pointing one direction so I went the other and found a space." And for a second, in a kind of window between two tightenings of the band across his chest, he sees the space: next to a cream-colored van, a Ford Bivouac with those watery-blue Minnesota plates, parked sloppily over the white line, another cause for irritation. He had to ease in carefully so as to leave Janice room enough to open her door on the right and not rub fenders with the maroon Galaxy on the left. And now he sees from far off in the shimmering Florida heat a strip of cream risen above the other metallic rooftops. Third row, about a wedge shot in. He says in triumph, "Judy, I see it. Let's go," and takes her hand again, lest her small perfection be crushed by one of the automobiles cruising the rows looking for a spot. In some of these big white Caddys and Oldses the tiny old driver can hardly see over the hood out the windshield, just clinging to the wheel, body all shrunk and bent by osteoporosis; it hasn't got him yet, he's still six feet three as far as he knows, at least his pants don't drag on the floor, but he hears Janice talk about it, it's been on TV a fair amount, that commercial with the two women on the train, it affects women more than men, their smaller bones, she takes calcium pills along with all the other vitamin pills next to her orange juice at breakfast. God, is she healthy. She'll live forever just to spite him.
He and little Judith arrive across the hazardous hot asphalt at the pearl-gray Camry, which is his, he knows, from Janice's tennis racket and cover on the back seat, flung in there separately the dumb mutt, what's the use of a cover if you don't put the racket in it? But nobody is here and the car is locked and Harry threw away the keys. The little girl begins to cry. Luckily he has a handkerchief in the hip pocket of his faded plaid golf pants. He lowers Pru's blue bag with its load of bricks to the asphalt and puts the little winter coat he has been carrying on top of the car roof, as if to stake a claim, and kneels down and wipes the bits of melted Sky Bar from Judy's lips and then the tears from her cheeks. He too wouldn't mind having a cry, squatting here next to the car's sunstruck metallic flank, his knees complaining on top of everything else, and the small girl's hot panicked breath adding to the heat. In her distress her freckled nose has begun to run and her mouth taken on a hardness, a stiffness in the upper lip he associates with Nelson when the boy is frightened or angry.