"I never thought to see this, sir, " Aitken said cheerfully. "The Captain, First Lieutenant and Master of one of the King's ships doing their best to make her look like a hulk! "
"Like a neglected slaughterhouse, " Ramage commented. "Give the grease a few hours to soak into the wood, and time for that blood to darken . . ."
The First Lieutenant paused for a few moments, hoping Ramage would say more, but he continued walking forward and Aitken called to the seaman with the bucket of salt water: "The brass rods protecting the glass in the Captain's skylight: go up to the quarterdeck and douse them again."
He looked round the ship, proud of the morning's work yet dismayed and appalled by it. In the days since the Calypso left Antigua, he had kept the ship's company busy holystoning, scrubbing and polishing, making up for a year's neglect by the French. The metal surface of most of the brasswork was now smooth enough to take an easy polish with the brickdust; the last dirt had been scrubbed and holystoned from the grain of the deck planking and the last grease stain removed. Now - in a couple of hours - it had been transformed so that even the French would be impressed. All the ship lacked, he thought sourly, was the reek of garlic and the stench of unpumped bilges and you'd think she was back in French hands.
Captain Ramage had specified exactly what he wanted: dirty decks, gritty with sand, ropes with cow's tails, unpolished brass-work, bits of food lying around in the scuppers, bloodstained decks . . . Well, he had it now; the Calypso looked like a ship which had fought a desperate battle, lacking only damage by roundshot.
There had not been a word of explanation: Captain Ramage had said nothing to Southwick - who, as far as Aitken was concerned, seemed to have been born without any curiosity at all. Not a word to his First Lieutenant, not a comment to Baker or Kenton. Of course he did not expect the Captain to confide in third and fourth lieutenants, but a passing comment might have revealed more of what he had in mind.
There was enough heat in the sun now to speed up the work: the water dried almost immediately on the brasswork, leaving a fine crust of sparkling salt crystals; the drops and blobs of blood were turning a rusty brown and he wished he was over in the Santa Barbara, still a mile ahead. The peak of Pico de Santa Fe was gradually lifting on the larboard bow, but high clouds inland drifted across to hide the tip from time to time. If he was over in the Santa Barbara it would be up to Wagstaffe to reduce the Calypso to a shambles . . .
The dirt, the frayed ropes' ends, the dulled brasswork offended him. His mother had been a great one for the scrubbing brush, whether it was cleaning the grey stone floor of the kitchen or the backs of her young sons standing shivering in the high-walled yard as they were doused with buckets of water for their weekly bath. The kitchen table, the bread board, occasionally the carpet - all were scrubbed with a cheerfulness belying the effort needed.
The great rolling hills of Perthshire seemed a million miles away; the village of Dunkeld on a hot summer's day was colder than the chilliest night in these latitudes. The people of Dunkeld would never believe him if he said that for much of the day men never stood still on deck if they could avoid it because the wood was too hot under foot; that a man off watch who stretched out on the deck for a nap was liable to wake up to find his shirt striped with pitch from the caulking. They would nod politely when he told them this accounted for the seamen's phrase "taking a caulk", meaning having a nap. They would be equally polite when he said that the sun heated metal so that it became uncomfortably hot to touch. They would nod politely, but they would not believe a word of it. Likewise it would be just as hard describing snow or frost to people born in the Tropics.
Ramage walked back to the quarterdeck and stood at the rail looking forward over the ship. It all looked unreal. Although he had given the orders which had transformed the Calypso, he seemed remote from it. The dirty bloodstained deck, the frayed ropes - she lacked shot holes and splintered woodwork, otherwise anyone would think she had been in battle and then left to drift for a week or two.
What was he really trying to do? The problem was that he was far from sure, but was risking everything on it. What was "it"? His own questions made him impatient, because they only underlined that he was grasping at straws. The straw, for example, that led to the order to make the Calypso look like a hulk. Now Southwick and Aitken waited confidently for the next orders, for the next stage in the plan to be revealed to them.
The only difficulty was that there was no next stage. I've used my ration, he thought ruefully, and it isn't enough. I have a dirty, bloodstained ship and an appointment at dusk off Santa Cruz, and that's all. A little picture was trying to intrude into his mind with the tenacity of a woodpecker; a picture which, if studied carefully, might yield a plan. "Might" - a longer word than "if", but no more certain . . .
In an hour or two, after the men had finished their dinner, Wagstaffe expected to come on board the Calypso to receive his orders. Captain Ramage could hardly greet him with: "I'm most apologetic for bringing you over to no purpose, Wagstaffe, but I have no orders for you because I have no ideas."
The picture seemed a little clearer now, as though the lines and colours had grown stronger at the thought of apologizing to Wagstaffe. Yet the problem was not the clarity, it was the absurdity. The picture represented a plan whose success was enormously dependent on luck and even more on the Spanish. He would need to keep his plans flexible, and if he was to achieve surprise he had to be careful not to be surprised himself.
The first surprise was that he seemed to have turned a picture into a plan, and even as he stood there, too stupid to move over a few feet out of the sun and into the shade, he was adopting the plan and dividing it up between the two ships . . .
How the situation would appeal to Gianna's sense of humour. Young Paolo had entered into the spirit of it too, as though adding his quota to the confusion while acting as an agent for his aunt - a word Ramage had always associated with old ladies and white hair, bony fingers, sharp knuckles and watery eyes! Gianna was an aunt with raven hair, an oval-shaped face, high cheekbones, eyes that laughed - or, when she was angry, stabbed. Aunt Gianna was slim with an imperious body and jutting breasts that made the ship and the sea fade as he thought about them.
He pushed these thoughts to the back of his mind. Lopez and the Spanish prisoners could be a problem. The lieutenant had been bubbling with indignation and protests because the three of them were not allowed on deck for some exercise, but Ramage could imagine the expression on Lopez's face if he saw the ship now. All the prisoners, officers and seamen alike, had to remain in ignorance of what was going on, and they would have to be told that they might get their throats cut if they made any noise - an idle threat they would readily believe.
He went down to his cabin and spent half an hour poring over the Santa Cruz chart. The port was about thirty miles away now and the west-going current seemed to be less than a knot. The wind had been steady from the east for the past two days, strong enough to overcome any land or sea breeze and likely to hold all the way to the coast. The entrance channel to Santa Cruz ran almost south-east and north-west, and any ship trying to enter it now would probably have to be towed in by boats. Pico de Santa Fe would be deflecting the wind down on to the lagoon and port so that it funnelled through the channel and out between the headlands on each side of the entrance, Punta Reina and Morro Colorado.
He rolled up the chart and put it back in the rack. And that, he told himself sheepishly, is how battles are won or lost: the crazy picture trying to lodge in his imagination had now changed into Captain Ramage's plan. Not a bad plan, come to think of it, but not a good one either. A good one left nothing - or very little, anyway - to chance.