“What’s this code we’re getting?”
“I don’t know. Look it up.”
[175] “Where?”
“In the manual, fool! It’s right behind your terminal. Here, I’ve got it.”
Thrumcap started flipping pages. “2291, 2291 ... here it is. It’s a heat alarm. Oh, Lord, the machine’s overheating! Get maintenance up here right away.”
D’Agosta shrugged. The thumping noise they’d heard was probably air-conditioner compressors failing. It doesn’t take a rocket scientist to figure that out. It must be ninety degrees in here. As he began moving down the hall, he passed two maintenance men hurrying in the opposite direction.
Like most modern supercomputers, the Museum’s MP-3 was better able to withstand heat than the “big iron” mainframes of ten or twenty years before. Its silicon brain, unlike the older vacuum tubes and transistors, could function above recommended temperatures for longer periods of time without damage or loss of data. However; the hardwired interface to the Museum’s security system had been installed by a third party, outside the operating specifications of the computer manufacturer. When the temperature in the computer room reached ninety-four degrees, the tolerances of the ROM chips governing the Automatic Disaster Control System were exceeded. Failure occurred ninety seconds later.
Waters stood in a corner and glanced around the room. The maintenance men had left over an hour before, and the room was pleasantly chilly. Everything was back to normal, and the only sounds were the hum of the computer and the zombies clicking thousands of keys. He idly glanced at an unoccupied terminal screen and saw a blinking message.
EXTERNAL ARRAY FAILURE
AT ROM ADDRESS 33 B1 4A 0E
It was like Chinese. Whatever it was, why couldn’t they just say it in English? He hated computers. He couldn’t think of one damn thing computers had done for him except leave the s off his last name on bills. He hated those smart-ass computer nerds, too. If there was anything wrong here, let them take care of it.
= 27 =
Smithback dumped his notebooks beside one of his favorite library carrels. Sighing heavily, he squeezed himself into the cramped space, placed his laptop on the desk, and turned on the small overhead light. He was only a stone’s throw from the oak-panelled reading room, with its red leather chairs and marble fireplace that hadn’t seen use in a century. But Smithback preferred the narrow, scuffed carrels. He especially liked the ones that were hidden deep in the stacks, where he could examine documents and manuscripts he’d temporarily liberated—or catch forty winks—in privacy and relative comfort.
The Museum’s collection of new, old, and rare books on all aspects of natural history was unrivalled. It had received so many bequests and privately donated collections over the years that its card catalogue was always hopelessly behind. Yet Smithback knew the library better even than most of the librarians. He could find a buried factoid in record time.
[178] Now he pursed his lips, thinking. Moriarty was a stubborn bureaucrat, and Smithback himself had come up empty with Kawakita. He didn’t know anyone else who could get him into the accession database. But there was more than one way to approach this puzzle.
At the microfilm card file, he started flipping through the New York Times index. He backtracked as far as 1975. Nothing there—or, as he soon discovered, in the relevant natural history and anthropological journals.
He checked the back issues of the Museum’s internal periodicals for information on the expedition. Nothing. In the 1985 Who’s Who At NYMNH, a two-line bio of Whittlesey told him nothing he didn’t already know.
He cursed under his breath. This guy’s hidden deeper than the Oak Island treasure.
Smithback slowly put the volumes back on their racks, looking around. Then, taking some sheets from a notebook, he strolled nonchalantly up to the desk of a reference librarian, first making sure he hadn’t seen her before.
“Gotta put these back in the archives,” he told the librarian.
She blinked up at him severely. “Are you new around here?”
“I’m from the science library, just got transferred up last week. On rotation, you know.” He gave her a smile, hoped it looked bright and genuine.
She frowned at him, uncertain, as the phone on her desk began to ring. She hesitated, then answered it, distractedly handing him a clipboard and a key on a long, blue cord. “Sign in,” she said, covering the mouthpiece with her hand.
The library archives lay behind an unmarked gray door in a remote corner of the library stacks. It was a gamble in more ways than one. Smithback had been [179] inside once before, on legitimate business. He knew that the bulk of the Museum’s archives were stored elsewhere, and that the library’s files were very specific. But something was nagging him. He closed the door and moved forward, scanning the shelves and the stacks of labeled boxes.
He had progressed down one side of the room and was starting up the other when he stopped. Carefully, he reached up and brought down a box labeled CENTRAL RECVG/SHPG: AIR CARGO RECEIPTS. Squatting down, he rustled quickly through the papers.
Once again, he went back as far as 1975. Disappointed, he rustled through them again. Nothing.
As he returned the box to its high perch, his eye caught another labeclass="underline" BILLS OF LADING, 1970-1990. He couldn’t risk more than another five minutes, tops.
His finger stopped near the end of the pile. “Gotcha,” he whispered, pulling a smudged sheet free of the box. From his pocket, he extracted his microcassette recorder and quietly spoke the pertinent words, dates, and places: Belém; Port of New Orleans; Brooklyn. The Strella de Venezuela—Star of Venezuela. Odd, he thought. Awfully long layover in New Orleans.
“You seem pretty pleased with yourself,” the librarian said as she stowed the key back in the desk.
“Have a nice day,” Smithback said. He finished the entry on the archives clipboard: Sebastian Melmoth, in 11:10, out 11:25.
Back at the microfilm catalog, Smithback paused. He knew the New Orleans newspaper had a strange name, very antebellum-sounding—Times-Picayune, that was it.
He scanned the catalog quickly. There it was: Times-Picayune, 1840-present.
He snapped the 1988 reel into the machine. As he neared October, he slowed, then stopped completely. A [180] large, 72-point banner headline stared at him out of the microfilm viewer.
“Oh, God,” he breathed.
He now knew, without a shred of doubt, why the Whittlesey crates had spent so long in New Orleans.
= 28 =
“I’m sorry, Miss Green, but his door is still closed. I’ll give him your message as soon as possible.”
“Thanks,” Margo said, hanging up her phone with frustration. How could she be Frock’s eyes and ears if she couldn’t even talk to him?
When Frock was deeply involved in a project, he often locked himself in his office. His secretary knew better than to disturb him. Margo had tried to reach him twice already that morning, and there was no telling when he’d re-emerge:
Margo glanced at her watch. 11:20 A.M.—the morning was almost gone. She turned to her terminal and tried logging on to the Museum’s computer.
HELLO MARGO GREEN@BIOTECH@STF
WELCOME BACK TO MUSENET
DISTRIBUTED NETWORKING SYSTEM,