“There's nothing to be afraid of, Serena.” He said it gently as he pulled her off the couch and prepared to take her to the blue room, where his mother had said they would be staying, and as Teddy followed them upstairs he was praying that his brother was right.
21
As it turned out, Brad was still in the tub at the hour of Serena's appointed meeting with his mother. And the butler led the way downstairs, down a hall with walls covered with small exquisite paintings, three tiny Corots, a small Cézanne, a Pissarro, two Renoir sketches, a Cassatt. The paintings were beautifully framed and hung as though in an art gallery, with excellent lighting, against wonderfully draped taupe velvet walls. The carpeting beneath her feet was thick and of the same pale mocha color, it was in sharp contrast to the marble floors she was so used to in Rome and Venice and Paris. The softness of the carpeting beneath her feet in the Fullertons' apartment felt as though she were walking on clouds. The furniture was all handsome and quiet, there was a great deal of Queen Anne, some Chippendale, some Hepplewhite, and a few quiet Louis XV pieces, but everywhere were rich woods and subdued colors. There was none of the gilt and marble of the richer Louis XV pieces or the Grecian-inspired Louis XVI. The Fullerton apartment was done in excellent taste, with the best of everything in evidence in rich abundance, but none of it was showy. Even the colors Margaret had chosen for her home were soft beiges, warm browns, ivory shades, and here and there a deep green or a restful blue. There were no peaches or rubies or brilliant greens. It was a whole other look than the Renaissance splendors of the palazzi Serena had known, which she had to admit that she still liked better. Yet this had a certain warmth to it, and it was all as elegant and restrained as Margaret Fullerton herself.
When the butler stopped at her boudoir door, he stepped aside for Serena to knock, and then bowed rapidly and disappeared as Serena entered. She found her mother-in-law sitting in a small room at a beautiful little oval table, a butler's tray from the era of George III, with a drink in her hand, and a heavily carved crystal decanter and another glass on a silver tray, waiting for Serena's arrival. There was a large portrait over the small ivory couch on which she sat, and the man in it wore a huge mustache and pince-nez, over dark turn-of-the-century clothes, and his eyes seemed to leap out of the portrait and ask a thousand questions.
“My husband's grandfather,” she explained as Serena felt his eyes on her and glanced toward the painting. “He is responsible for almost everything that your husband has.” She spoke pointedly, as though Serena would understand her, and to the young Italian girl standing before her, it seemed a very odd thing to say. “Please sit down.” Serena did as she was told, and sat very primly on the edge of a small Queen Anne chair, in the black velvet dress she had chosen for dinner. It had a low square neckline and broad straps, a slim skirt, and over it she wore a short white satin jacket. It was a suit that Brad had bought her just before they left Paris, and Serena knew that she wouldn't be able to wear it for much longer. Her ever growing waistline would soon refuse to be restricted by the small waist of the dress. But for tonight it was perfect, and she wore it with pearl earrings and her pearl necklace, and she looked very grown-up and very pretty as Margaret Fullerton looked her over again. Even she had to admit that the girl was pretty, but that wasn't the point. The fact was that if she didn't go back to Europe she was going to destroy Brad's life. “Would you care for a drink?” Serena shook her head quickly. The baby had made it impossible, in recent weeks, to even so much as sniff wine.
While Margaret poured herself a drink, Serena studied her. She was an amazingly distinguished-looking woman, and tonight she wore a rich sapphire-colored silk dress, set off by a handsome necklace of sapphires and diamonds, which her husband had bought her at Cartier's in Paris after the first world war. Serena's eyes were held for a long moment by the necklace, and then her glance shifted to the enormous sapphire earrings, and the matching bracelet on her arm. With an assumption of understanding, Margaret Fullerton nodded and decided that it was time to make her move. “Serena, I'm going to be very candid with you. I don't think that there's any reason for us to mince words. I understand from—from friends”—Margaret Fullerton hesitated for only a moment—”that you met Brad while you were working for him in Rome. Am I correct?”
“Yes, I—I got the job when I came back to Rome.”
“That must have been a fortunate circumstance for you.”
“At the time it was. I had no one left in Rome, except”—she struggled for a way to explain Marcella—”an old friend.”
“I see. Then the job at the palazzo must have been a godsend.” She smiled, but her eyes were frighteningly cold.
“It was. And so was your son.”
Margaret Fullerton almost visibly flinched, as the young woman sat very straight in her chair, the pretty ivory face framed by the collar of the white satin jacket, her eyes bright, her hair brushed until it shone. It was difficult to find fault with Serena, but Margaret was not to be fooled by appearances. She already knew exactly what she thought of this girl. She went on now with a look of determination.
“That was exactly the impression I had, Serena. That you needed Brad's help, and he came to your rescue, perhaps in getting you out of Italy. All of which is quite admirable of him, and perhaps even very romantic. But I think that getting married may have been carrying things more than a little bit too far, don't you?” For an instant Serena didn't know what to say, and whatever came to mind, Margaret did not give her the chance to say it. “We all know that men sometimes get involved in unusual situations during wartime, but”—her eyes blazed for a moment as she set down her glass—”it was mad of him to bring you home.”
“I see.” Serena seemed to shrink visibly in her chair. “I thought that perhaps … when we met—”
“What did you think? That I'd be fooled? Hardly. You're a very pretty girl, Serena. We both know that. But all that nonsense about being a princess is precisely that. You were a charwoman working for the American army, and you latched onto a good thing. The only unfortunate thing is that you weren't smart enough to know when to let go.” For an instant Serena looked as though she had been slapped. There were tears in her eyes as she sat back in her chair, and Margaret Fullerton stood up and went to her desk. She returned a moment later with a small folder, sat down again on the small couch, and looked at Serena squarely. “I'm going to be frank with you. If what you wanted was to get out of Italy, you've done that. If you want to stay in the States, I'll see to it that that is arranged. You can settle yourself anywhere in this country, except of course where Brad lives, which means neither San Francisco, nor here. If you want to go back to Europe, I will arrange for immediate passage back. In either case, after you sign these papers, annulment proceedings will be initiated by his father's law firm at once, and you will be rewarded handsomely for your trouble.” Margaret Fullerton looked matter-of-fact and not the least bit embarrassed by what she had just said to Serena.