"He's in court," Siobhain said.
"That's right," said Liam, leaning into her. "But he can't get to ye."
Siobhain dismissed him with a look and spoke to Maureen. "He's in court in Glasgow?"
"Yeah."
Siobhain looked at the picture in the paper and slowly lifted her face to Maureen, tipping her chin and taking a deep breath. "Will he go to prison for what he did to me?"
Maureen and Liam looked at each other.
"I don't think so," said Maureen. "The paper says it's just the murders he's been done for."
"Will they ever try him for the other things?"
Liam shook his head. "We don't know."
Maureen knew the police had tried to be kind when they questioned Siobhain. She wouldn't survive a court case. Maureen sat forward a little. "Siobhain," she said, reasoning that an outright lie was the kindest course of action, "he's being tried for murder and the police don't think he'll get off. He's just being tried for the murder."
They fell silent and watched Montel on the giant television. It was the only expensive thing in Siobhain's house: everything else had been provided by Social Services when she came out of hospital. Douglas had given Siobhain money too, a fat roll of cash that Elsbeth didn't know anything about.
Montel was trying to coax the woman to speak through her tears by telling her something about his military experience. The woman had been accused of insurance fraud and was facing twenty years in jail.
"She is going down," said Siobhain, and dropped the paper to the floor.
Out in the street, two gangs of tired ten-year-olds were fighting about a football. A mum hung out of a window, calling someone in for bed and telling them to learn to fucking behave, for fuck's sake. Liam tugged the hood up on the car and slapped open a rusted hinge. "She's terrified," he muttered, glancing up at the window.
"She seems okay to me," said Maureen. "I've seen her terrified. She freezes and cries and throws up."
"Maureen," he said, authoritatively, as if he were the only person who had ever met Siobhain, "you don't know what she's feeling."
"Well, you don't know either. All you've got to go on is what she says."
He snorted and walked around the car to tackle the roof on the passenger side. "I think I know Siobhain," he said prissily.
"Aye, better than she does?"
Liam didn't answer but pulled up the hood of the car, blocking the sun from her face. Maureen sat in the shadow, waiting patiently as he clipped the hood to the windscreen. She saw him turn and look up to Siobhain's window, hoping for a final glimpse. She wouldn't be standing there, Maureen knew she wouldn't, not while Montel was on. He climbed in next to her and shut his door, pulling out the choke. "Liam, do you fancy Siobhain?"
He turned stiffly to face her, a pale pink blush spreading over his neck and face. "No," he said, his eyes open wide, his bottom lip twitching.
"Has Una had her baby yet?"
Liam looked confused and the blush receded. "No. What's that to do with anything?"
Maureen smiled to herself. "Never mind," she said. She'd definitely know if he was lying. "Ye know, that sort of poetic sorrow can be very seductive. If you like Siobhain at least make sure you fall for her, not just her tragic past."
"Maureen, I don't even know what you're talking about," said Liam, and pulled out very fast into the street.
As she climbed the last weary flight of stairs Maureen felt certain she could hear Jim Maliano watching her through the spy hole in his door. It was a horrible habit of his. She turned around and stared at the door, looking straight into the spy hole, mouthing, "Fuck off." She had said it ten times when she heard him creeping, tippy-toed, along the carpeted hall, a hand brushing the papered wall as he steadied himself. Inside her own door the answering machine blinked at her. She went into the kitchen, unscrewed the lid from the whiskey bottle and drank. It tasted like a longed-for deep breath. She was going to get dead drunk tonight. The answering machine had a message from Hugh McAskill, asking her to call him at home, and one from Kilty checking in to say hello. The last was the usual forlorn weekly message from Winnie.
When Winnie was drinking she had been a shameless phone pest. Since Maureen had cut contact with her Winnie could phone six, sometimes seven, times in a day. Her personal best was a round and magnificent fifteen. Each time she rang she'd be at a different stage of drunkenness and sounded like a completely different person. Her moods ranged from heart-wrenching sadness to apocalyptic anger, and every call was aimed at getting Maureen to phone her back. Maureen had cut off nearly a year ago, when it had become clear that the family no longer believed that Michael had abused her. Winnie had gone to AA and got sober in the intervening period and now phoned once a week, every Friday at five o'clock when Liam would have told her that Maureen was still at work, and repeated the same three sentences: "I love you, I miss you, I want you to contact me." Maureen appreciated the kindness of phoning when she would be out. She found herself wondering about sober Winnie, fantasizing about talking to her, the two of them reminiscing about the good times. Liam was closer to Winnie now that he had softened and she was sober. He said she was deeply sorry for all the grief she'd caused but really didn't understand the extent of it. Winnie was the funniest person Maureen'd ever met. She found herself imagining an idealized mother in place of Winnie and it became hard to remember what was true and what was fantasy. Liam told her that Winnie was almost prepared to consider the possibility that Michael had abused Maureen, and knew at least that it wasn't a deliberate, malicious fabrication.
A sudden unfamiliar, officious-sounding knock at the door made her jump. She looked out of the spy hole, expecting to see Aggie Grey, the woman with ££s to spare. It was a man, dressed formally in slacks and a short-sleeved shirt, holding a brown envelope. He was slim with dyed blond hair and a badly sunburned face. The brown skin was peeling off his chin and neck, leaving patches of brilliant pink. His forearms were going as well and, as he waited for her to answer the door, he pulled a tin of Vaseline out of his pocket and rubbed it on his forearm. The skin came away beneath his fingers, rolling into greasy, gray little cigars. He made a disgusted face and brushed it onto the floor, picking at the bits stuck in the hairs. Maureen frowned at the door, wondering why Aggie Grey would send someone who looked like a courier. Suddenly it hit her: the illegal fags. It might be a warrant to search the house.
Maureen ran on tiptoe back into the kitchen and pushed the sleeves of cigarettes into the bottom of a cupboard, shoving empty poly-bags in front of them. The front door banged again. Panting, she stood up, shut the cupboard door and looked at it. The man chapped again, faster this time, more impatient. She picked up a chair carefully, trying not to make a noise, and sat it in front of the cupboard door, stepping back to look at it, hoping it looked natural. She couldn't tell. She couldn't remember what natural looked like. He knocked again.
"Coming," she shouted, trying to sound casual. She could say the fags were for her own consumption, that she'd been abroad recently and had bought them. Calmer, she brushed her hair from her face, stepped out to the hall and opened the door. "Can I help you?" she said, remembering that she didn't know where the fags were from. If she said she'd been to Greece and they were from France he'd know she'd lied.
"Miss Maureen O'Donnell?" he said suspiciously.
"Yes." Maureen stepped out onto the landing and pulled the door closed behind her, realizing, too late, how shifty it made her look.
"You took your time," he said, giving her a sidelong glance.
She looked straight at him. "It's my time to take," she said stiffly, and wondered what it meant.
The man looked puzzled for a moment. "I'm here to deliver this," he said, handing her the envelope.