11: The Fast Train to Guilin: Number 80
The young girl and boy entered the railway compartment holding hands, which was very unusual. But they had a Chinese explanation.
"We got married this morning," the boy said. "We are going to Guilin for a few days."
Honeymooners! He was in his twenties—very thin, rather furtive, but stylishly dressed in a leather jacket and pointy shoes. She wore a dress. In a train a dress was just as unusual as hand-holding. It was blue satin, with a fringe of lace, and though it matched strangely with her yellow ankle socks and red shoes, the hemline was high enough so that I could see her legs. It was not their shapeliness that interested me, it was their very existence. Women's legs are a rare enough sight in China for them to be a complete novelty.
"Do you want me to go into a different compartment?" I asked. "I'd be glad to."
"Why?" the boy said.
"So that you can be alone."
"We can be alone up here," the boy said, flinging his bag on the upper berth and hoisting his bride on the one opposite.
And there they sat until long after we left Kunming Station. It was late evening, about nine, and this was perhaps their first night together. It was certainly their first as man and wife. Was I sincere in saying that I'd be glad to leave them alone in the compartment? Of course I wasn't. I was trying to get the measure of this place; but it's bigness often baffled me. I needed luck in trying to uncover the truth, which was why I looked into women's handbags when they opened them just to see what was inside; and opened drawers in people's houses, and read their mail, and searched their cupboards. When a man took out his billfold, I tried to count his money. If a taxi driver had his sweetheart's snapshot pinned to his dashboard, I scrutinized it. If I saw someone reading a book or magazine, I noted down the title. I compared prices. I copied down graffiti and slogans that I saw on walls. I got people to translate wall posters, particularly the ones that gave the sordid details of a criminal's career (these details were set out and advertised just before the doomed man was shot). I memorized the contents of refrigerators, of travelers' suitcases, I remembered the labels in their clothes (White Elephant tools and Pansy brand men's underwear and Typical sewing machines stick in my mind). I searched brochures for solecisms and collected Rules of the Hotel for Guests (example: "Guests may not perform urination in sink basin"). And just for the record, I asked endless pestering questions. So, really, would I willingly pass up a chance to spend the night with a honeymoon couple?
They smoked, they muttered a little, they rattled magazines. I wrote: 10:16 P.M. No activity from the honeymooners. Contented breathing. Could be snores. One might be asleep. Anticlimax.
The cigarette smoke bothered me, and on this banged-up train of the Shanghai Railway Board, nothing worked. The fan was dead, the lock had been torn off the door, the arms had been twisted off the seats, the luggage rack was broken, and the window could not be raised. This last matter was the most serious: the compartment was now very hot and smoky. It was a good thing that the honeymooners were either asleep or else ignoring me, because I took out my Swiss Army knife and unscrewed the window locks, removed the window frame, levered the window up six inches, then put the hardware back on, so that no one would suspect I had tampered with it. Dire punishments were threatened for anyone who messed with the train, and if you so much as chipped your Chinese Railways teacup you were charged for it.
There was silence all night in the upper berths. Nothing to report except that I seemed to have more proof that the Chinese were very phlegmatic.
I woke to find myself in the rocky province of Guizhou, all pyramidal limestone hills and granite cliffs. The landscape was green and stony, like Ireland, and the people lived in rugged Irish-looking stone cottages, and houses with rough-hewn beams. They were the strongest houses I saw in China, and around them, marking the limits of their land, were beautifully built dry-stone walls, symmetrical and square.
Among these great slanting slablike hills, there was very little arable land and not many flat places for farming. The gardens were made by balancing walls and building terraces, and by all the other useful things that could be made from the chunks of stone—bridges, aqueducts, roads, dikes and dams. The villages were thick with villas and two-story houses (it was rare in the country to find more than one floor), all of them stone-built, with slate roofs. And their grave mounds were just as solid and built with the same granite confidence: the cemeteries were miniature versions of the villages.
While the honeymooners nipped down to the dining car for the breakfast of rice gruel and noodles, I ate some bananas I had bought in Kunming and drank my green tea. We passed Anshun ("once the center of the opium trade") and we stopped a while at Guiyang, where I met Mr. Shuang.
Mr. Shuang was in his late sixties, plum faced and whiskery, with a shapeless cap and a red armband that showed he was a railway worker. But he was a retired man who, out of boredom, had gone back to be a platform supervisor.
"I was sick of staying at home," he said. "I've been doing this job for half a year. I like it. But I don't need the money."
He said he earned 130 yuan a month.
"What do you spend it on?"
"I don't have children or a family, so I buy music." He smiled and said, "I love music. I play the harmonica."
"Do you buy Chinese or Western music?"
"Both. But I like Western very much."
"What kind?"
He said in a neatly enunciating way, "Light orchestral music."
That was the kind that was played in the train and in the railway stations when they weren't playing Chinese songs. They played "The Skaters Waltz" and "Flower of Malaya" and selections from Carmen.
"Do you get many travelers in Guiyang?"
"Unfortunately, very few people come here. This province was closed to foreigners until 1982. Some people pass through but they don't stop. And yet we have many places to see—some very nice temples, and the Huangguoshu Falls and the hot springs. Please come back to Guiyang and I'll show you around."
It seemed that the more remote and countrified the place in China, the more hospitable the people were.
For the onward journey the honeymooners had changed their clothes: he wore a jacket and sunglasses, she wore a tweed skirt. They smoked and slumbered. Maybe this fatigue meant it was the end of their honeymoon?
By midafternoon we were in the southeast of Guizhou, among greener hills showing the scars and broken terraces of having once been farmed. The route to Guilin was roundabout because of all the mountains. They were an obstruction, but they were very pretty—velvety and shaggy with grass and trees. It was much hotter now, and most of the train passengers were asleep, barely stirring at Duyun; that place looked like Mexico, with a big yellow-stucco station and palm trees under a clear blue sky.
Farther south the landscape changed dramatically: the gray hills here were shaped like camel humps and chimney stacks, and stupas with sheer sides. They were the oddest hills in the world, and the most Chinese, because these are the hills that are depicted in every Chinese scroll. It is almost a sacred landscape—it is certainly an emblematic one. It had happened all at once: the hills looked squarish and ancient, like a petrified city. We had entered a new province, Guangxi, and from here to the city of Guilin, two hundred miles or more, it was all the landscape of the Chinese classical paintings.