The aspect of the day, however, had grown less promising. A somewhat threatening bank of clouds with dark jagged edges, which the efforts of the sun to scatter only rendered more lurid, had appeared in the west and when, for a moment, they turned to look back at the town, they saw its chimneys and houses massed gloomily together against a huge sombre bastion whose topmost fringe was illuminated by fiery indentations. Nance expressed some hesitation as to the wisdom of going further with this phalanx of storm threatenings following them from behind, but Sorio laughed at her fears and assured her that in a very short time they would arrive at the great painter’s house.
It appeared, however, that the “mile” referred to in the little local history in which they had read about this place did not begin till the limits of Mundham were reached and Mundham seemed to extend itself interminably. They were passing through peculiarly dreary outskirts now. Little half-finished rows of wretchedly built houses trailed disconsolately towards the river’s edge and mingled with small deserted factories whose walls, blackened with smoke, were now slowly crumbling to pieces. Desolate patches of half-cultivated ground where the stalks of potatoes, yellowing with damp, alternated with thickly growing weeds, gave the place that peculiar expression of sordid melancholy which seems the especial prerogative of such fringes of human habitation. Old decaying barges, some of them half-drowned in water and others with gaunt, protruding ribs and rotting planks, lay staring at the sky while the river, swirling past them, gurgled and muttered round their submerged keels. It was impossible for the two friends to retain long, under these depressing surroundings, their former mood of magical harmony. Little shreds and fragments of their happiness seemed to fall from them at every step and remain, bleakly flapping among the mouldering walls and weedy river-piles, like the bits of old paper and torn rag which fluttered feebly or fell into immobility as the wind rose or sank. The bank of clouds behind them had now completely obscured every vestige of the sun and a sort of premature twilight lay upon the surface of the river and on the fields on its further side.
“What’s that?” asked Nance suddenly, putting her hand on his arm and pointing to a large square building which suddenly appeared on their left. They had been vaguely aware of this building for some while but one little thing or another in their more immediate neighbourhood had confined it to the remoter verge of their consciousness. As soon as she had asked the question Nance felt an unaccountable unwillingness to carry the investigation further. Sorio, too, seemed ready enough to let her enquiry remain unanswered. He shrugged his shoulders as much as to say “how can I tell?” and suggested that they should rest for a moment on a littered pile of wood which lay close to the water’s edge.
They stepped down the bank where they were, out of sight of the building above, and seated themselves. With their arms around their knees they contemplated the flowing tide and the dull-coloured mud of the opposite bank. A coil of decaying rope, tossed aside from some passing barge, lay at Sorio’s feet and, as he sat in gloomy silence, he thought how like the thing was to something he had once seen at an inquest in a house in New York. As for Nance, she found it difficult to remove her eyes from a shapeless bundle of sacking which the tide was carrying. Sometimes it would get completely submerged and then again it would reappear.
“Why is it,” she thought, “that there is always something horrible about tidal rivers? Is it because of the way they have of carrying things backward and forward, backward and forward, without ever allowing them either to get far inland or clear out to sea? Is a tidal river,” she said to herself, “the one thing in all the world in which nothing can be lost or hidden or forgotten?”
It was curious how difficult they both felt it just then either to move from where they were or to address a single word to one another. They seemed hypnotized by something — hypnotized by some thought which remained unspoken at the back of their minds. They felt an extreme reluctance to envisage again that large square building surrounded by weather-stained wall, a wall from which the ivy had been carefully scraped.
Slowly, little by little, the bank of clouds mounted up to the meridian, casting over everything as it did so a more and more ominous twilight. The silence between them became after a while, a thing with a palpable presence. It seemed to float upon the water to their feet and, rising about them like a wraith, like a mist, like the ghost of a dead child, it fumbled with clammy fingers upon their hearts.
“I’m sure,” Sorio cried at last, with an obvious struggle to break the mysterious sorcery which weighed on them, “I’m perfectly sure that Ravelston Grange must be round that second bend of the river — do you see? — where those trees are! I’m sure it must! At any rate we must come to it at last if we only go on.”
He looked at his watch.
“Heavens! We’ve taken an hour already getting here! It’s nearly six. How on earth have we been so long?”
“Do you know, Adrian,” Nance remarked — and she couldn’t help noticing as she did so that though he spoke so resolutely of going forward he made not the least movement to leave his seat—“do you know I feel as if we were in a dream. I have the oddest feeling that any moment we might wake up and find ourselves back in Rodmoor. Adrian, dear, let’s go back! Let’s go back to the town. There’s something that depresses me beyond words about all this.”
“Nonsense!” cried Sorio in a loud and angry voice, leaping to his feet and snatching up his stick. “Come on, my girl, come, child! We’ll see that Ravelston place before the rain gets to us!”
They clambered up the bank and walked swiftly forward. Nance noticed that Sorio looked steadily at the river, looked at the river without intermission and with hardly a word, till they were well beyond the very last houses of Mundham. It was an unspeakable relief to her when, at last, crossing a little footbridge over a weir, they found themselves surrounded by the open fens.
“Behind those trees, Nance,” Sorio kept repeating, “behind those trees! I’m absolutely sure I’m right and that Ravelston Grange is there. By the way, girl, which of your poets wrote the verses—
‘She makes her immemorial moan,
She keeps her shadowy kine,
O, Keith of Ravelston,
The sorrows of thy line!’
They’ve been running in my head all the afternoon ever since I saw ‘Keith Radipole,’ on those beer-barrels.”
Nance, however, was too eager to reach the real Ravelston to pay much heed to his poetic allusion.
“Oh, it sounds like — oh, I don’t know — Tennyson, perhaps!” and she pulled him forward towards the trees.
These proved to be a group of tall French poplars which, just then, were muttering volubly in the rainsmelling wind. They hurried past them and paused before a gate in a very high wall.
“What’s this?” exclaimed Sorio. “This can’t be Ravelston. It looks more like a prison.”
For a moment his eyes encountered Nance’s and the girl glanced quickly away from what she read in his face. She called out to an old man who was hoeing potatoes behind some iron railings where the wall ended.
“Could you tell me where Ravelston Grange is?” she enquired.
The old man removed his hat and regarded her with a whimsical smile.
“’Tis across the river, lady, and there isn’t no bridge for some many miles. Maybe with any luck ye may meet a cattle-boat to take ye over but there’s little surety about them things.”
“What’s this place, then?” asked Sorio abruptly, approaching the iron railings.
“This, mister? Why this be the doctor’s house of the County Asylum. This be where they keep the superior cases, as you might say, them what pays summat, ye understand, and be only what you might call half daft. You must a’ seed the County Asylum as you came along.’ Tis a wonderful large place, one of the grandest, so they say, on this side of the kingdom.”