The colonel nodded impatiently. It didn’t interest me, either. I found that I wanted to get to security and get on with whatever the colonel had planned. Without saying a word, the colonel turned and started to leave.
By this time, a crowd had formed around us. At least thirty traffic control workers had drifted to the station to watch “the show.” Men in white shirts carrying coffee cups stared into the big computer screen as if it were a work of art. Some pointed, others whispered to each other and nodded as if noticing significant secrets.
“What is going on here?” the colonel snapped angrily as he tried to push through the gawkers.
“I told you, this is the show. We don’t get many self-broadcasting ships out here. They want to watch it speck with my computer.” We stood about ten feet from the controller by this time. He had to raise his voice for us to hear him.
The colonel watched out of courtesy. He placed his arms across his chest, folding his hands over his biceps, and stood stiff as a pillar. His lips pressed into a single line and his eyes were hard as stone.
“Any second now …” the controller said. A few seconds passed, but nothing happened. “What the hell!” the controller said, sweeping clutter away from his console. Coffee cups, ashtrays, and papers fell to the floor. He flipped a switch. “U.A. Transport five-Tango-Zulu. Come in five-Tango-Zulu. Come in.”
There was no response, not even static.
“Come in, five-Tango-Zulu.”
Silence.
“What’s going on?” the colonel asked the exact same question, starting to sound nervous.
The traffic controller ignored him. He flipped switches, tried to hail the C-64 again, and flipped more switches. He moved quickly, like a man trying to stave off a catastrophe.
“Mark, get to your station. Get me a reading,” the controller called, and one of the controllers who had been gawking at the radar sprinted across the floor. It seemed like silent communication passed from the floor leader to the other controllers. The rest of the onlookers scattered.
“What is going on?” the colonel repeated.
“I can’t reach the transport,” the controller said without looking back. He pressed a button and spoke into his microphone. “Emergency station, we have a possible stiff!”
“I read you, control,” a voice on the intercom said.
The controller stood up and looked out toward the aperture, then gazed back into his console. “Make that a definite stiff. Look on your radar for five-Tango-Zulu. It’s a few miles off deck in Sector A-twelve.”
“A-twelve?” the voice asked.
“Hold on,” the controller said. “I’ll try raising visual contact with the pilot.”
Under normal circumstances, only the people in the cockpit initiated visual communications; but for security reasons, the Dry Docks’ computers had special protocols that enabled the traffic controllers to override ship systems. A little screen the size of a playing card winked to life on the console next to the radar readout.
Centered in that screen was Klyber’s pilot. He sat strapped in his chair, his head hanging slack. At first I thought he was reading something. Then I noticed the tell-tale details—white skin with a slight blue tint, the blood blister color of the lips, the frozen eyes—and realized that only his harness held him strapped in his seat. “He’s dead,” I said.
“Shit!” the controller gasped. “Shit! Shit! Shit!
“Oh my God! Emergency station, Mary, mother of God, it’s a ghost ship. Repeat, emergency station, five-Tango-Zulu is a ghost ship. The pilot is dead!” he said. “Holy shit! Mary, mother of God. Repeat, the pilot is dead.”
CHAPTER TWELVE
A network of emergency lights flashed red, then green, then white, then yellow around the launch pad. I walked over to the window and watched twelve floors below as emergency teams moved into position around the enormous hangar. Rescue workers piled on to carts and trucks and rode to the outer edge of the locks. Five ambulances arrived and medics set up emergency stations. Watching from the cool, stale environment of the control tower, I saw everything and heard just a shade of the chaos below.
Soft-shells climbed out of rigs and set up emergency equipment. Soft-shells was Marine-ese for spaceport emergency personnel who wore soft armor designed to protect against flames, toxins, and radiation.
Watching them now, I noted their color-coding. Medtechs wore white. Firemen wore yellow. The bomb squad wore black.
“They’ll do what they can,” the colonel said as he took a place beside me to look out the window. He spoke in a near whisper. “We get a lot of crashes when we test prototypes. These guys know how to scramble.”
“The Triple Es are ready,” the traffic controller called from behind us.
“Triple Es?” I asked.
“Emergency evaluation engineers,” the colonel said. “They’ll inspect the ship and board her if possible. Their control room is two floors up. We can watch what they do from there.”
I followed the colonel into the elevator. A moment later, we entered a universe that bore no resemblance to the traffic control floors below. The sterile glare of fluorescent lights lit an endless expanse of cubicles. People didn’t just speak on this floor, they shouted at each other.
“Hey, Clarence, this isn’t a good time. We have a ghost ship,” somebody yelled at the colonel as we stepped off the elevator. A short, chubby man in a messy white shirt and dark blue pants came toward us.
“That’s why we’re here,” the colonel said. “Harris here is familiar with that ship. He’s Klyber’s head of security. Maybe he can help.”
The colonel turned to me. “Just don’t get in the way,” he said. We followed the colonel’s friend into a control room lined with video monitors.
A bank of four monitors along the wall displayed the scene in full color. The first screen showed only Klyber’s ship, which hung in mid-space, silent and motionless. I saw light through the portholes but no movement. Strobe lights along the tail and the wings of the ship flashed white then red.
The next screen showed a five-man security ship approaching the derelict transport from the rear. The security ship was tiny compared to the C-64. It looked like a minnow approaching a whale. I became mesmerized by the glow of the transports’ strobes as it reflected along the hull of the transport …red, then white, red, then white. When the security ship shined a powerful searchlight on the hull, the glow of the strobes seemed to vanish.
All of this took place in the eerie silence of space.
The third screen was a close-up of Klyber’s ship, illuminated by the bleaching eye of that searchlight.
“Are you bringing the ship in?” I asked the man who led us to this bank of screens.
“Hell, no. We don’t know what killed them. That ship could be leaking radiation. That’s all I need, a dirty bomb in the middle of my landing field. They could have been killed with some kind of germ agent.”
“You scanned it,” I said to the colonel.
“We must have missed something,” he answered.
“McAvoy.” Somebody stuck his head out of an office and called to the colonel. The colonel walked over to that office for a chat.
“Scanning the target,” a voice said. It came from a small speaker below the bank of screens. The man who led the boarding team pressed a button, changing the view of one of the screens on the wall. “Keep sharp, boys. They ran a scan on this bird before it left the docks and it came up empty.”
“Roger,” the voice said over the speakers. “Scanning for bombs.”
The background in the scanning screen turned red. Everything on the screen turned red. The space around the exterior of the ship was empty and black with a slight red tint. The Mercury Class transport showed a bold red. The nose of the transport turned bright pink as a laser shined on it. Three columns of text appeared across the bottom of the screen displaying an on-the-spot object, substance, and element analysis.