This reminds me of an anecdote which is related of the Emperor Nicholas I., tending to show that he was not so devoid of kindly human feelings as his imperial and imperious exterior suggested. On coming out of his cabinet one Easter morning he addressed to the soldier who was mounting guard at the door the ordinary words of salutation, "Christ hath risen!" and received instead of the ordinary reply, a flat contradiction—"Not at all, your Imperial Majesty!" Astounded by such an unexpected answer—for no one ventured to dissent from Nicholas even in the most guarded and respectful terms—he instantly demanded an explanation. The soldier, trembling at his own audacity, explained that he was a Jew, and could not conscientiously admit the fact of the Resurrection. This boldness for conscience' sake so pleased the Tsar that he gave the man a handsome Easter present.
A quarter of a century after the Easter Eve above mentioned—or, to be quite accurate, on the 26th of May, 1896—I again find myself in the Kremlin on the occasion of a great religious ceremony—a ceremony which shows that "the White-stone City" on the Moskva is still in some respects the capital of Holy Russia. This time my post of observation is inside the cathedral, which is artistically draped with purple hangings and crowded with the most distinguished personages of the Empire, all arrayed in gorgeous apparel—Grand Dukes and Grand Duchesses, Imperial Highnesses and High Excellencies, Metropolitans and Archbishops, Senators and Councillors of State, Generals and Court dignitaries. In the centre of the building, on a high, richly decorated platform, sits the Emperor with his Imperial Consort, and his mother, the widowed Consort of Alexander III. Though Nicholas II. has not the colossal stature which has distinguished so many of the Romanofs, he is well built, holds himself erect, and shows a quiet dignity in his movements; while his face, which resembles that of his cousin, the Prince of Wales, wears a kindly, sympathetic expression. The Empress looks even more than usually beautiful, in a low dress cut in the ancient fashion, her thick brown hair, dressed most simply without jewellery or other ornaments, falling in two long ringlets over her white shoulders. For the moment, her attire is much simpler than that of the Empress Dowager, who wears a diamond crown and a great mantle of gold brocade, lined and edged with ermine, the long train displaying in bright-coloured embroidery the heraldic double-headed eagle of the Imperial arms.
Each of these august personages sits on a throne of curious workmanship, consecrated by ancient historic associations. That of the Emperor, the gift of the Shah of Persia to Ivan the Terrible, and commonly called the Throne of Tsar Michael, the founder of the Romanof dynasty, is covered with gold plaques, and studded with hundreds of big, roughly cut precious stones, mostly rubies, emeralds, and turquoises. Of still older date is the throne of the young Empress, for it was given by Pope Paul II. to Tsar Ivan III., grandfather of the Terrible, on the occasion of his marriage with a niece of the last Byzantine Emperor. More recent but not less curious is that of the Empress Dowager. It is the throne of Tsar Alexis, the father of Peter the Great, covered with countless and priceless diamonds, rubies, and pearls, and surmounted by an Imperial eagle of solid gold, together with golden statuettes of St. Peter and St. Nicholas, the miracle-worker. Over each throne is a canopy of purple velvet fringed with gold, out of which rise stately plumes representing the national colours.
Their Majesties have come hither, in accordance with time-honoured custom, to be crowned in this old Cathedral of the Assumption, the central point of the Kremlin, within a stone-throw of the Cathedral of the Archangel Michael, in which lie the remains of the old Grand Dukes and Tsars of Muscovy. Already the Emperor has read aloud, in a clear, unfaltering voice, from a richly bound parchment folio, held by the Metropolitan of St. Petersburg, the Orthodox creed; and his Eminence, after invoking on his Majesty the blessing of the Holy Spirit, has performed the mystic rite of placing his hands in the form of a cross on the Imperial forehead. Thus all is ready for the most important part of the solemn ceremony. Standing erect, the Emperor doffs his small diadem and puts on with his own hands the great diamond crown, offered respectfully by the Metropolitan; then he reseats himself on his throne, holding in his right hand the Sceptre and in his left the Orb of Dominion. After sitting thus in state for a few minutes, he stands up and proceeds to crown his august spouse, kneeling before him. First he touches her forehead with his own crown, and then he places on her head a smaller one, which is immediately attached to her hair by four ladies-in-waiting, dressed in the old Muscovite Court-costume. At the same time her Majesty is invested with a mantle of heavy gold brocade, similar to those of the Emperor and Empress Dowager, lined and bordered with ermine.
Thus crowned and robed their Majesties sit in state, while a proto-deacon reads, in a loud stentorian voice, the long list of sonorous hereditary titles belonging of right to the Imperator and Autocrat of all the Russias, and the choir chants a prayer invoking long life and happiness—"Many years! Many years! Many years!"—on the high and mighty possessor of the titles aforesaid. And now begins the Mass, celebrated with a pomp and magnificence that can be witnessed only once or twice in a generation. Sixty gorgeously robed ecclesiastical dignitaries of the highest orders fulfil their various functions with due solemnity and unction; but the magnificence of the vestments and the pomp of the ceremonial are soon forgotten in the exquisite solemnising music, as the deep double-bass tones of the adult singers in the background—carefully selected for the occasion in all parts of the Empire—peal forth as from a great organ, and blend marvellously with the clear, soft, gentle notes of the red-robed chorister boys in front of the Iconostase. Listening with intense emotion, I involuntarily recall to mind Fra Angelico's pictures of angelic choirs, and cannot help thinking that the pious old Florentine, whose soul was attuned to all that was sacred and beautiful, must have heard in imagination such music as this. So strong is the impression that the subsequent details of the long ceremony, including the anointing with the holy chrism, fail to engrave themselves on my memory. One incident, however, remains; and if it had happened in an earlier and more superstitious age it would doubtless have been chronicled as an omen full of significance. As the Emperor is on the point of descending from the dais, duly crowned and anointed, a staggering ray of sunshine steals through one of the narrow upper windows and, traversing the dimly lit edifice, falls full on the Imperial crown, lighting up for a moment the great mass of diamonds with a hundredfold brilliance.
In a detailed account of the Coronation which I wrote on leaving the Kremlin, I find the following: "The magnificent ceremony is at an end, and now Nicholas II. is the crowned Emperor and anointed Autocrat of all the Russias. May the cares of Empire rest lightly on him! That must be the earnest prayer of every loyal subject and every sincere well-wisher, for of all living mortals he is perhaps the one who has been entrusted by Providence with the greatest power and the greatest responsibilities." In writing those words I did not foresee how heavy his responsibilities would one day weigh upon him, when his Empire would be sorely tried, by foreign war and internal discontent.