“Uh huh.”
“For how long?”
“Oh, maybe a minute, maybe two. I wasn’t timing him.”
“Then what happened?”
“He went around to the dark side of the car and opened the door.”
“The door on the passenger’s side?” Frank asked. “Not the trunk?”
Beatrice nodded. “Then he pulled something out. It looked like an old carpet. I figured he was dumpin’ it in the lot. Nobody supposed to do that, but that old rusty car, God didn’t put that there, you know? I figured that’s why he’s looking all around, ’cause he ain’t suppose to be dumpin’ no trash in that lot.”
“Did you see anything in the carpet?”
“Nah, I didn’t,” Beatrice said. “But it was rolled up real loose like, and from the way he was walkin’ it seemed a lot heavier to him than it ought to have been.” She looked at Caleb. “It must have been real heavy. ‘Cause one time, he dropped it.”
“Where did he drop it?” Frank asked immediately.
“Oh, maybe a few yards into the lot, just about in front of that old car.”
That was about where Angelica’s shoe had been found, and Frank made a note of it in his book.
“He didn’t put the carpet up on his shoulder no more after that,” Beatrice added. “He just sort of drug it along, pulling it as he walked backwards.” She glanced toward the children. They were now beyond the hill.
“Stay close now, Raymond,” she called loudly. “And you watch out for Leila.”
“Where did he take the carpet?” Frank asked.
“Into that lot, like I said.”
“Where in the lot?”
“’Bout the middle of it.”
Which was about where the body had been found, Frank realized, and which meant that she probably had seen the things she described.
“What did he do in the lot?” Frank asked.
“I seen him lay the carpet down in the weeds,” Beatrice said. “That’s the last I seen. One of them kids started some shit, and I had to go tend to them.”
“So you stopped watching him?”
“That’s right.”
“You didn’t see him leave?”
Beatrice shook her head. “Next time I seen that street, it was maybe an hour later. Car was gone by then.”
Frank wrote this last statement down in his notebook and ended it with a large black period.
“Thank you,” he said.
Beatrice smiled faintly. “Don’t guess it adds up to much, does it?”
“It’s very helpful,” Frank told her truthfully. He pocketed his notebook. “How long do you expect to be in Atlanta?”
“Maybe another week.”
“Let us know before you leave.”
“I’ll tell old Caleb here.” She smiled. “We’re old buddies, ain’t we?”
“Yeah, we are,” Caleb said.
Moments later, when the two of them were back in the car, Caleb glanced wistfully toward the playground, his eyes lingering for a moment on the woman in the bright yellow dress. She seemed like a spot of light in the surrounding green. “You know, Frank,” he said softly, “there’s nothing like the past to make the future look like hell.”
9
“It was murder, Caleb,” Frank said determinedly, as he and X Caleb made their way through the lunchtime crowds on Peachtree Street. The great towers loomed over them, a thousand small suns winking in a thousand separate mirrors. The heat rose from the street in steamy waves and rippled upward.
Caleb swabbed his face with a red handkerchief. “With malice aforethought,” he said. He pocketed the handkerchief and elbowed his way around a strolling couple. “You know what tipped me off? The way he dumped her. You don’t do that to someone you care about.” He shook his head. “My daddy was full of shit, but I remember that when he was laid out in his coffin, my mother reached over and straightened that poor bastard’s tie.”
They reached the small, treeless park at the center of the city. It was made of cement blocks, with little triangles of closely cropped grass. A large lunchtime crowd of clerks and office workers was munching sandwiches. A few scattered derelicts elbowed their way through the crowds, and to the far end of the park, a small area had been taken over by poor, unemployed men who slouched about in fishnet shirts and drank beer from cans wrapped in paper bags.
“The heat don’t make them nicer,” Caleb said with a small, thin smile. He sat down on one of the few wooden benches and patted it softly. “Take a load off, Frank.”
Frank sat down. “Headquarters would love it to be an accidental death,” he said.
“Fuck them,” Caleb said. He swabbed his neck again. “They got a low attitude about life, and they always have. Top floor’s black now, but nothing else has changed. There’s only one rule: cover your ass.”
Frank watched the long line of barely moving traffic that circled the park: taxis, delivery vans, private cars, and here and there a bicycle that whizzed by everything else. For an instant, he felt a strange envy for the men and women on their bikes, for everything that seemed less stranded and bogged down.
“They don’t see the bigger thing,” Caleb said, “the top brass. It makes them crazy ’cause they don’t.” He crammed the handkerchief in his coat pocket. “So you get this murder and then that one and then the one after that.” He shook his head. “Things blur.”
“Not much of a way around that, though, Caleb,” Frank said.
“I know one,” Caleb said. “You got to do a trick in your mind. You got to think that every murder is the first one that ever was.” His eyes shifted over to Frank. “In every one, there’s some little thing that strikes you,” he added. “I saw a little boy who’d been murdered once. His big brother had shot him. He was laying on the floor, and there was a little toy pistol still in his hand. That did it for me, that little pistol. I kept thinking about it, and in the end, it was all I needed to track that son-of-a-bitch brother down.”
Frank nodded slowly.
“Now with Angelica, it’s her hair,” Caleb said, “the way it was all laid out around her head. Just like a gold fan.”
Frank looked at him unbelievingly. “You think about that? About her hair?”
“Yeah,” Caleb said. “It’s what keeps the fire going in me.”
Frank turned away and looked at the stream of traffic again. He could not think of small things to sustain him, as Caleb did. For him, it was just the opposite. Instead of a toy pistol, a fan of hair, such small, incidental things, he sensed something infinitely large which lived in the darkest quarters of the city or swept out like a prairie wind across barren, dust-covered fields. It was something which fed on the shadows in which it lurked, and then, suddenly, without warning, stepped out of them and into the adjoining world, swept out like a gnarled hand and pulled someone back into it, leaving only traces behind, a toy pistol for Caleb to remember, or a strand of golden hair.
In his mind, he suddenly saw Angelica’s hair. But he did not see it as Caleb did, but as Karen had painted it in the portrait on Cummings’ wall. Something in the portrait clung to his mind like a silver hook. Slowly, delicately, he tried to bring each feature into view: the shining black shoes and white socks, the gently tapered ankles, the red velvet dress and the lace that curled about its hem then rose in a swirl of white to her chest, where it gathered gracefully in a small white pool. He could see Angelica’s neck rise from the lace collar, and then her face, so beautiful, framed by the blonde hair, each feature so perfectly wrought that it seemed separately made. He noted the ears, the full red mouth, the lines of her chin and cheekbones. Then, at last, he settled upon her eyes. He could see them very clearly, the blue irises, the black pupils, the oval pools of white. It was the irises that drew him back. Something was missing, the tiny white specks that give the eyes their light They had not been painted in the portrait, and because of that, Angelica’s eyes looked dead. Years before, her sister had painted her this way, but even now, as Frank felt a cold wave pass over him, he could not imagine why.