Bending down toward the pan, stolid and dutiful and husbandly, Saul sniffed, added some peanut oil, stirred again, and after a minute he ladled out dinner onto Patsy’s plate. The food gave off a damp tropical aroma. Then with that habit he had of reading her thoughts and rewording them — a habit that amazed Patsy and irritated her in equal measures — he turned toward her and said, “You left the breast pump upstairs.” And then: “Hey, you think I’m sleepwalking. But I’m not. I’m conscious. I only look like a zombie.” He smiled at her with a full-fledged zombie smile, the right side of his mouth going up, the undead left side staying right where it was. “You smell of ether,” he said, unkindly.
If he can read my thoughts, she thought, where’s my privacy? But there wasn’t any privacy anyway, not when you gave birth in front of strangers and brought out a breast anytime the baby wanted it.
For the last nine months, Saul had glimpsed the albino deer, always at a distance, on the fringes of the property that he and Patsy rented. After work or on weekends, he had walked across the unfarmed fields up to the next property line, marked by rusting fence posts, or, past the fields, into the neighboring woods of silver maple and scrub oak, hoping to get a sight of the animal and to find out why it was pestering him. It had only revealed itself, however, when he had not been looking for it, and it had this out-of-the-corner-of-the-eye trick that made Saul feel as if the deer had a project of some sort, like converting him to Catholicism or explaining fatherhood to him. Once it had stood grazing near a stump and was visible until he looked directly at it. Then it disappeared with one instantaneous leap into the underbrush. Here, there, gone. It gave him the shivers, this hallucinatory beast with pink eyes and white fur.
Out on his walks, or while jogging, searching the ground for clues, Saul went into emotional reveries, which Patsy had characterized as manic-depressive fits, a phrase that Saul hated. He missed the old pre-therapeutic words like “sorrow” and “exuberance” and “forbearance.” Just now he was a bit short of forbearance. What was he doing out here taking these walks? The sky lately was habitually overcast, like a patient in need of therapy. There were no hills worth mentioning. You couldn’t eat the berries that grew here because if you did, you would sicken. The streams and creeks hardly flowed at all because the ground was so flat that the water became indecisive. Yes, semirural Michigan (things were changing: there was a new outlet mall two miles away, they had paved Whitefeather Road and were beginning to put up stoplights, and condos were being built in a hurry) was a blank slate, but he felt right at home in it, just like that freak of nature, that deer. Maybe everywhere was a blank slate. And now he had a daughter, right here, to care for. A daughter! The fungal smell of wood rot in the culverts strengthened him, he believed, made him a better man, perhaps a better father, or at least made him think of words that nobody used anymore, such as “rue.”
Clouds, mud, wind. Joy and woe, mad happiness and rue lived side by side in Saul with very few emotions in between. Even his gloom was thick with lyric intensity, like a brass band playing a funeral march all day and having a good time doing it. No longer a figure in a Russian novel, he imagined all winter that he lived stranded in an ink drawing by a Chinese artist who lived in the Midwest. He himself was the suggested figure in the lower-right-hand corner. Colors — the bright happy colors— were for elsewhere, for those suspicious characters who comported themselves in California or Florida, who couldn’t face up to cloudy days, who required sports cars and perpetual sunlight and suntans to get through the day.
Wearing his Northwestern University gym clothes, he liked to jog after work alongside the drainage ditch, where he could watch a microwave transmission tower being constructed two miles away. He heard noises of construction, the distant sounds of heavy machinery. From a spidery oak tree, a crow cawed, announcing rain. Near the highway on a Sunday morning two weeks after Mary Esther was born, he had spotted a soiled Ben Franklin half-dollar next to a tossed-away beer can and picked it up. It had been his lucky day. But all the days were lucky, recently. He reminded himself to give thanks to somebody or something. He would start with Patsy.
He made his way back to the house, mud chuckling underneath his boots, Ben Franklin in his pocket, the first fifty cents of Mary Esther’s college fund. He had a secret he had not told Patsy, though she probably knew it: he did not think that he had any clue to being a parent. Not one. His father had died before he might have shown him the fatherhood tricks — all Saul could remember was his father making scrambled eggs for the family on Saturday mornings. Saul’s mother, Delia, had not tried to find a substitute for the boys once their father was gone. Perhaps Saul would fail at fatherhood and they would take his daughter away from him on grounds of parental incompetency. He did not love being a parent, though he loved his daughter with a newfound intensity close to hysteria. To him, fatherhood was one long unrevisable bourgeois script full of long-expected plot turns and predictable blow-ups in the third act, but that was the script he had been handed, and now he was in the play.
Love, rage, and tenderness disabled him in the chairs in which he sat, miming calm, holding Mary Esther. What was the matter with him? He loved his daughter. It was himself he had a problem with. He just didn’t know what the problem was, although his therapist in Chicago had once told him that he suffered from “pointless remorse” and “inappropriate longings.” His typical despairs were beginning to look like luxuries to him. He could be a despair junkie and a virtuoso of fretfulness but probably not anymore, not with a daughter around. Somehow he would have to discard his friends, the long-term discontents, those houses of metaphysical yearnings where he had once made his home. Probably he couldn’t go over to Holbein College anymore on weekends and pretend to be a student. He came in and thanked Patsy with a kiss. But that night, when Patsy was fast asleep, Saul knelt on the landing and beat his fists on the stairs, but softly, so as not to awaken anybody.
On the morning when Mary Esther was celebrating her birthday — she was four weeks old — they sat at the breakfast table with the sun, in a rare appearance, blazing in through the east window and reflecting off the butter knife. With one hand, Patsy fed herself corn flakes. With the other hand she held Mary Esther, who was nursing. Patsy was also glancing down at the morning paper on the table and was talking to Saul about his upcoming birthday, what color shirt to get him. She chewed her corn flakes thoughtfully and only reacted when Mary Esther sucked too hard. It hurt, and it showed on Patsy’s face. A deep brown, she said. You’d look good in that. It’d show off your eyes.
Listening, Saul watched them both, rattled by the domestic sensuality of their pairing, and his spirit shook with wild, bruised, jealous love. He felt pointless and redundant, a citizen of the tiny principality of irony. His heart, that trapped bird, flapped in its cage. Patsy’s breast belonged to him, he thought, not to Mary Esther, even though she could make better use of it than he could. He was ashamed of being jealous of his baby daughter, and he squirmed in his chair as he finished his oatmeal. Actually, he realized, Patsy’s breast belonged to Patsy. Behind Patsy the kitchen spice rack displayed its orderly contents. Everything in the house was orderly, thanks to Patsy, everything except Saul. A delivery truck rumbled by on Whitefeather Road. He felt specifically his shallow and approximate condition. In broad daylight, night enfolded him.