He had time now to reflect on his early life, something he seldom cared to do. It had been a horror-filled hell of torment: at the hands of a perverted "stepfather" of sorts, a cruel foster mother, and the older boys who turned his early reform-school years into a nightmare without end.
As a little boy he had been kept virtually the slave of cruelly twisted desires, made to feel that he was less than an animal. He was watered and fed from the dog's dishes, kept in stifling closets, tethered to the family bed, and sometimes chained inside a suffocatingly hot "punishment box."
As the child was pushed over the edge, used, abused, tortured to the edge of insanity and beyond, he adapted. Mutated. Survived by escaping into a secret world of the mind.
There, inside a room that most would describe as imagination, there was an inner room, and his insanity or fear had unlocked this place. There—inside a room most of us will never see—many paranormal things become possible. The mastery of one's life support system, the controlling of the vital signs, mind over matter, eidetic recall—many things denied the ordinary human being.
Inside this secret place, he'd taken the first steps toward mastery of the will—steps that would lead a nine-year-old victim to the darkened basement of a third-floor walk-up where a bottle of hydrochloric acid waited. Small fingers had reached the bottle, held it carefully as the bruised, battered little boy made his way back up to the third floor, and down the filthy hallway to the rooms where the drunken man lay in a collapsed stupor.
The man, nude, his blue tattoos of frightening serpents and fearsome objects covering an expanse of leathery skin, sprawled across the bed on his back. The child was rock steady as he removed the stopper, and with fingers wrapped in rags pulled back eyelids and poured. He could no longer hear the screams of the one he called "the Snake Man." Too many years, and hundreds of other screams, had dimmed the brightness of those delightful sounds.
When Dr. Norman had found him, languishing on death row as only Chaingang could languish, he'd known the huge killer was more than merely abnormal. He suspected that Daniel was one of the rare human specimens known as physical precognates. From that moment on, there'd been a bonding process between the doctor and his—for want of a better word—subject. And there'd been questions, hundreds of them, many of which had gone unanswered: What about Chaingang's siblings? Were they alive or dead? Had Daniel ever attempted to seek out his biological mother? Was he furious that she'd abandoned him at birth, forcing him into the horrible childhood he'd had? Had he ever thought of tracking her down? Had he wanted to look up the vicious foster mother who'd allowed these horrors to be perpetrated? Was she alive? What about the man he'd blinded? Did he lust for the Snake Man's heart?
Under drugs and hypnosis, over dozens of interviews, debriefings, interrogations, Q and A of every type, and what could be termed "therapy," Norman learned a few things. The records were long gone as to the identity and whereabouts of the biological mother who had abandoned him at birth. Similarly, if the data had ever been known, there were no records identifying a biological father.
The Snake Man was believed to be deceased. The records showed that he had ended up a pitiful wino, a blind beggar who existed from one jug of cheap muscatel to the next. It was of no consequence—Daniel said. But the doctor never fully believed him.
Chaingang either had no siblings or had no interest in finding them. At one time, he would have loved to find his real mother and go "rip her womb out," but too many years had gone by. The truth is, inside, Daniel had never really lusted for revenge on these old figures from his past. He had so much intense hatred for everyone that years of mayhem had acted as a kind of diffusive influence, spreading his rage out. He wanted vengeance against mankind, not just some old lady in Kansas City.
On the other hand, it was always somewhere down in the dark recesses of his nasty brain fissures, the simmering hatred he felt for his "foster mother"—what a joke—and the nameless, faceless "others" he could no longer hope to identify, much less track. As long as he was here, and had a few days to kill, why not do so?
That night he found his foster mother. She hadn't aged a day—inside his mind—not until he first laid eyes on her. The sight of her brought back all the memories in a furious flood of remembering: the urine stench of the closet where she liked to keep her big bad boy, the rough pinching hands and the cigar-smoke breath of the Snake Man, and the way she'd laugh when the man used him, the look of the dog's food-and-water dishes and the taste of the dog food, the sunlight through the grimy window that beckoned to him when he was chained to the bed, the look of the peeling wallpaper and the feel of the sharp springs beneath the bed.
He could see it all at the first moment he saw her face. The cracks in the linoleum beneath the old oilcloth-covered table. The black of the filthy sink where the porcelain was long gone. The smells in the darkness: feces, smoke, whiskey. The cardboard box beside the bed where the bad things were. How he hated to see the Snake Man reach into that box for things he'd used to hurt the little boy; things to whip, stick, burn. The Snake Man loved inflicting pain.
Little Daniel could see the rust on the hinges of the metal punishment box, the air holes where he pressed his little nose and mouth, the feel of the suffocating heat, the memories of the little dog and his other pets—the silverfish and cockroaches and bedbugs and rats that were so much a routine part of his young life…all of these things poured over his mind.
"Call me Mrs. Garbella," she had told the child when they first met, smiling with mock sweetness. Later, when he'd mispronounced her name, she'd slapped him, hard, nearly knocking him unconscious.
The face is one he would have remembered anywhere. He'd forgotten just how ugly the old bitch was. She'd been no prize in her thirties, but now—in her late sixties she was a certifiable hag.
"Whatya want?" she snarled at him through the cracked door held closed by a flimsy piece of chain which he could have bitten his way through.
"Don't you remember me?" he asked in his most dangerous rumbling bass. She glared out at him a moment too long and he smacked the door with the flat of his right hand, a hand the size and density of a twenty-two-pound shotput, and the cheap chain arrangement popped loose from the wood as the door smashed in at her.
He was in. Slammed the door shut. Started to demand that she get on her feet, but even at her advanced age she was still mean enough she wanted to fight, and she managed to struggle upright again and charged into him snaggletooth-and-nails, clawing and biting this monster of an adversary.
She scared him. Later, he attributed it to the element of surprise, but really the little boy hiding inside him somewhere was momentarily frightened by her unexpected retaliation and he reacted too swiftly, the huge fighting bowie knife—a razor-sharp blade that could cut two inches of loosely swinging hemp—slashing into her with all the force of a quarter-ton death machine.
Compute the foot-pounds of pressure times the kinetic energy, multiply by the stink of the closet where she kept him, squared by the sum of the hours he'd spent inside the box under the bed, and you can begin to understand the ferocity with which he swung that mighty blade. The single slice decapitated the old woman, and her head hit the floor like a big ugly ball before the body could topple. Chaingang's right hand and arm were painted with her blood, which was spurting from her neck with every beat of the woman's dying heart.