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     costs more than your schoolbooks in a year.

     How can you afford to drink such expensive

     whiskey, and don’t you feel guilty when there are so

     many people losing their homes and unable to fill their

     cars with gas?

     My turning down a magnificent Irish whiskey isn’t going to fill

     your car with gas—assuming you have a car. It’s a fact that the

     finer labels—whether it’s a Château Pétrus, a single-malt

     whiskey, or very fine pure agave tequila—are less damaging to

     your liver and brain.

     So wealthy people who drink the good stuff aren’t

     as affected by alcohol abuse? That’s something I’ve

     never heard.

     How many human livers and brains have you seen and

     sectioned?

     How about some other examples from the dark

     side? What else do you say behind the scenes,

     especially when you’re with your colleagues?

     We brag about famous people we’ve autopsied (all of us

     secretly wish we’d done Elvis or Anna Nicole Smith or Princess

     Diana). Listen, I’m no different from anybody else. I want the

     case nobody else gets. I want the Gainesville serial murders. I

     want to be the one who arrives at the scene and finds the

     severed head on a bookshelf staring at me when I walk through

     the door. I would have loved to have been cross-examined by

     Ted Bundy when he represented himself at his own murder trial.

     Hell, I would have loved to have done his autopsy after he was

     executed.

     Share some sensational cases you have worked.

     I’ve been fortunate to have a number of them. For example,

     lightning strikes, where nobody else could figure out the cause of

     death, because you’ve got this body lying in a field, her clothes

     ripped off and scattered. First thought? Sexual assault. But no

     sign of injury at autopsy. Dead giveaways, excuse the pun? The

     branching pattern known as the Lichtenberg figures or electrical

     treeing. Or if the person was wearing anything ferrous, such as

     a steel belt buckle, it would have become magnetized, or the

     wristwatch might have stopped at the time of death—I always

     check for things like that. Most medical examiners don’t because

     they’re inexperienced or naïve or just not very good at what

     they do.

     You don’t sound as compassionate as I expected.

     Let’s face it. Dead is dead. I can show all the empathy in the

     world and move any jury to tears. But do I really feel that my

     heart has been snatched out of my chest when the latest

     tragedy’s rolled in? Do I really care when the cops make

     comments that the public never hears?

     Such as?

     Typically, comments with sexual overtones. The size of the

     deceased’s penis—especially if it’s small or huge. The size of the

     deceased’s breasts—especially if they’re what I’d call centerfold

     material. I know plenty of medical examiners who take souvenirs.

     Trophies. An artificial hip from someone famous. A tooth. A

     breast implant, and it’s always the men who want those. (Don’t

     ask me what they do with them, but they’re usually within easy

     reach.) A penile implant—those are amusing.

     Have you ever kept a souvenir?

     Only one. This was twenty years ago, a case early in my

     career, serial murders in Richmond, where I was the brand-new

     chief. But the trophy wasn’t from a dead body. It was from

     Benton Wesley. The first time we met was in my conference

     room. When he left, I kept his coffee cup. You know, one of

     these tall Styrofoam cups from a 7-Eleven? I was totally in lust

     with him the first minute I saw him.

     What did you do with his coffee cup?

     I took it home with me and ran my tongue along the rim of it,

     as if by tasting it, I was tasting him.

     But you didn’t actually sleep with him until, what?

     About five years later?

     That’s what everybody thinks. But that’s not what really

     happened. I called him after that first meeting and invited him

     over for a drink—allegedly so we could continue discussing the

     cases in private, and the instant my front door shut behind us,

     we were all over each other.

     Who started it?

     I seduced him. That made it less of a moral struggle for him.

     He was married. I was divorced and not seeing anyone. His poor

     wife. Benton and I had been lovers for almost five years before

     he finally admitted it to her, feigning that his adultery had just

     begun because their marriage had gotten stale, lifeless.

     And nobody knew? Pete Marino? Lucy? Your

     secretary, Rose?

     I’ve always wondered if Rose suspected it. Just something

     about the way she’d act when Benton would show up for yet

     another case discussion, or when I was on my way to Quantico

     for yet another consultation. She died of cancer last summer. So

     you can’t ask her.

     Doesn’t sound as if working with the dead makes

     you sexually inhibited.

     Quite the opposite. When you’ve explored every inch of the

     human body so many times that you haven’t the least bit of self-consciousness or revulsion about it, there isn’t anything out of

     bounds sexually, and there’s plenty of experimentation to be had. . . .

     “Can you forward this to Kay?” Berger said when the section of text abruptly stopped. “So when she gets a chance, maybe she can give it her attention. Maybe she’ll have thoughts, insights we don’t.”

     “Supposedly from one of the interviews this past Thanksgiving,” Lucy said. “Which I know she didn’t give. Not that she’d ever talk like this to anyone.”

     “I’m noticing a creative use of fonts. Your opinion?”

     “The writer, Terri or whoever, does a lot with fonts,” Lucy agreed.

     She was doing her best to be calm, but she was outraged. Berger sensed it, and she was waiting. In the past, Lucy’s anger was something to be feared.

     “And in my opinion, there’s symbolism involved,” Lucy was saying. “In this phony interview, for example, when Terri’s asking questions, I’m going to say it’s Terri, the font is Franklin Gothic and it’s in bold. Arial in smaller type for my aunt’s phony answers.”

     “Then symbolically, Terri has superseded Kay in importance,” Berger said.

     “It’s worse than that. For your purists in the word-processing world, Arial has a very bad rep.” Lucy studied text as she talked. “It’s been called homely, common, lacking in character, and is considered a shameless imposter. There are plenty of articles about it.”

     She avoided Berger’s eyes.

     “An imposter?” Berger prodded her. “As in plagiarism, copyright violation? What are you talking about?”