Self-conscious in their new costumes, they were ushered through a door that gave directly on to the main reception hall of the palace. Hector blinked with surprise. The gloomy cavernous chamber of his earlier visit had been transformed. Great swags of yellow, pale-blue and rose-pink muslin were suspended from the bamboo poles wedged between the rafters. The shutters along the walls had been thrown open to let in light and air. Fresh matting had been laid on the boards, the wooden pillars that held up the roof were wrapped in bright-green palm fronds, and small spirals of smoke rose from incense burners, which gave off a heady, sweet perfume. A band of a dozen musicians in yellow and grey gowns played a melody on gongs, flutes and drums.
Three or four hundred people were gathered in the room. Most were men, but here and there Hector saw women demurely dressed, some with black veils, others with shawls over their heads. He looked among them hopefully, trying again to find Maria, but was disappointed. The crowd stood in a hollow square facing the Sultan’s divan at a respectful distance. The royal couch with its red velvet cushions had been raised on a low plinth covered with brocaded silk. The old man himself was nowhere to be seen, but he was obviously expected because many of the courtiers Hector remembered from his previous audience stood ranged on each side of the divan. Instead of their black pyramid caps, they were wearing towering headdresses made from the feathers of God’s Birds.
It took Hector a moment to recognize Mansur among them. The tall, thin chamberlain was standing next to the empty divan, and his headdress was a particularly magnificent arrangement of black and orange-yellow plumes. Hector was considering whether to walk across boldly and ask about Maria when the band stopped playing and there was the clash of a large gong. All the courtiers turned and faced to their left, the plumes of their headdresses bobbing and nodding in a ripple of colour. The muslin curtains had been drawn aside, and the old Sultan came hobbling through the gap. Immediately behind him stalked an attendant holding up a ceremonial parasol of yellow silk. At the old man’s right hand a courtier carried the silver betel box, and to his left another attendant held a silver spittoon. Slowly they advanced into the room while the crowd hushed. The old man wore a pure-white sarong over a pair of black trousers, a broad belt of red silk, and a tight, long-sleeved jacket of black velvet slashed with gold and a high stiff collar, which failed to hide his thin neck with its folds of wrinkled skin. On his feet were finely worked purple slippers. Instead of a feathered headdress he wore a head piece of gold filigree.
He reached his divan and lowered himself stiffly on to the cushions. The attendants placed the betel box and spittoon beside him, bowed and withdrew. The servant with the parasol took up position directly behind his master. The Sultan slowly turned his head, blinking his red-rimmed and rheumy eyes as he surveyed his subjects. He reminded Hector of one of the tortoises he’d seen so long ago on the Encantadas.
The gong sounded again, a gentler stroke, and this time it was Prince Jainalabidin who entered. The boy was dressed in the same costume as his father, but bare-headed. Behind him came an attendant bearing a smaller ceremonial parasol. The boy took his place standing on the step below his father, at his right hand.
A short pause was followed by a tapping of drums and the sound of a stringed instrument that reminded Hector of a viola. The crowd parted to allow a troupe of a dozen women and girls to glide into the open space before the Sultan. They were dressed in matching costumes – sarongs of flowered red silk and short green satin jackets fastened with buttons of shell. On their wrists and ankles they wore an array of gold bangles, and they kept short shawls of green gauze draped over their heads. With their gaze demurely on the ground before them, they performed a slow-paced sinuous dance, gyrating gracefully, moving their hands and arms, and every now and again holding a pose whenever a small gong was struck.
As he watched the show, Hector became aware of furtive movements at the rear of the crowd of onlookers. A number of shadowy figures were emerging from what must have been a hidden door at the far side of the audience hall. He took care not to look at them directly so as not to appear rude, but out of the corner of his eye he estimated some twenty women had joined the onlookers to peer between them and watch the performance.
The dance ended, the performers bowed gracefully to the Sultan and left by the way they had entered. The audience stirred in anticipation, and abruptly the drummers broke into a much faster and more energetic rhythm. Now a team of ten young men came bursting through the audience. They were barefoot and their loose trousers were gaudy with red and white stripes. Billowy white shirts were open at the chest, and their hair was tied back with narrow brow-bands. They bounded into the open space before the Sultan, and began to weave back and forth with short stuttering steps, leaning forward, arms held close and waggling their bodies from side to side. Belatedly Hector realized that they were imitating the mating dance of manuk dewata, when the music changed and the young men were ducking and twisting as they mimicked fighting with sword and dagger, performing great leaps and turns, until the music rose to a crescendo and ended with a tremendous booming crash of the gong.
‘Do you think that was the sound of our five-pounder?’ whispered Jacques beside him. A nudge from Jezreel silenced the Frenchman. The dancers had left, and the Sultan, still seated, was delivering a speech to his people. The old man’s voice was thin and reedy and Hector strained to catch the words. He did not understand the language, but it was clear that the old man was congratulating the boy on the outcome of the expedition against the Sugala. From time to time the Sultan turned proudly towards his son.
Hector kept looking towards the women he had seen at the rear of the audience. They had retreated in a group to a shadowy corner. All of them wore veils, and those he was able to see more clearly kept a fringe of the scarf drawn across their mouths to hide all but their eyes. Try as he might, Hector couldn’t tell if Maria was among them, for he was now sure they were the palace women.
He was caught off-guard when Mansur stepped from the line of courtiers and began to walk towards him. Suddenly he was aware the Sultan had stopped speaking and the audience was looking on expectantly.
‘His Majesty wishes to reward you for your help,’ said the chamberlain.
The crowd shuffled backwards, leaving Hector and his friends standing on their own, exposed.
‘Each of you will receive a gift of twenty skins of manuk dewata,’ announced Mansur.
Hector gathered his wits. ‘His Majesty is very kind. I thank him.’
Mansur had not finished. ‘He understands that you wish to return to your own people. He would prefer that you stay in Pehko, but his son has asked that you and your comrades be allowed to sail with the ship of Musallam Iskandar. Permission is granted.’
Hector swallowed. ‘I would like to ask His Majesty the Sultan that my betrothed leave with us.’
The old man squinted at Hector as the chamberlain repeated the request, and croaked out his response. He sounded petulant.
The chamberlain turned back to Hector. ‘His Majesty says that you have already been told the relationship between yourself and this woman is not recognized.’
Hector felt the anger rising within him. ‘Then tell His Majesty—’ he began recklessly.
The prince’s treble voice cut across him. The boy was saying something to his father; his words were shrill with indignation. The old man didn’t answer but, turning his head, wheezed a few words to the attendant who stood by his spittoon. The man hurried from the chamber and a short while later came back, carrying a small tray covered with a white cloth.