I got up and left. I know now it was just nerves, that when Winston died that chapter ended. But I didn’t then. I tried to put it out of my mind, and couldn’t. I didn’t go to the ball games any more, but then, after a couple of weeks, I got to thinking: Am I going to turn into the priest again? Am I going to give up everything else in this Christ-forsaken dump, and then lose my voice too? It began to be an obsession with me that I had to have a woman, that if I didn’t have a woman I was sunk.
She didn’t go with me to hear the band play any more. She stayed home and went to bed. One night, when I went out, instead of heading for the park, I flagged a taxi. “La Locha.”
“Sí, Señor, La Locha.”
I had heard guys at the ball game talking about La Locha’s, but I didn’t know where it was. It turned out to be on Tenth Avenue, but the district was on a different system from in Mexico. There were regular houses, with red lights over the door, all according to Hoyle. I rang, and an Indian let me in. A whorehouse, I guess, is the same all over the world. There was a big room, with a phonograph on one side, a radio on the other, and an electric piano in the middle, with a stained-glass picture of Niagara Falls in the front, that lit up whenever somebody put in a nickel. The wallpaper had red roses all over it, and at one end was a bar. Back of the bar was an oil painting of a nude, and in the cabinet under it were stacks and stacks of long square cans. When a guy in Guatemala really wants to show the girls a good time, he blows them to canned asparagus.
The Indian looked at me pretty funny, and after he went back, so did the woman at the bar. I thought at first it was the Italian way I was speaking Spanish, but then it seemed to be something about my hat. An army officer was at a little table, reading a newspaper. He had his hat on, and then I remembered and put mine on. I ordered cerveza, and three girls came in. They stood on the rail and began loving me up. Two of them were Indian, but one of them was white, and she looked the cleanest. I put my arm around her, and after the other two got their drinks, they went over with the officer. One of them turned on the radio, and the other one and the officer began to dance. My girl and I danced. By rights I guess she was fairly pretty. She couldn’t have been more than twenty-one or two, and even in the sweater and green dress she had on, you could see she had a pretty good shape. But she kept playing with my hand, and everything I’d say to her, she’d answer in a little high squeak of a voice that got on my nerves. I asked her what her name was. She said Maria.
We had another dance, but God knows there was no point in keeping that up. I asked her if she wanted to go upstairs, and she was leading me out the door even before the tune was over.
We went up, she took me in a room, and snapped on the light. It was just the same old whore’s bedroom, except for one thing. On the bureau was a signed photograph of Enzo Luchetti, an old bass I had sung with years before, in Florence. My heart skipped a beat. If he was in town, that meant I had to get out, and get out fast. I picked it up and asked her who it was. She said she didn’t know. Another girl had had the room before she came, a fine girl that had been in Europe, but she had got enferma and had to leave. I put it down and said it looked like an Italian. She asked if I wasn’t Italian. I said yes.
There didn’t seem to be much to do, then, but get at it. She began dropping off her clothes. I began dropping off mine. She snapped off the light and we lay down on the bed. I didn’t want her, and yet I was excited, in some kind of a queer, unnatural way, because I knew I had to have her. It didn’t seem possible that anything could be over so quick and amount to so little. We lay there, and I tried to talk to her, but there wasn’t anything to talk to. Then we had another, and next thing I knew I was dressing. Ten quetzals. I gave her fifteen. She got awfully friendly then, but it was like having a poodle bitch trying to jump in your lap. It was only a little after ten when I got home, but Juana was asleep. I undressed in the dark, got into bed, and thought I would get some peace. Next thing, the conductor threw the stick on me, and I tried to sing, and the chorus stood around looking at me, and I began yelling, trying to tell them why I couldn’t. When I woke up, those yells were still echoing in my ears, and she was standing over me, shaking me.
“Hoaney! What is it?”
“Just a dream.”
“So.”
She went back to bed. Not only the bridge of my nose, but the whole front of my face was aching so it was two hours before I dropped off again.
From then on I was like somebody threshing around in a fever, and the more I threshed the worse the fever got. I went around there every night, and when I was so sick of Maria I couldn’t even look at her any more, I tried the Indian girls, and when I got sick of them I went in other places, and tried other Indian girls. Then I began picking girls off the street, and in cafés, and taking them in to cheap hotels off the park. They didn’t ask me to register and I didn’t volunteer. I paid the money, took them in, and around eleven o’clock left them there and went home. Then I went back to La Locha’s and started up with Maria again. The more I had of them the worse I wanted to sing. And all that time there was only one woman in the world that I really wanted, and that was Juana. But Juana had turned to ice. After that one little flash, when I woke her up with my nightmare, she went back to treating me like she just barely knew me. We spoke, talked about whatever had to be talked about, but whenever I tried to push it further than that, she didn’t even hear me.
One night the Pagliacci cue began to play, and I was just about to step through the curtain and face that conductor again. But I was almost used to it by now, and woke up. I was about to drop off again, when a horrible realization came to me. I wasn’t home. I was in bed with Maria. I had been lying there listening to her squeak about how the rains would be over soon, and then the good weather would come, and must have gone to sleep. I was the star customer there by now, and she must have turned off the light and just let me alone. I jumped up, snapped on the light, and looked at my watch. It was two o’clock. I jumped into my clothes, left a twenty-quetzal note on the bureau, and ran downstairs. Things were just getting good down in the main room. The army, the judiciary, the coffee kingdom, and the banana empire were all on hand, the girls were stewed, the asparagus was going down in bunches, and the radio, the phonograph, and the electric piano were all going at once. I never stopped. A whole row of taxis were parked up and down the street outside. I jumped in one, went home. A light was on upstairs. I let myself in and started up there.
Halfway up, I felt something coming at me. I fell back a step and braced myself for her to hit me. She didn’t. She shot by me on the stairs, and in the half light I saw she was dressed to go out. She had on red hat, red dress, and red shoes, with gold stockings, and rouge smeared all over her face, but I didn’t catch all that until later. All I saw was that she was got up like some kind of hussy, and I took about six steps at one jump and caught her at the door. She didn’t scream. She never screamed, or talked loud, or anything like that. She sank her teeth into my hand and grabbed for the door again. I caught her once more, and we fought like a couple of animals. Then I threw her against the door, got my arms around her from behind, and carried her upstairs, with her heels cutting dents in my shins.When we got in the bedroom I turned her loose, and we faced each other panting, her eyes like two points of light, my hands slippery with blood. “What’s the rush? Where you going?”