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Salas showed no reaction. Penitentiary face already, Westerley thought.

“My guess is you’d make a small mistake that could be regarded as a parole violation,” Westerley said, “and you’d be back here like you were snapped back by a rubber band. That’s if the parole board never saw your letters and granted you a parole to begin with. You start your stretch by harassing your rape victim via the U.S. mail, and the odds are you’ll grow old here and deteriorate along with the buildings.”

“I guess you got them letters in your possession.”

“I do. And I’m gonna hold on to them. And there aren’t gonna be any more of them, or I’ll see that you don’t have to wait ten or fifteen years to wish you’d never learned to write. You’ll limp all the rest of your miserable life.”

“A threat?”

“You betcha. An actual physical threat. But just between you and me.”

“Maybe Beth likes my letters. Maybe she’s in love with me.”

“Like she loves garbage.”

“Some women do love garbage.”

“If she was one, I wouldn’t be here. Anyway, she only read the first few letters. She turned the rest over to me unopened.”

“But you opened them.”

“Sure. I’m the sheriff.”

Salas closed his eyes, as if he didn’t want Westerley to see the thoughts behind them. Then he opened them and smiled. Westerley was liking that smile less and less.

“Can I smoke in here?” Salas asked.

“It don’t matter. I’m leaving shortly.” Westerley leaned in close and locked gazes with Salas. Held steady until he won the staring contest. When Salas looked away, Westerley clutched his face by the chin between thumb and forefinger, as you might do with a recalcitrant child, and swiveled his head back so they were looking at each other again. “You write any more letters and I’m gonna see you alone in another room where there won’t be a guard within shouting distance. You get my meaning?”

Salas didn’t seem scared, but he was paying close attention.

Westerley squeezed Salas’s lower jaw harder and gave him a grim smile. “We got us an understanding?”

Salas said something like “Eyah.”

Westerley released Salas’s chin but made sure their gazes were still locked.

Salas didn’t look away this time. His dark eyes were flat and emotionless, maybe the way they’d been when he raped Beth. Westerley knew the distance in those eyes; he’d driven Salas’s sick and evil demon well back in its lair.

“If she ain’t opening the letters anyway,” Salas said, “I don’t see any point in sending more.”

“I’m glad you got that straight in your mind.”

Westerley stood up, then went over and rapped a knuckle on the door as a signal to the guard that he was leaving.

“Go easy on the cigarettes,” he said, with a glance back at Salas. “Those things are killing lots of rats on the outside.”

41

New York, the present

The Skinner had learned the doorman’s routine easily enough. As usual, the man in his absurd quasi-military uniform left his post untended when he bustled down to the corner to hail a cab for someone leaving the building. By the time he was helping his charges into the cab and receiving a liberal tip, the Skinner, unseen, was on his way up in an elevator. Since he was in his deliveryman uniform and carrying a package, anyone glancing at him would have paid him little attention. He was as much a part of the decor as one of the potted plants, and about as memorable.

It was easy for him to slip the apartment door’s knob lock with his honed credit card. He then made short work of the dead bolt with his lock pick.

He wasn’t surprised when he eased the door open and found that the chain wasn’t attached. Judith Blaney was dining out with friends on the other side of town. Probably they would stop someplace else for drinks after dinner. She’d be pleasantly tired when she got home, anxious to kick off her shoes and go to bed. The friends she was with were all women, so Judith was almost certain to arrive home alone.

She’d be surprised when she closed the door behind her and wasn’t alone. The Skinner, an expert at his grisly passion, would take full advantage of that surprise and have her helpless even before she had time to cry out.

He tucked the box, in which he carried his tape and instruments, beneath his arm, and with a glance up and down the hall pushed his way into the apartment.

The Skinner locked the door after him but left the chain off, so when Judith came home she’d think everything was as she’d left it and the apartment was inviolable and waiting for her with its comforts and safety. Her world would seem tight and secure and unchanged.

The killer knew how important unchanged was.

Familiarity was easily mistaken for security. It made for denial that lasted until the end. Well, near the end.

The Skinner smiled, turned, took two steps, and drew in his breath.

He stood still, staring at the man casually seated on the sofa. The man had his hands folded in his lap, his legs crossed, and was staring back at him.

Not a large man, the Skinner told himself. Slender, but with a coiled kind of look about him suggesting a wiry strength. He was wearing pale gray slacks, a black blazer, and no tie. Almost absently, he slid a hand into one of the blazer’s side pockets, but the implication was clear. There might be a gun in that pocket.

The Skinner’s mind was spinning, calculating.

The police? Had they somehow guessed Judith Blaney was to be the next victim?

No. I don’t see a badge. And only one man.

And not a very intimidating one.

If not the police, who?

Then he remembered the other man he’d seen in the vicinity of Judith. Two hunters on the trace of the same prey?

It was possible.

Given the circumstances, maybe even likely.

The Skinner felt grounded again. Though not exactly in control, he was sure he could get on top of this situation even though he didn’t entirely understand it.

“I’m here to make a delivery,” he said amiably.

The man on the sofa laughed. He had neatly aligned features that somehow just missed being handsome. His wavy black hair was combed straight back, as if he were perpetually facing a wind.

“What’s funny?” the Skinner asked.

“You coming to make a delivery, when I came here to give something to you.”

“What would that something be?” asked the Skinner

“An alibi.

“For what?”

“The murder of Judith Blaney.”

“You out of your mind?”

“Like you are. But we want the same thing.”

“Which is?”

“Judith Blaney dead.”

The room seemed to have developed its own heartbeat. The Skinner was breathing softly and evenly. Whatever the hell was going on, there was wriggle room. He’d be able to work something out, even if it meant leaving here with two dead bodies in the apartment.

“I was released from prison six months ago after serving time for a rape I didn’t commit,” the man on the sofa said.

“I know who you are now,” the killer said. “Judith Blaney pointed you out as the man who attacked her. Your conviction was overturned because DNA proved you were innocent.”

“And I know who you are,” the man on the sofa said. “I know what you’re doing and I heartily approve of it. I know you need alibis for the… well, for certain nights. I can provide them.”

“Why should you?”

“You’re going to do to Judith Blaney what I was going to do.”

He drew from his pocket not a gun but a theater ticket. He laid it on the sofa arm, snapping it flat as if it were a card he’d pulled from a new deck. “This is a ticket for a play at the Berman Theater, Tables Turned. You seen that play?”

“No. I’m not much for the theater.”

“I bought it at the box office, paid cash. It’s for tonight’s performance. You still have plenty of time to get there before the curtain goes up.”