“The tesserae must have been scattered all over the street by the explosion?”
“That’s right. Just as I was about to despair I noticed a glint on the pavement. Around my feet and stretching out on all sides constellations winked, reflecting light from the burning shops. I plucked up a dark red cube of glass. Then three blue cubes. A curling line of green led to a handful of yellow. I scrambled around gathering what I could from the grimy stones. I managed to find a pitifully small portion of what I had brought. No matter, the servants urged me on.”
The events Figulus had described struck John as lucky rather than miraculous but he did not say so. “Did you reach the palace without further incident?”
“Yes. Except there was an angry crowd outside the palace walls. Blues and Greens joined in thunderous imprecations against Justinian, interspersed with chants of ‘Victory, Victory.’ As I struggled to force my way forward, I heard shouts which sent a shiver through me. ‘Glykos! The tax collector! Death to Glykos!’”
The doomed tax collector had arranged for Figulus to be admitted to the palace grounds. He was waiting in his study-John’s study-staring out the window across the square below, Figulus said. John wondered if he had been watching for excubitors to emerge from the barracks opposite, waiting for the men who would escort him to his execution.
“If Glykos had not had the windows shut against the smoke, he might have heard the crowd crying for his head,” Figulus said. “He held a cup of wine. The watery light of dawn had driven the pagan gods from the peaceful country scene on the wall behind him.”
“And what was it he wanted you to do?” John asked. He had never noticed anything in the mosaic that had given the impression of being an afterthought or a repair.
Figulus, who had been speaking quietly, lowered his voice even further. “The foul man insisted I add a portrait of his daughter to the mosaic. I was horrified. You are familiar with the nature of the work. What man would place his daughter in a scene of such surpassing evil?”
John offered sympathy.
“Yet what could I do?” Figulus replied. “I am merely an artisan. Who am I to judge the whims of my employers? While I chipped away the corner of the mosaic and applied the setting bed, Glykos had the girl summoned. She was wide-eyed and silent. A grave little girl. I believe she was too young to know exactly what was about to befall her father but old enough to feel something was wrong. Now here is the strange thing. I had never attempted a likeness. How could I capture hers? And in a few brief winter hours, in a cold room that smelled of fear and ashes?”
Figulus lifted a hand and regarded his long, calloused fingers. “It wasn’t my doing. These fingers were commanded by another power. What’s more, the few tesserae I salvaged from the street were almost exactly enough, and the colors matched the girl’s flesh and hair and the colors of her garment. How could that have happened without the Lord’s intervention?”
John made no reply. He did not believe things happened because of the intervention of the Christians’ god.
The mosaic maker seemed not to notice the Lord Chamberlain’s silence. He made the sign of his religion and continued. “I secretly took one action to protect her innocence. I made certain she was looking straight out into the world, so that she would never catch a glimpse of the behavior of the pagan deities in her sky.”
Why had Glykos wanted such a portrait? Given his reputation, he may have thought that thrusting a mosaic daughter into the care of blasphemous deities would taunt the god of the Christian emperor who was about to betray him. John asked Figulus whether the tax collector had revealed the reason for his request.
Figulus shook his head. “I have often wondered. Was it the result of a terrible upheaval of the humors? Perhaps at the very end, despite his wealth and power, Glykos realized his daughter was his true treasure. Being a worldly, grasping man, he expressed his love for her, as he did for material things, by asserting his ownership. By attaching her image to his wall. He was not altogether a villain. He paid me liberally in gold coins before I left.”
John looked around the workshop. Figulus’ older sons were still laboring assiduously with their tesserae. The infants had curled up and gone to sleep under the table like a couple of cats. Perhaps for a man who led a comfortable life it was easy and desirable to think the best of evil men.
“Everything you’ve told me has been interesting, Figulus. I know Glykos was beheaded and his body cast into the sea. As for his family…his daughter…I don’t even know the girl’s name. Did you learn that?”
“Agnes, Lord Chamberlain. That’s what Glykos called her. I heard afterward that she and her mother were thrown out onto the street with nothing more than the clothes on their backs. It would have been more merciful to execute them both.”
Chapter Eleven
“Being thrown on the streets isn’t necessarily a death sentence,” Anatolius pointed out. “Agnes probably turned to prostitution. If so, we were correct about the meaning of that tattoo on her body.”
“I suspect Figulus would consider a woman’s employment by Madam Isis or one of her colleagues to be worse than a death sentence,” John replied.
He had arranged to meet with Anatolius at the Baths of Zeuxippos. They sat on curved benches beside the central fountain, under the gaze of the tight-lipped, bronze Demosthenes. The splash of falling water, amplified by the cavernous space, masked the echoing slap of sandals on tiles and the conversations of those passing by.
“I was careful not to make direct inquiries about the situation,” John continued. “So far as Michri and Figulus are concerned I wished to commission repairs. I don’t want word of these investigations reaching the wrong ears.”
“Particularly since we don’t know whose head sports the wrong ears. If nothing else, Cornelia will be pleased.”
“It will please me, too. I’d prefer Cornelia didn’t venture out alone.”
“I’m glad I don’t have a family to worry about,” Anatolius observed. “Besides, if I did I might not be able to trot around to half the brothels in the city on your behalf. Not that I’ve had any luck tracking down that tattoo yet. I can continue to look, but now that we know the model for your mosaic belonged to court, it might be easier to check in those circles.”
“Isis will keep an eye out for us too, now you’ve alerted her to the search.”
“John, I was wondering…about Zoe…do you intend to call her by her real name now that you know it?”
“The girl in my mosaic has always been Zoe to me.”
“I’ve often wondered how-”
“Anatolius! Lord Chamberlain! An attendant tells me you wanted to speak to me?” A short, muscular man approached. His black, cropped hair glistened wetly. His lumpy features might have belonged to a beggar, but not his green, pearl-embroidered robes.
Anatolius rose to greet his friend. “Francio! The Lord Chamberlain was asking about a courtier I had never met and I thought of you. After all, you know everyone at court, including those who have fallen from favor!”
Francio tapped the side of his nose, which had been horribly squashed in an accident-what sort varied with its owner’s mood and his listener’s credulity. “Let us keep that under the rose, Anatolius. But you flatter me even so. I don’t know about everyone. Only those of importance. I don’t have any gossip about the palace guards and servants and such, unless the servants are sleeping with someone important. Why, I could tell you…but perhaps I’d better not.”
John mentioned the departed tax collector.