Severed

'I know.'

'Do you? I'm surprised. You never went to the funeral, or even sent a card.'

'I'm sorry about that,' I say quietly. 'I wish I had done.'

'You're a fool, Tyler,' he says almost wearily. 'You deserted your comrades, and now you're paying the price.'

'It's no reason to put me through this. You're just using it as an excuse. You would have used me anyway, if you thought it was convenient.'

He shakes his head vehemently. 'No, never. I'm always loyal to those who are loyal to me.'

And what's so tragic is that I see he really means it, too. He genuinely thinks that he's acting from some kind of moral high ground. I look at him with a mixture of anger and pity, unable to equate the commanding officer I respected so much with the deluded ruthlessness of the man sitting before me now.

'You know, Major, whatever's been done to you in the past can never begin to justify what you've done today. You're a monster.'

'I'm no monster,' he snarls, and starts to get up from the chair.

'Stay where you are or I'll take your kneecap off.'

He sits back down, his expression hard and soulless. 'You can't call me a monster. The monsters are Stanic's perverted clients, and I can use them to bring down every one of those hypocritical bastards in the liberal establishment.' He spits out these last words, and a fleck of saliva lands on his chin. 'I want to throw their whole order into chaos,' he continues, his eyes alive with a fanaticism that fascinates and terrifies me. 'Bring the government to its knees and consign every one of the cowardly incompetents who run it to the dustbin of history.'

He pauses, calming down now.

'But Stanic was only ever interested in making money. He would never have agreed to the case's contents being made public, so he had to go. My plan initially was to get the code for the case from Ferrie and then put in an anonymous call to the police, so that when you delivered it to Stanic's men, they could intercept it and I could deal with Stanic separately. End of story. However, without the code, I wasn't able to do that.'

'So, you were never going to keep your side of the bargain with me. I was going to be arrested along with Stanic's men?'

'I couldn't risk leaving you at liberty. You were always resourceful enough to have worked things out if I had. As you have done.' He looks at me with an expression of admiration. 'I'm impressed.'

'I wish I could say the same, Major. Now, tell me, where's the case?'

'It's near here,' he answers.

'Why haven't you handed it in yet?'

'Because it's been booby-trapped, and I didn't trust the police not to destroy it in a controlled explosion rather than defuse the bomb. But now it's open, I will make sure the contents are delivered to them anonymously.'

'How did you open it?'

'I know a thing or two about explosives. I defused it myself. It wasn't easy – Ferrie did a good job with it – but I'm a determined man.'

'So am I,' I say evenly, 'and I've come a long way today. I think it's time you took me to it.'

'I don't think so,' he answers, meeting my gaze.

A cold yet ferociously intense rage rises in me. 'You know, Major, I once looked up to you, but that was a long time ago. Never again. You're nothing but a cold-hearted abomination, whatever you may think, and you're responsible for the murder of the two people I really cared about. So, if you don't do exactly what I say, I'll put a bullet in both your kneecaps and walk behind you while you crawl to wherever the case is.'

'I don't think you'll shoot me,' he says, but the confidence in his voice is belied by the lines of tension appearing on his face.

I keep the gun steady. 'I'll count to five. Then I'll fire.'

His hands grip the side of the chair. 'You think you can take me?'

'I've taken everyone else today.'

The major smiles grimly, and the tension dissipates. 'That's true,' he says. 'All right then. I'll show you it.'

As he gets up, I stand to one side. 'After you,' I tell him, 'and no tricks.'

'I don't need tricks,' he answers, leaning down beside the desk.

When his hand comes back into view, it's holding the burgundy briefcase. Straight away I notice that the red light next to the locking mechanism which signalled that the bomb was armed is no longer flashing. So, he has defused it.

I feel a nerve-jangling sense of anticipation. 'Open it.'

He looks at me, and there's something mocking in his expression. 'Are you sure you want to see?'

'Yes.'

He clicks open the locks.

I can hear my heart beating.

And then he flings it open with a flourish and steps aside, and I'm standing there, staring at something that even now I find hard to comprehend.

A jigsaw of human pieces, all wrapped tightly in clingfilm, tumbles out of the case's interior. I see a whole hand; five toes still attached to a piece of the foot; I may even have caught a glimpse of a perfectly skinned human face, I am not entirely sure. I don't really want to know. There are bones, too, faded and yellowing with age: part of a femur, some ribs… And photographs, poking out from underneath. I can see only part of one. It's of a young woman, and I gasp as I recognize the face from the picture Alannah showed me, of the woman she claimed was her sister, Petra.

And as I look from it to the major I see something in his eyes, and I recognize it immediately as a bright, malevolent triumph, as if he's just proved to me that the world is a far more evil, depraved place than I ever could have imagined, and that there are indeed monsters out there even greater than him.

I don't know what to say. Feeling faint, I take a step back, my gaze dragged back to the case and its terrible contents.

And it's then that I hear a noise behind me and feel the cool touch of the razor against my neck.

42

I'm pulled back into the darkness of the hallway, the grip tight around my neck, the blade pushing into my flesh. I can't see my captor, but I know it's a woman. I can smell her scent. So I was right about Alannah, I think, without any degree of satisfaction.

The major closes the case and stands in the middle of his study, looking at me. Surprisingly, his expression is one of sympathy.

'I'm sorry it had to come to this, Tyler. Now, drop the gun.'

He's still in my line of fire and I keep the gun pointed at him, recovering now from my shock as my survival instincts kick in. I know that if I do as he tells me, I'm as good as dead.

'No.'

'She'll cut your throat, Tyler, don't think she won't.'

'I know she will, but my last movement'll be to pull the trigger. I'll take you with me, Major.'

She tries to pull me further into the hallway so he's no longer in view, and it's surprising how strong she is, but I resist, even though she ups the pressure on the razor. Any second it's going to cut the skin. I don't want to die like this; I've seen too many victims of her handiwork today. But I'm not going to let the major out of my sight. My finger tenses on the trigger.

'Tell her to stop,' I hiss, conscious of the movement of my Adam's apple against the blade, 'or I'll fire.'

He nods at her, and she relaxes her grip a little.

'It seems we have – what do they call it? – a Mexican stand-off,' he says calmly. 'So, what are we going to do now?'

'Let me go and I'll walk out of here. We both want the same thing. I don't want those bastards to get away with whatever it is they've done.'