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The central third of the square was divided up with posts and railings into a series of stalls, rather like the livestock market had been, but these stalls were full of men and women, all crammed in together, and a walkway had been roped off right the way round the edge. There he saw some other people, not nearly so tightly packed, and they were looking over the people in the pens-mostly just glancing, but occasionally stopping for a closer look, and now and again shouting and beckoning to attract attention. Poldarn watched as one of the penned-up people, after talking to a man on the outside for a while, scrambled over the rail and followed the man he'd been talking to down the walkway and out of sight. At once two or three men from the crowd tried to climb into the pen, whereupon a couple of harassed-looking men with long sticks appeared out of the crowd and pushed all but one of them back.

This was so curious that he had to ask someone. He didn't have long to wait; a young man of about nineteen jumped up on the lion's back beside him, rubbing his shin and pulling a face. He asked the young man what was going on.

The young man didn't understand the question.

'I'm new in town, you see,' Poldarn said. 'Actually, I'm from Thurm.' (He dredged the name up from the cellars of his mind just in time.) 'Whatever this is, we don't have anything like it back home.'

'Really?' The young man clearly found that hard to believe. 'Then how do you people find work if you don't have hiring fairs?'

Ah, he thought, right. 'Oh, we've got them all right,' he replied confidently. 'We just don't do it like this, that's all.'

'Oh,' the young man said, and went back to examining his shin. Meanwhile, two more men had been chosen from the pens, and a dozen or so others had tried to take their places and been herded back by the men with sticks. Poldarn got the impression that in Sansory there were more people needing work to do than there was work to go round; he remembered what Copis had told him, about this being a place you ended up in. Depressing thought.

All the same, he was going to have to start earning a living soon, and if this was how you went about finding work in Sansory it'd probably be a good idea to get in line. First, though, he did a little more reconnaissance, and fairly soon worked out that each stall represented a trade. That complicated the issue, since he didn't have one. 'Excuse me,' he said.

The young man looked at him.

'Sorry to bother you again,' he said, 'but what do you do if you don't have a trade? Where do you go to find someone to take you on?'

The young man grinned. 'No trade? At your age? In that case, you might as well forget it.'

Poldarn frowned. 'Maybe,' he said. 'But assuming I'm mad enough to try, what's the drill?'

'Suit yourself,' the young man replied equably. 'Look, you see that big pen there, right at the back? You go there. I'll tell you, though; if you get in the line now, and if you're really lucky, you might just get in the pen by the time the fair closes.'

'I see. And when's that?'

'Day after tomorrow.'

'Fine.' Poldarn frowned. 'All right,' he said, 'which trade's in most demand these days?'

The young man thought for a moment. 'That's a tough one,' he said. 'Clerks, probably. Not just copy clerks, mind; I'm talking about counting-house clerks, the sort who can do figuring and accounts and stuff.'

That didn't sound promising. Nevertheless, Poldarn asked which pen the clerks were in. The young man pointed; it was only slightly less crowded than the others.

'Of course,' the young man went on, 'what they're really crying out for these days is drill instructors-you know, for the companies. Only they've got their own fair, end of the month. And it's not here, it's in Mael.'

'Not much help to me, then,' Poldarn replied. 'Is there anything in that line around here?'

The young man shook his head. 'Not unless you could do bodyguarding,' he added. 'Mind you, there's a line of work where there's always more jobs than bloody fools wanting to do them. There's a reason for that, though.'

Poldarn had the feeling he was being set up as a straight man. But that didn't matter. 'Oh? What's that?'

'They keep getting killed, of course,' the young man replied with a grin. 'You'd have to be mad or bloody desperate to go in for that game.'

Poldarn nodded. 'I expect you're right,' he said. 'So where do I go to get taken on?'

It wasn't hard to find, in spite of the young man's rather elliptical directions: a small booth, rather than a stall, on the far western edge of the market. There were a couple of sad-looking types sitting outside, and three large men lounging in the doorway. Poldarn asked if he could get through. They didn't move. He asked again. One of the large men told him all the jobs were taken, and suggested that he should go away. Poldarn wasn't inclined to believe him, since over his shoulder he could see a line of men inside the booth waiting to be inspected. When he pointed this out to the men in the doorway, one of them tried to push him out of the way.

A few moments later, a man in a long plush robe came out of the booth. He looked at the three men lying on the ground, and then at Poldarn.

'You're hired,' he said.

'Thank you,' Poldarn replied, rubbing his elbow where he'd made it worse by jarring it on someone's teeth. 'When do I start?'

'Right away, if you like,' the man said. 'What did they do to you?'

Poldarn shrugged. 'They didn't want me to apply for the job.'

'Oh.' The man frowned. 'Serves them right, then. What's your name?'

'Poldarn.'

The man raised an eyebrow. 'That's interesting,' he said. 'Southerner?'

Poldarn nodded. 'From Thurm province,' he said, hoping he wasn't making a big mistake.

'That figures,' the man replied. 'My father always used to say they're all a bunch of vicious psychotics in Thurm. My name's Falx, by the way; Falx Roisin.'

'Pleased to meet you,' Poldarn said. 'May I ask what line of work you're in?'

Falx grinned. 'You really aren't from these parts, are you?' he said. 'I'm a carter.' He smiled. 'Just like any other carter, really, except that last time I looked I had over a hundred carts. Plus six hundred horses, a dozen warehouses, more clerks than anybody could possibly have a use for, and what they do all day I'll probably never understand. Most people in Sansory know me, for one reason or another.'

'I see,' Poldarn said. 'But you need a bodyguard.'

Falx nodded. 'Well, sort of,' he said. 'More like a sergeant-at-arms, if you know what that is. Look, I don't like standing about in the middle of all this chaos, even if you do. My house is just across the way. Come and have a drink.'

If Falx Roisin seemed rather more affable than Poldarn would have expected for a man who owned so many carts and horses, that probably wasn't a bad thing. Falx led the way: down an alley into a small square, down another alley, over a bridge across something that looked like a stream and smelt like a drain, through an archway into a courtyard filled with carts, so tightly packed together that Poldarn had to edge sideways to get through. Beyond that was a big, flat-roofed brick building, which Poldarn assumed was one of the warehouses Falx had referred to. Once inside, though, he realised it wasn't.

The most bewildering thing about it was the colour. Every square inch of wall, ceiling and floor was either painted or covered with mosaic, depicting a wide range of subjects from deceptively realistic vases of flowers and bowls of fruit to cavalry battles and storms at sea to scenes from religion to elegant pornography. The quality of the work was as diverse as the subject matter, and since all the colours were fresh and none of the mosaics were scuffed or chipped it was a reasonable assumption that they were fairly new and that Falx Roisin had commissioned them.

'I like your pictures,' Poldarn said, lying.

It was the right thing to say. 'Thank you,' Falx replied. 'My son-that's the eldest boy-he's the painter; my daughter and my niece do the mosaics. Later on I'll show you the long gallery; what used to be the drying-loft when this place was a flax warehouse. Nearly all my family are artistic, in one way or another.'