Feival nodded wisely and turned away.
The tavern called The False Woman—a somewhat illomened name, Briony couldn’t help feeling, considering her own nested impostures—crouched in the corner of an old, beaten-down market in the northeastern part of the city, a neighborhood known as Chakki’s Hole after the Chakkai people from the mountains of south Perikal who had come to the city as laborers and made this maze of dark streets their new home. The Hole, as inhabitants often called it, was so close to the high city walls that even just past noon on a clear day the winter sun was blocked and the whole neighborhood in shade. One of the city’s dozens of canals neatly separated it from the rest of the Perikalese district.
The sign hanging above the tavern doorway showed a woman with two faces, one fair and one foul, and a pointed hat of a type that hadn’t been worn in a century or more. The taverner, a stout, mustached fellow named Bedoyas, ushered them through into the innyard with the air of a man forced to stable someone else’s animals in his own bedroom. “Here. I’ll send my boy around for the horses. You will drive not a single nail into my wood without my permission, understood?”
“Understood, good host,” said Finn. “And if anyone is asking for us, send them to me. My name is Teodoros.”
When Bedoyas had stumped off to see to other guests (not that he seemed to be overwhelmed with custom this winter) Briony helped the company begin setting up a stage—the most permanent they had built since she had been with them, because they would now be at least a tennight in one place. Several of the men were in truth more carpenters than performers, and at least three of the shareholding players, Dowan Birch, Feival, and Pedder Makewell himself, had worked in the building trades.
Hewney claimed he had as well, but Finn Teodoros loudly suggested otherwise.
“What rubbish are you spouting, fat man?” Hewney was helping Feival and two of the others lash together the barrels that would be pillars for the stage. They did not bother to bring their own, since most inns had more than a few empties to spare, and The False Woman was no exception. “I have built more houses than you’ve eaten hot suppers!”
“You must have set up Tessis by yourself, then,” said Pedder Makewell. “Look at the size of our Finn!”
“It would be a more telling jest, Master Makewell,” Teodoros replied a touch primly, “if your own greatly swollen sack of guts were not falling over your belt. As it is, the nightsoil digger is suggesting that the saltpeter man stinks.”
Briony did not know why she found that so funny, but she did; she nearly fell over laughing despite (or perhaps because of ) Estir Makewell’s sour look. She and Makewell’s sister were shoveling sand into the barrels to make them stronger supports under the middle of the stage. Estir still did not really like the person she thought of as “Tim”—she would never like adding another hungry mouth to the troop, which reduced the income of the shareholdings—but she had softened toward Briony a bit.
“Leave it to a child,” said Estir, rolling her eyes, “to find such a jest so laughable.” She scowled at the others. “And you men are just as bad. You would think you were all still babies, soiling your smallclothes, to see you get such pleasure out of dribble, fart, and ordure.”
This started Briony laughing all over again—it was the same thing her prim and squeamish brother Barrick had often said about her, although her twin had obviously never blamed it on her being a child.
It was cold out and her hands were chapped and aching already from the rough handle on the shovel, but Briony felt oddly content. She was almost happy, she realized—for the first time in too long to remember: the miseries that dogged her thoughts were not by any means gone, but for the moment she could live with them, as if she and they were old enemies grown too weary to contend.
The men brought out the pieces of the stage and joined them together in one large rectangle, then set it on top of the barrels and lashed the whole thing together. Briony herself, as one of the lightest, was sent to stand on top of it to test its resilience. When she had bounced up and down on it vigorously enough to assure everyone, they continued preparing the rest of their makeshift theater. The smaller of the two wagons was rolled into place at the back of the stage where it would serve as a tiring-room for entrances, exits, and quick changes, as well as a wall on which to hang painted backdrops. They lifted up the hinged top of the wagon, folding it upward so that it could serve as a kind of wall or tower-top from which actors could speak their lines or, as gods, meddle in the lives of callow mortals from on high. Briony could see the persimmon-colored sunlight of fading afternoon on the uppermost peaks of the mountains southeast of Tessis and wondered if the gods were truly up there as she had been taught, watching her and all the other petty mortals.
But Lisiya said they were...what? Sleeping? They can hear us, she said—but can they still see us?
It was strange to think of the gods being blind and only faintly aware of the existence of Briony’s kind, like vastly aged grandparents snoring in their chairs, barely moving from the beginning of one day to its end.
No wonder they long to come back to the world again, as Lisiya said. She was immediately chilled, although she could not quite say why. She bent and returned to bracing the wagon wheels with stones.
The morning meal, a surprisingly hearty fish stew the tavernkeeper Bedoyas had served them in a big iron pot, with a spicy tang that Finn told her came from things called marashis, was not lying quietly in her stomach. It was no fault of the tavern’s cook, though: Briony was fretful. The tavern yard was already starting to fill, even though the play would not begin until the temple bells rang in Blessed Lady of Night to call the end of afternoon prayers, which was most of an hour away. She had never performed in front of more than a few dozen people in any of the villages or towns along the way, but there were twice that many here already and the yard was still half empty.
What are you frightened of, girl? she asked herself. You have fought a demon, not to mention escaped a usurper. You have stood before many times this number and acted the queen in truth—or at least the reigning princess —a far more taxing role. Players don’t lose their heads when they fail to convince, as I almost lost mine. She thought of Hendon Tolly and a little shudder of rage passed through her. Oh, but I would glory to have his head on a chopping block. I would take up the ax myself. Briony, who although rough and boyish in some ways, as her maids and family had never ceased pointing out, was not or bloodthirsty, but she wanted fiercely to see Tolly humiliated and punished.
I owe it to Shaso’s memory, if nothing else, she thought. I can’t make amends for imprisoning him, but I can avenge him.
Shaso had been innocent of her brother’s murder, but she still did not know who exactly was guilty, beyond the obvious. Who had been the guiding hand behind a murder by witchcraft? Hendon Tolly, however dark his heart and bloody his hands, had seemed genuinely surprised at Anissa’s maid’s horrific transformation—but if the Tollys had not had her brother murdered, then who was to blame? It was impossible to believe the witch-maid had conceived and executed such a scheme on her own. Could it have been one of Olin’s rival kings? Or the distant autarch? Perhaps even the fairy folk, reaching out somehow from their shadowy land, a first blow before their attack? In truth, the lives of the Eddon family had been completely shaken to pieces in a matter of months by magic and monsters. Why had any of this happened?