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Early in 1993 she tried briefly to go back to work, her friends had urged her to restart her life, and for a time she had traveled up and down US-101, south to San Diego where the route began in Presidio Park and north as far as the Sonoma Mission, past the concrete bells hanging from their hook-shaped posts that marked the route of the old trail taken by Fray Junipero Serra in the 1770s, looking for the stories she wanted to tell in her projected documentary Camino Real. But her heart hadn’t been in it and she abandoned the project after a few weeks. The underwear model got in touch and asked her to go out to dinner, which, under pressure from her girlfriends, she agreed to do, but even though he brought her flowers and wore a blazer and tie and took her to Spago and told her she was prettier than any of the movie actresses and tried not to talk about himself, she didn’t make it to the end of the meal, she made her apologies-“I’m not fit for human company right now”-and fled.

She decided that the time had come to move out of her apartment, and returned to the big house on Mulholland Drive to live with her father’s ghost. Olga Simeonovna, whose daughters had returned, moving into one of the building’s many vacant apartments, gave Kashmira a loud, honkingly tearful farewell and promised she would “make it up there into the lap of luxury” whenever she could. In the lap of luxury Kashmira lived an increasingly reclusive life. The domestic staff was familiar with its duties and the household ran itself, there was food on the table three times a day and clean sheets on the beds twice a week. The heavily armed security specialists from the Jerome risk-consulting company went about their business silently and reported daily to the firm’s operations executive vice-president. The day shift concentrated on the front and rear gates in the perimeter wall and the larger night-shift detachment patrolled the grounds with the aid of night-vision goggles and roving searchlights that made the house look like a movie theater on the night of a red-carpet première. It was not required of Kashmira to give them orders. They, on the other hand, instructed her: in the use of the armored panic room-actually the immensely long and mostly empty walk-in closet, built to accommodate a movie star’s wardrobe, in which she kept her few, inadequately glamorous, clothes-and in the importance, should there be a “breach,” of not trying to take on the intruder herself. “Don’t be a heroine, ma’am,” the Jerome guy said. “Lock yourself in here and leave it to us to do what it takes.” There had recently been a scandal at Jerome. One of their top men had seduced two extremely wealthy women, both Jerome clients, one in London, one in New York. He gave both of them the same private love-name, “Rabbit,” as in “Jessica,” to minimize the risk of a pillow-talk slipup. But in the end he was caught out, and the discovery of his affair with the two Jessica Rabbits had led to lawsuits that badly damaged the firm’s reputation as well as its profitability, and led to the introduction of draconian new rules of engagement that forbade the specialists from speaking to their “principals” at all except on professional business, and then always in the company of a third party. Kashmira had no problem with this. Detachment was what she wanted. On one occasion, when she asked a Jerome operative for a pair of night-vision goggles, “just for fun,” he gave them to her surreptitiously, guiltily, like a boy meeting a girl for a secret assignation. “This’ll just be between us, ma’am,” he told her. “I’m not even supposed to look in your general direction unless I have to take down a bad guy standing behind you.”

Sometimes in the middle of the night she awoke to the sound of a man’s voice singing a woman’s song and it took her a few moments to realize that she was listening to a memory. In an enchanted garden a man who loved her sang a melodious lol. Habba Khatoon’s original name was Zoon, which meant the moon. She lived four hundred years ago in a village called Chandrahar amid saffron fields and chinar trees. One day Yusuf Shah Chak the future ruler of Kashmir heard Zoon singing as he passed by and fell in love and when they married she changed her name. In 1579 the emperor Akbar ordered Yusuf Shah to come to Delhi and when Yusuf got there he was arrested and jailed. Come and enter my door, my jewel, Habba Khatoon sang, alone in Kashmir, why have you forsaken the path to my house? My youth is in bloom, she sang, this is your garden, come and enjoy it. The shock of your desertion has come as a blow to me, O cruel one, I continue to nurse the pain. Yuvraj, she thought. Forgive me. I’m in a kind of prison too.

She swam in the pool, exercised in the private gym, worked out at home with a new personal trainer even though she knew it would hurt her friend the egg donor who had trained her for years, and played tennis on her own court, three times a week, with a visiting pro. When she did leave the premises it was to fight or shoot. Her body grew leaner and harder by the month, its spare tautness a testament to her relentless regimen, her rich woman’s monasticism, and to the growing strength of her self-denying will. After a day’s archery or boxing or martial arts, or a trip out of town to Saltzman’s shooting range, she came home and retired wordlessly to her private wing, where she wrote her letters and thought her thoughts and kept herself to herself while the attack dogs on their leashes sniffed the air for trouble and the searchlights searched and the men in night-vision goggles roamed the property. She no longer lived in America. She lived in a combat zone.

The server carrying the subpoena summoning her to appear in the trial of her father’s murderer as a hostile witness for the defense was intercepted at the gate to the property and then escorted to her quarters by Frank, the same Jerome operative who had given her the night-vision goggles. “This came, ma’am.” It had to be some sort of practical joke, she thought, but it wasn’t, her letters were coming home to roost, they were important exhibits in William Tillerman’s case, and he wanted to question her about them. Tillerman had come up with a therapist named E. Prentiss Shaw who had developed a diagnostic tool for use with suspected brainwashing victims. The tool was a checklist that amounted to a form of psychological profiling. It was well known that Hamas chiefs in the Mideast used psychological profiling when selecting candidates for martyrdom. This was the age we lived in, Tillerman argued in court, an age in which our invisible foes understood that not everyone could be a suicide bomber, not everyone could be an assassin. Psychology was all-important. Character was destiny. Certain personality types were more suggestible than others, could be shaped by external forces and aimed like weapons by their masters against whatever targets were deemed worthy of attack. The Shaw profiling tool identified Shalimar the clown as a malleable personality of this type. Shalimar the clown screamed at night in his cell because he believed himself bewitched, Tillerman said. The defense presented as evidence over five hundred letters written by Ms. India a.k.a. Kashmira Ophuls to the accused, letters which clearly stated her intent to invade his thoughts and torment him while asleep. One of the known associates of Ms. Ophuls, a woman of Soviet origins, actually was a self-described witch and member of the Wicca organization, as the testimony of a former fellow-resident of the apartment building on Kings Road, Mr. Khadaffy Andang, would confirm. “Is it the contention of the defense, Mr. Tillerman,” Judge Weissberg interrupted, lowering his spectacles, “that sorcery exists?”

William Tillerman lowered his spectacles right back at the judge. “Sir, it is not,” he replied. “But it is of no importance what you or I may believe here in this courtroom. What is important is that my client believes it. I beg the court’s indulgence for what may seem like grandstanding, but this speaks to my client’s extreme vulnerability to external manipulation. The defense will call witnesses from the intelligence community who will report on my client’s presence over many years at various locations known to us as schools of terrorism, brainwashing centers, and it is our contention that in the matter of Ambassador Maximilian Ophuls my client ceased to be in command of his actions. His free will was subverted by mind-control techniques, verbal, mechanical and chemical, which gravely undermined his personality and turned him into a missile, aimed at a single human heart, which just happened to be the heart of this country’s most distinguished counterterrorism ambassador. A Manchurian Candidate, if you will, a death zombie, programmed to kill. The defense will argue that the assassination may have been triggered by an unknown “sorcerer” or “puppet master” who has not been apprehended. After thorough conditioning the trigger moment would not even require the puppet and the puppet master to meet. The command could be given on the telephone, the conditioned response could be activated by the use of a commonplace word such as, oh, I don’t know, banana, or solitaire. I am not sure, sir, if Your Honor and the members of the jury are familiar with the thirty-year-old movie to which I allude. If not, a video screening could easily be arranged.”