Boonyi left Pachigam without her husband, because the Americans had only asked Abdullah Noman for a dance act. She had been commanded to give her Anarkali again, to dazzle the capital’s grandees on a specially constructed stage in the residence’s central atrium, below a pyramidal lantern. Himal and Gonwati were with her, to dance behind and beside her, content with their supporting roles, happy to shine a little in her reflected light. Habib Joo the old dance teacher was going, too, and a trio of musicians. “Pachigam sending a troupe to New Delhi, to the American embassy,” Abdullah Noman said happily at the bus stop, embracing each of them. “What honor you bring on us all.”
Shalimar the clown had come to see her off. When the bus arrived, making its usual devil-squawk of a racket and daubed with warnings to motorists and pedestrians alike, Noman climbed onto the roof with her bedroll and made sure everything was safely tied down. When Boonyi said good-bye to him she knew it was an ending. He understood nothing, did not foresee the breaking of his heart. He loved her too much to suspect her of having a traitorous soul. But he was just a clown, and his love led nowhere, would change nothing, would not take her where it was her destiny to go. As she went up through the door of the bus she looked back and saw Shalimar the clown standing with her damaged friend Zoon Misri, a vague drifting presence, half-human, half-phantom, whose place at his side was like a portent of the damage that she, Boonyi, would shortly be inflicting on him. She gave him her best, brightest smile and he lit up in return, as always. This was how she would remember him, his beauty illumined by love. Then the bus set off with a jerk and a rush, and turned a corner, and he was gone, and she began to prepare for what was about to happen. What do you want, the ambassador had asked her. She knew what he wanted. He wanted what men want. But to have an answer to his question was important. To know exactly what she wanted and what she was prepared to offer in return.
When he came to her she was ready. Edgar Wood, that peculiar young man, had arranged everything perfectly. The dancing girls were allocated comfortable rooms in the Roosevelt House guest wing, and Wood was careful to seek Mrs. Ophuls’s approval of the arrangements. Mrs. Ophuls’s private suite was at the far end of the building-she and the ambassador preferred not to share a bedroom-and Beaver Wood had handpicked the Marines guarding the route between the distinguished couple’s quarters, and also the Marines stationed in the corridor outside the dancing girls’ rooms. (After his arrival in New Delhi the Beaver had made it his first business to establish which members of the embassy security detail he could rely on, the ones who understood that their absolute loyalty lay to the ambassador and not to their Midwestern parents’ conservative moral values or even to God.) It was embassy policy, Wood informed the young women, that in order to ensure their safety the residence’s corridors would be off-limits until breakfast time, even for themselves. Himal and Gonwati made no objection, particularly as their rooms were filled with bolts of fabric, bottles of perfume and necklaces and wrist-cuffs made of antique silver, and with wicker baskets overflowing with good things to eat and drink. With cries of delight they rushed toward their gifts. Meanwhile Habib Joo and his trio of male musicians were taken to a suite of rooms at the Ashoka, where they made the acquaintance of minibars for the first time in their lives and decided contentedly that their religion made a special blind-eye exception for expenses-paid nights away from home in deluxe five-star hotels.
In her room at Roosevelt House, Boonyi examined no sari, smelled no perfume, ate no bonbon. Still wearing the clothes of Anarkali, the tight high scarlet bodice that revealed the slenderness of her midriff and the muscled flatness of her belly, the wide, much-pleated dancer’s skirt in emerald green silk edged in gold braid, the white tights below to preserve her modesty when the skirt fanned and flared outwards as she whirled, and the costume jewelry, the “ruby” pendant around her neck, the “golden” nose-ring, the braids of fake pearls in her hair, she sat perfectly still on the edge of her bed, staying “in character,” acting the part of the great courtesan waiting for the heir to the Mughal throne. With her hands folded in her lap she waited, without complaint. It was three o’clock in the morning before she heard a single, quiet knock on her door.
He had prepared a declaration in newly learned Kashmiri but she put a finger across his lips. How handsome he was, how much his eyes had seen, how much his body knew. “I can speak some little English,” she said-not for nothing was she the daughter of Pyarelal Kaul!-and laughed as his whole body relaxed in surprised relief. She had prepared a speech, too, laboring over it in her racing mind as she lay sleepless during the small hours beside her unknowing husband. This was her stage and it was time for her soliloquy. “Please, I want to be a great dancer,” she told him. “So I want a great teacher. Also, I want please to be educated to high standard. And I want a good place to live-please-so that I am not ashamed to receive you there. Finally,” and now her voice trembled, “because I will give up much for this, please, sir, I want to hear from your own lips that you will keep me safe.”
He was both moved and amused. “I will be guided by you in this,” he replied, gravely. “Meh haav tae sae wath. Please show me the way.” Whereupon for an hour they hammered out the treaty of their affiliation as if it were a back-channel negotiation or an international arms deal, each recognizing a need in the other that complemented their own. Max Ophuls was actually aroused by the young woman’s naked pragmatism. Perhaps her notable openness concerning her ambition foreshadowed an equal openness in lovemaking. He looked forward to discovering if this were so. The negotiation was also pleasing in itself. The details of the “Understanding,” as they both elected to call it-though Max privately preferred the term BKN/MO/JSA(C), which more fully summarized the joint statement of accord (classified) between Boonyi Kaul Noman and himself-were quickly agreed. Just as mutual self-interest was the only real guarantee of a durable accord between nations, so Boonyi’s perception that this liaison was her best chance of furthering her own purposes constituted a reliable guarantee of her future seriousness and discretion. That the most delicate clause in the unwritten contract proved not to be an obstacle provided Max with a further necessary guarantee. “And for your part, if I do as you require?” he asked her: the question she had known he would ask, and to which, in her thoughts, her answer had been given, refined and given again a thousand and one times. She looked him in the eyes. “In that case I will do anything you want, whenever you want it,” she replied in immaculate English. “My body will be yours to command and it will be my joy to obey.”
Thus all Max’s significant requirements were in place: not only discretion and seriousness but also complete docility, absolute compliance, maximum attentiveness, exceptional eagerness to please and unlimited access, all fueled by the girl’s determination to better herself, to make the leap from the village to the world, to give herself the future she believed she deserved. The clown of a husband was a problem, but she insisted that Max need not concern himself with this aspect of things as it was something she could easily take care of. Everything was acceptable. Edgar Wood, whose forte was anticipation, had already found the apartment, at Type-1 Number-22 Southeast Hira Bagh, two pink rooms with harsh blue-white neon strip-lights and no balcony located in a sage-green concrete bunker of an apartment block in a low-rent residential “colony” to the south of the city center. The rooms were on the floor above the purple-faced Odissi dance guru Jayababu-Pandit Jayanta Mudgal-who would be paid well to teach the girl everything he knew and to be deaf and blind to everything he should not know. Max and Boonyi actually shook hands on the deal. At the age of fifty-five Ambassador Ophuls was being offered a garden of earthly delights. There was, however, a strangeness. In spite of the cynicism of the Understanding, he felt something that had been asleep for a long time and should not have been awakened begin to stir within himself. Desire was to be expected, for he had rarely been in the presence of so beautiful a woman. But the worm stirring in him lay deeper than desire.