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A STUDY IN GRAY.

  I step from the door with a shiver     (This fog is uncommonly cold)   And ask myself: What did I give her?—     The maiden a trifle gone-old,     With the head of gray hair that was gold.   Ah, well, I suppose 'twas a dollar,     And doubtless the change is correct,   Though it's odd that it seems so much smaller     Than what I'd a right to expect.     But you pay when you dine, I reflect.   So I walk up the street—'twas a saunter     A score of years back, when I strolled   From this door; and our talk was all banter     Those days when her hair was of gold,     And the sea-fog less searching and cold.   I button my coat (for I'm shaken,     And fevered a trifle, and flushed   With the wine that I ought to have taken,)     Time was, at this coat I'd have blushed,     Though truly, 'tis cleverly brushed.   A score? Why, that isn't so very     Much time to have lost from a life.   There's reason enough to be merry:     I've not fallen down in the strife,     But marched with the drum and the fife.   If Hope, when she lured me and beckoned,     Had pushed at my shoulders instead,   And Fame, on whose favors I reckoned,     Had laureled the worthiest head,     I could garland the years that are dead.   Believe me, I've held my own, mostly     Through all of this wild masquerade;   But somehow the fog is more ghostly     To-night, and the skies are more grayed,     Like the locks of the restaurant maid.   If ever I'd fainted and faltered     I'd fancy this did but appear;   But the climate, I'm certain, has altered—     Grown colder and more austere     Than it was in that earlier year.   The lights, too, are strangely unsteady,     That lead from the street to the quay.   I think they'll go out—and I'm ready     To follow. Out there in the sea     The fog-bell is calling to me.

A PARADOX.

  "If life were not worth having," said the preacher,   "'T would have in suicide one pleasant feature."   "An error," said the pessimist, "you're making:   What's not worth having cannot be worth taking."

FOR MERIT.

  To Parmentier Parisians raise     A statue fine and large:   He cooked potatoes fifty ways,     Nor ever led a charge.   "Palmam qui meruit"—the rest     You knew as well as I;   And best of all to him that best     Of sayings will apply.   Let meaner men the poet's bays     Or warrior's medal wear;   Who cooks potatoes fifty ways     Shall bear the palm—de terre.

A BIT OF SCIENCE.

  What! photograph in colors? 'Tis a dream     And he who dreams it is not overwise,   If colors are vibration they but seem,     And have no being. But if Tyndall lies,     Why, come, then—photograph my lady's eyes.   Nay, friend, you can't; the splendor of their blue,     As on my own beclouded orbs they rest,   To naught but vibratory motion's due,     As heart, head, limbs and all I am attest.   How could her eyes, at rest themselves, be making   In me so uncontrollable a shaking?

THE TABLES TURNED.

  Over the man the street car ran,     And the driver did never grin.   "O killer of men, pray tell me when     Your laughter means to begin.   "Ten years to a day I've observed you slay,     And I never have missed before   Your jubilant peals as your crunching wheels     Were spattered with human gore.   "Why is it, my boy, that you smother your joy,     And why do you make no sign   Of the merry mind that is dancing behind     A solemner face than mine?"   The driver replied: "I would laugh till I cried     If I had bisected you;   But I'd like to explain, if I can for the pain,     'T is myself that I've cut in two."

TO A DEJECTED POET.

  Thy gift, if that it be of God,     Thou hast no warrant to appraise,     Nor say: "Here part, O Muse, our ways,   The road too stony to be trod."   Not thine to call the labor hard     And the reward inadequate.     Who haggles o'er his hire with Fate   Is better bargainer than bard.   What! count the effort labor lost     When thy good angel holds the reed?     It were a sorry thing indeed   To stay him till thy palm be crossed.   "The laborer is worthy"—nay,     The sacred ministry of song     Is rapture!—'t were a grievous wrong   To fix a wages-rate for play.

A FOOL.

  Says Anderson, Theosophist:   "Among the many that exist          In modern halls,   Some lived in ancient Egypt's clime   And in their childhood saw the prime          Of Karnak's walls."   Ah, Anderson, if that is true   'T is my conviction, sir, that you          Are one of those   That once resided by the Nile,   Peer to the sacred Crocodile,          Heir to his woes.   My judgment is, the holy Cat   Mews through your larynx (and your hat)          These many years.   Through you the godlike Onion brings   Its melancholy sense of things,          And moves to tears.   In you the Bull divine again   Bellows and paws the dusty plain,       To nature true.   I challenge not his ancient hate   But, lowering my knurly pate,       Lock horns with you.   And though Reincarnation prove   A creed too stubborn to remove,       And all your school   Of Theosophs I cannot scare—   All the more earnestly I swear       That you're a fool.   You'll say that this is mere abuse   Without, in fraying you, a use.       That's plain to see   With only half an eye. Come, now,   Be fair, be fair,—consider how       It eases me!