“But my father!” Astrid sounded distraught, and no wonder. She was in a long nightdress and her blond hair fell loose on her shoulders. “I want to be with my father!”
“Your father has become rich by fighting France,” a voice replied. It was not Lavisser who spoke, but a woman. Another mystery on a night gone askew. “And your father should have known the consequences of such foolishness,” the woman finished. She had an accent. French?
The door closed. Astrid sat on the harpsichord bench, weeping, as the Frenchman waved the three terrified servants toward the sofa. Sharpe should have been visible to him in the mirror, but the rifleman was in deep shadow and the Frenchman suspected nothing. He did not even look behind the screen, but just leaned against the closed door with his pistol held low. He yawned. What did he have to fear? Three women and an elderly man?
Sharpe pulled one pistol from his belt. So Lavisser worked with the French? The idea was repugnant, but it made sense. The enemy must have their agents in London and how better to snare fools than to find them playing cards at Almack’s and the other rich gaming clubs? And they had snared a choice one in Lavisser, but if Lavisser was now planning on killing Skovgaard then Sharpe did not have much time. He wrapped the pistol in the hem of his jacket to muffle the distinctive sound of the flint being cocked. He had been out of his depth ever since he had arrived in Denmark, enduring insult, religion and imprisonment, but now he knew what he was doing. He was back where he belonged and he was smiling as he stepped out from behind the screen.
He held the pistol at arm’s length and it took the Frenchman at least two seconds to register his presence and by then the gun was just three feet from his head. Sharpe motioned with his left hand. “Put the gun down, Monsewer.” He spoke softly.
The man looked as if he was about to shout.
“Please,” Sharpe said. “Make a noise so I can kill you, please.” He was still smiling.
The Frenchman shook slightly. There was something about the eyes of the green-jacketed man that told him death was hovering very close in this comfortable parlor and so, sensibly and very slowly, he laid his own pistol on the floor. Astrid and the servants were staring wide-eyed. Sharpe kicked the Frenchman’s nistol across the nolished floorboards. “Down,” he told the man, indicating what he meant with his left hand.
The man lay on his belly, anxiously twisting his head to see what Sharpe was doing. “I wouldn’t watch, miss,” Sharpe said to Astrid, then put a finger to his mouth to show that she should be silent.
He had a problem now. The Frenchman had seen Sharpe put the finger to his lips and must have realized that noise was his best friend, which meant Sharpe was unwilling to shoot him because the sound of the pistol would bring the other intruders into the parlor. The man took a deep breath and Sharpe, desperate, kicked him brutally hard in the throat. He hurt his foot, for he had no boots, but he hurt the Frenchman even more. Astrid gasped and the man began to choke as he clutched his gullet and his feet drummed on the floor. Sharpe dropped on the man’s back to hold him still. He needed to make the man senseless, but that would take a deal of violence and must inevitably make more noise. Skovgaard’s expensive pistols, though deadly, were not heavy enough to use as clubs. The Frenchman, catching his breath, tried to heave Sharpe off his back so Sharpe hit him hard, bouncing the man’s skull off the floorboards, but he still tried to twist Sharpe off. Sharpe hit him again, this time so hard that the man went momentarily still and so gave Sharpe a chance to put the pistol down. He took out his folding knife and pulled out the blade. “Eyes closed, miss,” he said grimly.
“What… ”
“Shhh,” Sharpe said. “Tell the others to close their eyes. Quick now.”
Astrid whispered something in Danish as Sharpe felt the man tense under him. The Frenchman was about to make another effort to dislodge Sharpe, but the rifleman stabbed once with the short-bladed knife. It only took one thrust, right into the base of the skull, and the Frenchman gave a surprisingly strong spasm and then seemed to sigh. That was the only noise he made and there was remarkably little blood. Sharpe pulled the dead man’s collar up to conceal the wound, wiped the knife clean on the corpse’s coat, then stood. “You can open your eyes now,” he said.
Astrid stared at Sharpe, then at the dead man.
“He’s just sleeping,” Sharpe said. He picked up the man’s pistol. It was a clumsy thing compared to Skovgaard’s sophisticated weapons, but it was loaded and gave him three shots. Four men and one woman left. “Are there any guns in this room?” Sharpe asked Astrid.
She shook her head.
He knelt by the corpse and searched its clothes, but the man had no other weapons. So, three shots and five targets. He went to the door and put his ear to the wood. He could hear voices. Then he heard the sound of a key turning in a lock, there was a pause and sudden feet on the hall floor. Sharpe waited a heartbeat, then eased the parlor door open an inch.
“He’s gone!” Barker said.
“He can’t have gone.” That was Lavisser’s voice.
“He’s gone!” Barker insisted.
Sharpe imagined Lavisser glancing at the shutters. That opportunely open window could only be explained by Sharpe’s otherwise inexplicable absence. “Look outside,” Lavisser said, “and be careful.”
The woman spoke, using French, then Lavisser talked in Danish. There was a pause, then Skovgaard, for it could be no one else, gave a shout that turned into a terrible groan and a yelp of pain. Astrid gasped and Sharpe whipped round and put his finger to his lips.
Skovgaard shouted again. It was the sound men made on the battlefield when they were wounded and did not want to scream. It was involuntary, a wordless exhalation of pain. Sharpe pointed at Astrid. “Stay here,” he said firmly, then pulled open the parlor door. Barker was probably in the garden by now, so that left four targets and three shots. What had Baird called him? A thug. So he would be a thug now, and a damned good one. He crossed the hall and saw that the study door was ajar. He dared not push it open further for the hinges squealed so badly, but he wished he could see more of what was going on in the study. He could just make out that Skovgaard had been tied to the chair behind his desk on which stood a lantern, and in its light Sharpe could see that the front of Skovgaard’s nightshirt was drenched in blood. Then he saw a man lean forward and force the Dane’s mouth open. The man held a pair of pliers. They were making him talk.
A second man came into view to help keep Skovgaard’s mouth open. The Dane tried to clamp his jaws shut, but the second man used a knife to force his teeth apart. The woman spoke. Skovgaard shook his head and the pliers’ jaws closed on one of his teeth. Skovgaard groaned and made a huge effort to shake his head, but one of the men struck him hard across the skull. Then the Dane moaned as the pliers began to exert pressure.
Sharpe fired at the man wielding the pliers.
He used one of Skovgaard’s rifled nistols and it was as accurate as it was beautiful. He had expected the long-rifled barrel to give the gun a heavy kick and so he had aimed a little low, but the weapon was so exquisitely balanced that it hardly quivered. It jetted smoke halfway across the study as the ball struck the man in his neck. A jet of blood fountained up over Skovgaard’s desk. Sharpe dropped the gun, plucked Skovgaard’s second pistol from his belt and pushed the door fully open. The man who had been holding Skovgaard’s head was quick, incredibly quick, and he was already bringing up a pistol and so Sharpe, who had reckoned to take Lavisser with his second shot, fired at him instead. Smoke thickened in the room, shrouding Sharpe’s targets, but he had the third pistol in his grip now and he aimed it at Lavisser, who had seized the woman’s hand and was pulling her toward the open window. Sharpe fired. The Frenchman’s heavy pistol kicked like a mule and made far more noise than the expensive guns. He heard the crash of breaking glass.