“Why do you need to find Rhoda?”
“As I said. I need to talk to her,” I answered.
“You’re being e-va-sive. About what, Abby? You can tell me.”
I could research real estate records and might find out what I needed-probably should have done that to begin with. But I had a feeling this guy knew something. He could save me time if he’d quit fooling around. “You want money, Mr. Bosworth?” I started to open my purse.
But Herman Bosworth was shaking his head vigorously. “No-no-no-no. No money. I’m simply interested. Dry cleaning is, well, rather dry. Dirty clothes in, clean clothes out. But you’re dealing with something important, and I can help you. So do tell, Abby. Please?”
I sighed and, without naming names, I told him I hoped to locate anyone who may have known a cold-case victim, hoping that would be enough information to satisfy him.
“Cold Case. I love that show. You don’t look anything like that blond actress. But you’re doing what she does, and that is so awesome.”
“Will you please tell me Rhoda’s last name now?”
He folded his arms, leaned toward me and whispered, “I can do more than that.”
But before he could say another word, Paul Kravitz walked in. “You’re sure taking a long time picking up your dry cleaning, Abby.”
Damn. I thought he was leaving town, yet here it was Thursday and he was still lurking around. He’d found me even though I’d been watching for a tail. Probably had someone helping him who knew Houston streets.
“Do you work with Detective Rose?” Herman asked.
I said, “He does not-”
“Detective Rose,” Kravitz said. “I like that. You could say we work together. Exactly what part of the case are you helping her with?”
“Don’t answer that, Herman,” I said. “I don’t work with him. I don’t work for him. He followed me here.”
“You were followed?” Herman clapped twice. “Oh, my goodness, wait until I tell my partner, Robert.”
“That’s great,” I said. “You can tell Robert all about it. But this guy-”
“You’re him. You’re Paul Kravitz from Crime Time.” Herman’s eyes had grown wide behind his glasses, and he was pointing at Kravitz. “Get over here. Let me have a good look at you.”
Kravitz gave me a smug smile as he approached the counter.
I was certain celebrity status outweighed detective status and I wouldn’t get what I needed.
Meanwhile, Herman was studying Kravitz. “I have to say, you look far better on TV. Are you ill?”
Paul laughed. “No, sir. Healthy as a horse. How are you a part of our story, Mr…?”
“Bosworth.” He looked at me. “Am I connected to the story?”
Only in your mind, I thought. “Listen, Herman, I can’t tell you what to do, but you promised to help me, not him. You have my card. You decide.”
I walked out knowing I was taking a risk. Now I had to wait.
14
I waited a better part of the day for a call from Herman Bosworth, and waiting is not my strong suit. I felt as edgy as an armadillo at a monster truck rally as I paced in my kitchen. Adding to my agitation, the promised DNA comparison hadn’t come in. I knew this because I’d bugged DeShay so many times he told me to stop calling him.
I’d done the property-records search for the strip mall, and this produced more than a dozen names of people who’d sold their land or businesses before the center was built. No one named Rhoda appeared on that list.
Finally, though I knew what had probably happened between the dry cleaner and Kravitz, I called Bosworth around seven that night. He told me he’d given Rhoda’s last name to Paul Kravitz in exchange for studio-audience tickets to a talk show. When I asked if he’d do me the same favor for, say, Houston Rockets or opera tickets, he said that if he gave me any information, Kravitz’s offer, which included money for a nice stay in Hollywood, would be withdrawn. Herman hung up with one long “Sorr-eeee.”
Great. I’d lost out to Kravitz and also wasted precious time. I had to do something productive, and was headed to the computer to search the Internet for anything-a Web site, an ad or even a sentence containing the word Rhoda-when someone knocked on my door.
I checked the security monitor. Paul Kravitz. What the hell did he want? A chance to gloat?
I opened the door and said nothing.
He smiled. “Can we talk?”
“I thought you were going away. Far away. On an airplane.” But I widened the door to let him in. I could take anything he wanted to throw at me. I might not have Hollywood connections, but I had something he didn’t: a connection with Emma and a burning need to obtain the answers she wanted so she and her family could have a future without sorrow and regret haunting them for the rest of their lives.
I led him into the living room, and he accepted an offer of wine. He chose red, I took white and then we sat down across from each other.
“I think we’ve gotten off to a bad start,” he said.
“What would make you think that?” I tried to sound like I didn’t give a rat’s ass and failed.
“Don’t you understand? I can help your client find the answers she needs about her past and her family. Venture has the resources to do what you probably cannot.”
Now, that really pissed me off, but I managed a smile. “You think I can’t do the job?”
“Did I-”
“If I’m so worthless as a detective,” I said, “how come you followed me today?”
The tips of his ears burned red. “That’s the reason I came. I didn’t realize Houston sprawled twenty miles in every direction. You know these streets and are obviously following a lead that has to do with this Rhoda person. If you share the information with me, maybe we could get answers for Emma sooner rather than later.”
“Let me guess. What you learned today is not quite fitting together for you.” I had to smile. I was betting he’d also gone to see Pedro. But from what little I knew of the cantina owner, he probably hadn’t told Kravitz or his buddies anything. Yup. Kravitz had no idea why Rhoda was important and didn’t want to talk to her until he did. I held her piece of the puzzle.
He said, “I’m willing to share what Mr. Bosworth told me if you agree to work with us on solving this mystery.”
“I already got that offer from Reality Check and passed. I’m getting to the bottom of this and I don’t need your help.”
He raised one eyebrow. “Your client is legally committed to our production. What we learn needs to be complete. We want to tell the story from her perspective, but we can’t do that without the facts. You can have a hand in making sure we get it right.”
I hadn’t thought of it that way. “Before I cooperate with you, you need to tell me what Bosworth said.”
Kravitz sipped his wine and then stared straight into my eyes. “Then you’ll tell me why Rhoda is important?”
“Yes. But I’m not promising anything else.”
Kravitz considered my terms for a second. “I can accept that-but only if you agree not to talk to the press. If they get in the middle of this, I’ll have one giant headache.”
“They’re already in the middle,” I said.
“Yes, but they aren’t camped outside your house like they are outside Emma’s hotel. You’re almost anonymous, unlike the rest of us.”
“Ah. Now I get it. A sensational story makes for a crowded work environment. I have no plans to tell the press anything.” I drank my wine, noting how much better it tasted all of a sudden.
“The name you want is Rhoda Murray,” he said. “Bosworth says she owns Murray Motorcycles now. We don’t want to question the woman until we know why she’s important. Seems all Bosworth heard from you is that you’re investigating a cold case. Which cold case are we talking about, Abby? The baby or the mother?”