I walked home through the hushed city, hearing the snow squeal under my boots. The effect of the aquavit quickly wore off. My shin still throbbed where I had barked it that afternoon running for the train. When I got to our street it was darker than dark, not a single window lit, and all in silence, and then I knew. Three sentries with rifles were standing around a burning brazier, stamping their feet in the cold. I did not dare approach them, and crept past in the shadows, catching the sharp, hot stink of the burning coals, a consternating waft straight out of childhood. I recall the scene in expressionist terms, the brutish forms of the soldiers there, the terrible intensity of the brazier, and the street sliced clean in two by a glaring moon. Frost glittered everywhere on the pavements amid the snow, but when I trod on it I found it was not frost but broken glass. The shop windows were all shattered, their doors boarded over with fresh-cut planks; the piney fragrance of the wood was another incongruous whiff, this time of forest and mountain flank. The building where I lived, or at least where I had lived until now, was as dark and empty as all the others. The broken front door hung by a single hinge. Behind it, the hall was a square black hole giving on to another universe.
I went to a cinema. The film, as I recall, was Jew Suss, unless my memory, with its lamentable hunger for congruence, has substituted that title for something less apt. The audience seemed as subdued as I was, sitting back at a tilt, row after row of them, staring motionlessly, as if frozen in astonishment or fear, their faces lifted in the flickering gloom and the tips of their cigarettes glowing and fading like a swarm of fireflies, the billows of smoke in slow motion swirling up into the projector's spasmic cone of mingled light and muddied shadow. When the film was over I was the last to leave. In the street I stopped at a late-night stall and bought a paper twist of roasted chestnuts and distributed them in the pockets of my trousers, first for warmth and then for sustenance. Without thinking where I was going I made my way back to the central station, and there I spent the night on a bench in the echoing nave, like a fugitive in the sanctuary of a cathedral. I would doze off only to wake again almost immediately with a start of what was first fright and then a sort of slow, disbelieving amazement at all this that was happening. In the middle of the night the cold grew intense and I went into the lavatory and wrapped the sheets of a discarded newspaper – the Gazet, not inappropriately – around my legs under my trousers. Where had I learned all this vagabond lore? Sometime before dawn a fellow outcast tried to pick my pockets. It was an amateurish effort, and I woke at once and made a tremendous kick at him that missed. He was an old fellow with a beard. I remember his mouth, a pink, round hole sunk in tangled hair. He backed away from me cautiously, in an attitude of reproach, as if I were the aggressor, his brown-palmed hands lifted, that mouth opening and closing wordlessly. I did not sleep again, but waited for morning, when I rose stiffly and went to a workman's café and spent the last of my money on a plate of bread and sausage; I can still taste that meal. I walked the streets again. The day was clear and hard and bright, and everything rang and chimed as if the city were enclosed under a bell-jar. Frost stood in the air, a crystalline fog. Inside my stiffened boots my toes were numb. Also my barked shin was still sore, which angered me greatly. That same, hardly accountable anger was to recur often in the coming months; for the fugitive, it is the persistence of trivial afflictions that pains the most. At last, I went home. There was nowhere else to go.
I expected there would be soldiers in the street again. In daylight I would not be able to hide from them. I did not know what I would do if they should challenge me. I thought perhaps I should run at them, flailing my fists and howling, then they would shoot me and that would be an end of it. I might even get to give one of them a black eye or a smashed jaw before I fell. But the street was deserted. The brazier was no longer burning, although the clinkers were still surprisingly warm, and I stood for a while chafing my hands over them. Nothing moved, except a curtain in a shattered upstairs window, billowing in a draught. The winter sunlight made hard edges of everything, and I remembered with sudden vividness the mornings like this when I was a child setting off for school. I went into our building by the low door beside the butcher's shop, which was boarded up like all the others, and entered the courtyard with its smell of damp mortar and drains. In the vestibule there was my prohibited bicycle, and the wheelless black perambulator someone had abandoned years ago. I stood and peered up the stairwell. A great silence here, too, and an inhuman cold, and all the doors shut fast as if they would never open again. Halfway up the first flight of stairs, trite as could be, a child's shoe lay on its side, its strap torn and the button missing. On our landing the wall was scuffed where it had been rubbed and scored by years of passing shoulders, elbows, shoes; I had never taken notice of these marks before, but now they seemed as mysterious and suggestive as a set of immemorial hieroglyphs. I took out my key, but in some access of caution I paused, and put the key back in my pocket again, and knocked on the door, softly, unassumingly, as a mendicant might do, or a returning prodigal. I waited. What was I expecting? Presently I heard soft steps within approach the door and stop. Yes, you, my most assiduous reader, will recognise the moment and its image, for I have employed it in many contexts, as a mocking emblem of the human condition: two people standing on either side of a locked door, one shut out and the other listening from inside, each trying to divine the other's identity and intentions. I knocked again, more diffidently still, a mere brushing of the knuckles on the wood, and, as if this second knock were the signal, were the verification, that the one inside had been waiting for, immediately the lock clicked and the door was opened a crack and a wary, pale-lashed eye looked out at me. I mumbled something, I hardly knew what, but whatever it was it provoked a snicker from within, and the door was drawn wide open.
He was thin, remarkably thin, with a narrow, long white face and crinkled red hair. He wore a long overcoat, open, and a long, grey muffler hanging down that lent a comically doleful touch to his appearance. He was about my age, although he had the air of being somehow far older. He had a newspaper under his arm, rolled into a tight baton. He looked me up and down almost merrily, and with a large, friendly gesture invited me to step inside. I entered, but stopped just past the threshold. He stood beside me, following my gaze with interest as I looked about. I had anticipated disorder, drawers wrenched open and things thrown on the floor, but everything seemed as usual, only a little more shabby, perhaps, and a little shamefaced, under this stranger's twinkling, sceptical eye. As each moment passed, however, the place was ceasing to be real, was becoming a reproduction, as it were, skilfully done, the details all exact yet lacking all authenticity. Everything looked flat and hollow, like a stage set. I noted the flinty sunlight in the window, it might have been thrown by a powerful electric lamp set up just outside the casement. Even the smell in the air was not quite right. "The name is Schaudeine," the intruder said. "You might call me Max, if you wish. I have been having a look around." He shrugged, and smiled resignedly, showing how he made light of his responsibilities, whatever they were. I have used the word intruder, but in fact he seemed perfectly at ease, seemed at home, almost, certainly more so than I was. He sighed. There was so much to be done in these cases, he said, shaking his head, so much to be checked and listed and accounted for – really, people never thought. "When it is the whole family, that is," he said, and looked at me sidelong, and was it my fancy or did I see his eyelid twitch? Where were they, I heard myself ask, the family, where had they gone? I had been about to add, Where have they been taken to? but stopped myself in time. He made a show of considering for a moment, gnawing at his lower lip. "East?" he said at last, with lifted brows, as if I might be better expected than he to know the answer. He began to walk about the place then, looking at this and that but touching nothing. I followed after him. He stopped in the doorway of my parents' room, with his hands in the pockets of his overcoat and rocking on his heels. "Ah," he said, "the master bedroom!" Together we took in the low bed, stripped of bedclothes, with the two ghostly dents side by side in the mattress, the faded quilt folded on the foot of it, the rush-bottomed chair, the night-stand with water jug and basin. The wardrobe stood open, containing not even a hanger. The room had never been so tidy, so orderly, so empty. Schaudeine turned to me. "Did I catch your name?" he said. How polite he was, as if we were a pair of prospective tenants whose appointments to view the property had coincided by mistake, and he had taken the lead in smoothing over any awkwardnesses. "My name?" I said. "My name is Axel Vander."