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talent,” Eugenia pointed out. “She’s limited, of

course.”

“You mean because of her race?” There was steel in

Winifred’s voice.

“No,” Eugenia replied, “I’m referring to her acting

range. And her looks, which have nothing to do with

the fact that she’s half Chinese.”

“You meant race,” Winifred accused. “It always

comes down to race, doesn’t it?”

“For you, apparently,” Eugenia snapped. “I often

find that different-colored skin is also very thin.”

Judith and Renie exchanged pained expressions.

“That’s not true!” Winifred cried. “But can you argue

that Hollywood has always been fair to minorities?”

“Certainly not,” Eugenia said in a self-righteous

tone. “But look at you. You’ve managed to claw your

way up to the top. Of course some would say you used

more than your brains to get there. I wouldn’t use

Winifred Best and ethics in the same sentence.”

“Ethics? What have ethics got to do with this business?” Winifred demanded.

“You know perfectly well what I mean,” Eugenia

asserted. “A certain lack of ethics is one thing, but

criminal means are—”

“Ladies!” a masculine voice cut in. “Please! I can’t

stand any more of this quarreling. I’m trying to rest.”

Renie mouthed “Morris?” at Judith, who nodded.

“He’s in Room Five,” she whispered. “He’s sharing

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287

with Chips. The bathroom connects between Five and

Six, remember?”

“This whole situation is intolerable,” Winifred declared. “Do you both realize that all three of us are out

of a job?”

“No, we’re not,” Morris replied. “I work for the studio as well as for Bruno. Eugenia has other clients. As

for you, Win, someone will have to stay at the helm of

Bruno’s production company at least for a while. Who

knows? His children may want to keep the company

going.”

“No, they won’t,” Winifred asserted. “I know them.

They’re utterly irresponsible. They couldn’t run a convenience store.”

“Win’s right,” Eugenia conceded. “Besides, there’s

the problem of bailing out The Gasman. It may prove

very complicated, not to mention the harm done to

Bruno’s reputation.”

A door opened in the corridor. Judith and Renie

both jumped as they turned around to see who had

caught them eavesdropping.

It was Joe, coming from the family quarters. “Jeez,”

he said in a low but vexed voice, “could you be more

obvious?”

Judith gave her husband a sheepish look. “Okay,

we’re done here anyway. But this is how we sleuth.”

“Unprofessional,” Joe murmured, heading for the

back stairs. “I’m going to lock up for the night. It’s ten

o’clock straight up.”

Judith glanced at her watch as the cousins followed

Joe downstairs. “You’re right. I suppose they’re still

watching the movie in the living room.”

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Mary Daheim

“I suppose,” Joe said. “It was scheduled to run until

eleven.”

“I should go home,” Renie declared as they reached

the main floor.

“Don’t,” Judith urged as she saw the computer printouts on the kitchen counter. “We never had a chance to

go over the material you found on The Gasman and its

origins.”

“Oh. Well . . . sure.” Renie began sorting the pages

as Joe headed for the front door to lock up.

A terrified scream erupted from that vicinity, causing Renie to drop several sheets on the floor. But the

exclamation of “Wow!” followed by “Way cool, Ben!”

from Ellie and a couple of masculine chuckles indicated that the scream had come from another hapless

movie victim.

Judith heard Joe say something to the guests that

she couldn’t quite make out. A moment later he was

back in the kitchen. “Everybody’s here except Dade,”

he said. “He has a key, right?”

“He should,” Judith said. “That’s odd. Has he been

back since they all left Capri’s?”

“Chips said he hasn’t,” Joe replied, removing a can

of beer from the fridge. “Dade arrived here with some

of the others, but never came in the house.”

“Typical,” Judith remarked, “though why he’d want

to walk around on such a foggy, windy night is beyond

me.”

“The wind’s blowing the fog away,” Joe said, then

yawned. “I’m going to watch Sports Center and head

for bed. It’s been a long day. In fact, it’s been a long

weekend.” He kissed Judith, gave Renie a hug, and

headed back upstairs.

SILVER SCREAM

289

“I’m organized,” Renie announced. “I’ve skimmed

some of this stuff, especially Bruno’s filmmaker’s approach to the narrative. Naturally, he sounds like a genius.”

The cousins sat down at the kitchen table. More

screams could be heard from the living room.

“Wouldn’t you think they must have killed off most of

the cast by now?” Judith murmured.

“We wish,” Renie remarked, underlining points of

interest with a red pen. “Dade should be writing a

movie about what happened after this crew arrived at

the B&B. Who needs spooky London streets or the

human race’s time line?” She paused, shuffling some

papers. “Okay, here’s some information on C. Douglas

Carp.”

“Crappy Pappy Carp,” Judith said suddenly. “That’s

what Dirk Farrar called him.”

“You can call him Pappy, you can call him Crappy,

you can even call him Sappy,” Renie said, handing two

pages of underlined information to Judith, “but don’t

call him Slaphappy. Carp was a diligent scholar of

some repute. He wrote The Gasman when he was

twenty-two.”

“Goodness,” Judith responded. “That’s impressive.”

“It may account for why my father read the damned

thing,” Renie noted. “Dad was probably swayed by

Carp’s credentials.” She flipped through a few more

pages. “This is what I found on Carp himself. I haven’t

read it yet. Shall I read to you?”

“You can also carry me up to bed and tuck me in.”

Judith sighed. “I’m not sure I can get up those two

flights of stairs again.”

Renie offered her cousin a sympathetic smile. “You

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Mary Daheim

should put an elevator in this place. And not for the

guests.” She cleared her throat and adjusted her muchabused glasses. “Carson Douglas Carp was born in

Cedar Falls, Iowa, in 1907, the son of Louis Franklin

Carp and Annabelle Ernestine Carp (née Morgan). An

outstanding student, Carp began his epic novel of civ-

ilization, The Gasman, while still attending Northern

Iowa State Teachers College. While Carp’s fictional

style has been criticized by some as tedious, pedantic,

and maladroit, his meticulous attention to historical

detail and his accuracy have merited praise from oth-