“Okay.” The nod she gave him was robotic.
Behind her, on the pavement, she had drawn an elaborate tree, its canopy spreading up one side of the driveway, its gnarled trunk cutting across. Moss hung from the branches and flowers bearded the base. Roots trailed down to the outline of an underground lake.
“I like what you got there,” he said and smiled.
“Thank you, Daddy,” Nana said.
“I just don’t want you to get hurt.” The smile on his face felt like it was nailed on.
His daughter sniffed and gave him another robotic nod. He knew she was sucking back tears.
“Hey, Nana…” He started, but the words he wanted dispersed as the interior voice piped up again, telling him she’d had enough. To just leave it the hell alone.
“Bye, Daddy.”
She reached out and pushed his truck door gently shut. Spun and jogged up the driveway, scattering her chalks, striding across her tree, smudging the greens and blacks of the treetop. Head down. Shoulders shaking.
Kids, he told himself, can’t always appreciate when you’re trying to do the right thing.
There were three overnight filings on Clint’s desk.
The first was predictable, but concerning: one of the officers on staff the previous night speculated that Angel Fitzroy seemed to be ramping up to something. At lights-out Angel had attempted to engage the officer over an issue of semantics. The authorities at Dooling were all strictly to be referred to as “Officer.” Synonyms such as “guard,” or “screw,” let alone—obviously!—slurs like “asshole” or “motherfucker,” were unacceptable. Angel had asked Officer Wettermore if he understood English. Of course they were guards, Angel said. They could be officers, too, that was fine, but they couldn’t not be guards, because they guarded. Weren’t they guarding the prisoners? If you baked a cake, weren’t you a baker? If you dug a hole, weren’t you a digger?
Warned the inmate that she had arrived at the end of reasonable discussion and could expect consequences if she didn’t lock it down immediately, Wettermore wrote. Inmate relented and entered her cell, but further asked, How could we expect prisoners to follow the rules when the words of the rules did not make any sense? Inmate’s tone was threatening.
Angel Fitzroy was one of the few women in the prison whom Clint regarded as genuinely dangerous. Based on his interactions with her, he believed she might be a sociopath. He had never glimpsed any empathy in her, and her record inside was fat with infractions: drugs, fighting, threatening behavior.
“How do you suppose you’d have felt if the man you attacked had died from his injuries, Angel?” he had asked her during a group session.
“Aw,” Angel had said, sunken down in the chair, her eyes roaming his office walls. “I’d have felt, oh, pretty bad—I guess.” Then, she’d smacked her lips, gaze fastening on the Hockney print. “Looka that picture, girls. Wouldn’t you like to visit where it is?”
While her assault conviction was bad enough—a man in a truck stop had said something to Angel that she hadn’t liked and she’d broken his nose with a ketchup bottle—there were indications that she’d gotten away with much worse.
A detective from Charleston had driven to Dooling to solicit Clint’s help with a case relating to Fitzroy. What the detective wanted was information concerning the death of a former landlord of Angel’s. This had happened a couple of years before her current incarceration. Angel had been the only suspect, but there was nothing except vicinity to tie her to the crime, and no apparent motive. The thing was (as Clint himself knew), Angel had a history of not needing much of a motive. Twenty cents off in her change could be enough to blow her up. The Charleston detective had been nearly gleeful in his description of the landlord’s corpse: “Looked like the old boy just fell down the stairs, got his neck broke. But the coroner said someone had been to work on his package premortem. Balls was—I forget how the coroner put it, exactly, if he said fractured or whatever. But, layman’s terms, he said, ‘They were basically squished.’ ”
Clint wasn’t in the business of flipping on his patients and told the detective so, but he had mentioned the inquiry to Angel later.
With an expression of glassy wonderment she responded, “Balls can fracture?”
Now he made a note to himself to drop in on Angel that day, take a seismology reading.
The second filing was about an inmate on janitorial duty who claimed that there was an infestation of moths in the prison kitchen. A check by Officer Murphy found no moths. Inmate willingly submitted to a urine drop—clean for drugs and alcohol.
That one seemed to translate as a case of an inmate working hard to drive an officer crazy and an officer working hard to return the favor. Clint had no interest in continuing the circle by following up. He filed it.
Kitty McDavid was the last incident.
Officer Wettermore had jotted some of her ranting: The Black Angel came up from the roots and down from the branches. Her fingers are death and her hair is full of cobwebs and dream is her kingdom. After the administration of a dose of Haldol, she had been moved to A Wing.
Clint left his office and passed through admin toward the east section of the prison, which contained the cell wings. The prison was shaped roughly like a lowercase “t,” with the long central line of the corridor known as Broadway parallel to Route 17/West Lavin Road outside. The administration offices, the communications center, the officers’ room, the staff lounge, and the classrooms were all situated at the west end of Broadway. The other corridor, Main Street, ran perpendicular to West Lavin. Main Street went from the prison’s front door straight ahead to the craft shop, the utility room, the laundry, and the gymnasium. On the other side of Main Street, Broadway continued eastward, passing the library, the mess hall, the visitors’ room, the infirmary, and intake, before arriving at the three cell wings.
A security door separated the cells from Broadway. Clint stopped here and pressed the button that notified the Booth that he wanted to enter. A buzzer sounded and the bolts of the security door retracted with a clunk. Clint pushed through.
These wings, A, B, and C, were arranged in a pincer shape. In the center of the pincer was the Booth, a shed-like structure armored in bulletproof glass. It contained the officers’ monitors and communication board.
Although most of the prison population mixed in the yard and elsewhere, the wings were organized according to the theoretical danger presented by each inmate. There were sixty-four cells in the prison; twelve in A Wing, twelve in C Wing, and forty in B Wing. A and C were set entirely on ground level; B Wing was stacked with a second level of cells.
A Wing was medical, although some inmates considered “tranquil” were also housed there, at the far end of the corridor. Inmates not necessarily tranquil but “settled,” such as Kitty McDavid, were housed in B Wing. C Wing was for the troublemakers.
C was the least populous residence, with half of the twelve cells currently empty. When there was a breakdown or a severe disciplinary issue, it was official procedure to remove the inmate from her cell and place her in one of the “Eye” cells in C Wing. Inmates called these the Jerk-Off Cells, because ceiling cameras allowed the officers to observe what the inmate was doing at all times. The implication was that male officers got their jollies by spying on them. The cameras were essential, though. If an inmate might attempt to harm or even kill herself, you needed to be able to see it to prevent it.
The officer in the Booth today was Captain Vanessa Lampley. She leaned over from the board to open the door for him. Clint sat beside her and asked if she could bring up Unit 12 on the monitor so he could check on McDavid. “Let’s go to the videotape!” he yelled cheerily.