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Maura couldn’t sing the way Kayleigh could—hell, couldn’t carry a tune in a bucket—but there was a song Kayleigh especially liked, and now Maura sang it to her as she gently raised her knees up and down, as if operating the pedals of an invisible organ. Maura’s husband had listened to it all the time, and Maura had learned the words by osmosis. Kay heard her singing it to herself once, and demanded Maura teach her. “Aw, that’s naughty!” Kayleigh had exclaimed. It had been on an LP by a bunch of goofy potato eaters. That was how long Maura had been inside; her husband had owned an extensive collection of LPs. He didn’t matter now. Mr. Dunbarton had been put into an everlasting slumber early on the morning of January 7, 1984. She’d given him the knife first, right in the chest, plunged it like a shovel into loam, and he sat straight up, and his eyes had said, Why?

Because, that was why. And she’d have killed him or anyone else over and over and over again, would do it this very moment, if it would bring Kayleigh back to her.

“Listen, Kay. Listen:

“In the female prison there are seventy women… I wish it was with them that I did dwell…”

On the little TV, downtown Las Vegas appeared to be burning up.

“Then that old triangle… Could jingle jangle…”

She bent and kissed the white cocoon that had buried Kayleigh’s face. The taste was sour on her lips, but she didn’t mind, because Kayleigh was beneath. Her Kay.

“Along the banks… of the Royal Canal.”

Maura leaned back, closed her eyes, and prayed for sleep. It did not come.

2

Richland Lane curved gently to the left before dead-ending at a small park. The first thing Lila saw when she came around this curve was a couple of garbage cans lying overturned in the street. The second was a knot of yelling neighbors in front of the Elway house.

A teenage girl in a tracksuit sprinted toward the cruiser. In the light of the flashing jackpots, her face was a stuttering picture of dismay. Lila hammered on the brake and opened the door, unsnapping the strap over the butt of her pistol.

“Come quick!” the girl screamed. “She’s killing him!”

Lila ran for the house, kicking one of the garbage cans aside and pushing past a couple of men. One of them held up a bleeding hand. “I tried to stop her, and the bitch bit me. She was like a rabid dog.”

Lila stopped at the end of the driveway, her gun hanging down beside her right thigh, trying to process what she was seeing: a woman in a frog-squat on the asphalt. She appeared to be swathed in a muslin nightgown, at once form-fitting and ragged, leaking countless loose threads. Decorative bricks, patriotically painted in red, white, and blue, lined the drive on both sides. The woman held one in her left hand and one in her right. She was chopping them down, edge first, on the body of a man wearing a blood-drenched Dooling Sheriff’s Department uniform. Lila thought it must be Roger, although it would take fingerprints or a DNA test to be sure; except for a remnant of broad chin, his face was gone, cratered like a stomped ground-apple. Blood ran down the driveway in creeks, flashing blue each time her cruiser’s jackpot lights strobed.

The woman crouched over Roger was snarling. Her flushed face—Jessica Elway’s face—was visible, only partially screened by the tatters of the webs that her husband must have made the lethal mistake of removing. The hands on the plunging bricks were gloved in red.

That’s not Jessica Elway, Lila thought. It can’t be, can it?

“Stop!” Lila shouted. “Stop it right now!”

For a wonder, the woman did. She looked up, her bloodshot eyes so wide they seemed to fill half her face. She stood, holding a dripping brick in each hand. One red, one blue. God bless America. Lila saw a couple of Roger’s teeth stuck in the cocoon material hanging down from her chin.

“Watch out, Sheriff,” one of the men said. “She sure does look ray-bid to me.”

“Drop them!” She raised her Glock. Lila had never been so tired, but her arm was steady. “Drop the bricks!”

Jessica dropped one, and appeared to consider. Then she raised the other brick and ran, not at Lila but at one of the men who had crept closer for a better look. And, hard as it was for Lila to believe, to take a picture. The man’s cell phone was raised at Jessica. As she approached, he squealed and turned tail, head down and shoulders hunched. He knocked the girl in the tracksuit sprawling.

Drop it drop it drop it!

The Jessica-thing paid no attention. She leaped over the girl in the tracksuit and raised the remaining brick. There was no one behind her, all the neighbors had scattered. Lila fired twice, and Jessica Elway’s head exploded. Chunks of scalp with yellow hair still attached flew backward.

“Oh my God. Oh my God. Oh my God.” It was the fallen girl.

Lila helped the girl to her feet. “Go home, hon.” And when the girl started to look toward Jessica Elway, Lila turned her head away. She raised her voice. “All of you, go home! In your houses! Now!”

The man with the cell phone was creeping back, looking for a good angle, one where he could capture every bit of the carnage. He wasn’t a man, though. Beneath his sandy hair his features were soft and teenage. She recognized him from the local newspaper, some high school kid, she didn’t know his name, some kind of sports star, probably. Lila pointed a shaking finger at him. “You take a picture with that thing and I’ll stuff it down your motherfucking throat.”

The kid—it was Eric Blass’s friend Curt McLeod—stared at her, brows furrowing together. “It’s a free country, isn’t it?”

“Not tonight,” Lila said. Then she screamed, shocking herself as much as the cluster of neighbors. “Get out! Get out! GO!

Curt and the others went, a few snatching glances back over their shoulders, as if afraid she might come flying after them, as crazy as the woman she’d just shot down in the street.

“I knew they had no business putting in a lady sheriff!” one man called over his shoulder.

Lila restrained the urge to give him the finger and walked back to her cruiser. When a lock of hair fell in her eyes, she brushed it back with a panicky shudder, thinking it was that stuff, trying to spin out of her skin again. She leaned against the door, took a couple of deep breaths, keyed her mic.

“Linny?”

“I’m here, boss.”

“Is everyone coming in?”

A pause. Then Linny said, “Well. I got five. Both Wittstocks, Elmore, Vern, and Dan Treat. And Reed’s coming back soon, too. His wife—fell asleep. I guess his neighbor’s going to look after little Gary, the poor kid…”

Lila did the addition and it came to eight officers, not much when you were hoping to fend off anarchy. None of Dooling’s three female deputies had responded to Linny’s calls. It made Lila wonder how they were doing at the prison. She closed her eyes, started to drift, and forced them open again.

Linny was onto the subject of the countless emergency calls. There had been more than a dozen from men like Reed Barrows who suddenly found themselves the sole guardians of small male children. “Several of these feckless fools wanted me to explain to them how to feed their own children! This one idiot asks me if FEMA is setting up a facility to take care of kids because he’s got tickets for a—”