I reached the next village. There was a river at right angles to the road, and a path I'd never seen before beside it, and I walked down the path, and stared at the partly frozen river. It gurgled and plashed and sang.
The path led off through fields; it was straight and grassy.
I found a rock, half-buried, on one side of the path. I picked it up, brushed off the mud. It was a melted lump of purplish stuff, with a strange rainbow sheen to it. I put it into the pocket of my coat and held it in my hand as I walked, its presence warm and reassuring.
The river meandered away across the fields, and I walked on in silence.
I had walked for an hour before I saw houses-new and small and square-on the embankment above me.
And then I saw the bridge, and I knew where I was: I was on the old railway path, and I'd been coming down it from the other direction.
There were graffiti painted on the side of the bridge: FUCK and BARRY LOVES SUSAN and the omnipresent NF of the National Front.
I stood beneath the bridge in the red brick arch, stood among the ice cream wrappers, and the crisp packets and the single, sad, used condom, and watched my breath steam in the cold afternoon air.
The blood had dried into my trousers.
Cars passed over the bridge above me; I could hear a radio playing loudly in one of them.
"Hello?" I said, quietly, feeling embarrassed, feeling foolish. "Hello?"
There was no answer. The wind rustled the crisp packets and the leaves.
"I came back. I said I would. And I did. Hello?"
Silence.
I began to cry then, stupidly silently, sobbing under the bridge
A hand touched my face, and I looked up.
"I didn't think you'd come back," said the troll.
He was my height now, but otherwise unchanged. His long gonk hair was unkempt and had leaves in it, and his eyes were wide and lonely.
I shrugged, then wiped my face with the sleeve of my coat. "I came back."
Three kids passed above us on the bridge, shouting and running.
"I'm a troll," whispered the troll, in a small, scared voice. "Fol rol de ol rol."
He was trembling.
I held out my hand and took his huge clawed paw in mine. I smiled at him. "It's okay," I told him. "Honestly. It's okay."
The troll nodded.
He pushed me to the ground, onto the leaves and the wrappers and the condom, and lowered himself on top of me. Then he raised his head, and opened his mouth, and ate my life with his strong sharp teeth.
When he was finished, the troll stood up and brushed himself down. He put his hand into the pocket of his coat and pulled out a bubbly, burnt lump of clinker rock.
He held it out to me.
"This is yours," said the troll.
I looked at him: wearing my life comfortably, easily, as if he'd been wearing it for years. I took the clinker from his hand, and sniffed it. I could smell the train from which it had fallen, so long ago. I gripped it tightly in my hairy hand.
"Thank you," I said.
"Good luck," said the troll.
"Yeah. Well. You too."
The troll grinned with my face.
It turned its back on me and began to walk back the way I had come, toward the village, back to the empty house I had left that morning; and it whistled as it walked.
I've been here ever since. Hiding. Waiting. Part of the bridge.
I watch from the shadows as the people pass: walking their dogs, or talking, or doing the things that people do. Sometimes people pause beneath my bridge, to stand, or piss, or make love. And I watch them, but say nothing; and they never see me.
Fol rol de ol rol.
I'm just going to stay here, in the darkness under the arch. I can hear you all out there, trip-trapping, trip-trapping over my bridge.
Oh yes, I can hear you.
But I'm not coming out.
CHAPTER 5: Don't Ask Jack
Nobody knew where the toy had come from, which great-grandparent or distant aunt had owned it before it was given it to the nursery.
It was a box, carved and painted in gold and red. It was undoubtedly attractive and, or so the grown-ups maintained, quite valuable-perhaps even an antique. The latch, unfortunately, was rusted shut, and the key had been lost, so the Jack could not be released from his box. Still, it was a remarkable box, heavy and carved and gilt.
The children did not play with it. It sat at the bottom of the old wooden toy box, which was the same size and age as a pirate's treasure chest, or so the children thought. The Jack-in-the-Box was buried beneath dolls and trains, clowns and paper stars and old conjuring tricks, and crippled marionettes with their strings irrevocably tangled, with dressing-up clothes (here the tatters of a long-ago wedding dress, there a black silk hat, crusted with age and time) and costume jewellery, broken hoops and tops and hobby-horses. Under them all was Jack's box.
The children did not play with it. They whispered among themselves, alone in the attic nursery. On grey days when the wind howled about the house and rain rattled the slates and pattered down the eaves, they told each other stories about Jack, although they had never seen him. One claimed that Jack was an evil wizard, placed in the box as punishment for crimes too awful to describe; another (I am certain that it must have been one of the girls) maintained that Jack's box was Pandora's Box and he had been placed in the box as guardian to prevent the bad things inside it from coming out once more. They would not even touch the box, if they could help it, although when, as happened from time to time, an adult would comment on the absence of that sweet old Jack-in-the-Box, and retrieve it from the chest, and place it in a position of honour on the mantelpiece, then the children would pluck up their courage and, later, hide it away once more in the darkness.
The children did not play with the Jack-in-the-Box. And when they grew up and left the great house, the attic nursery was closed up and almost forgotten.
Almost, but not entirely. For each of the children, separately, remembered walking alone in the moon's blue light, on his or her own bare feet, up to the nursery. It was almost like sleepwalking, feet soundless on the wood of the stairs, on the threadbare nursery carpet. Remembered opening the treasure chest, pawing through the dolls and the clothes and pulling out the box.
And then the child would touch the catch, and the lid would open, slow as a sunset, and the music would begin to play, and Jack came out. Not with a pop and a bounce: he was no spring-heeled Jack. But deliberately, intently, he would rise from the box and motion to the child to come closer, closer, and smile.
And there in the moonlight, he told them each things they could never quite remember, things they were never able entirely to forget.
The oldest boy died in the Great War. The youngest, after their parents died, inherited the house, although it was taken from him when he was found in the cellar one night with cloths and paraffin and matches, trying to burn the great house to the ground. They took him to the madhouse, and perhaps he is there still.
The other children, who had once been girls and now were women, declined, each and every one, to return to the house in which they had grown up; and the windows of the house were boarded up, and the doors were all locked with huge iron keys, and the sisters visited it as often as they visited their eldest brother's grave, or the sad thing that had once been their younger brother, which is to say, never.
Years have passed, and the girls are old women, and owls and bats have made their homes in the old attic nursery, rats build their nests among the forgotten toys. The creatures gaze uncuriously at the faded prints on the wall, and stain the remnants of the carpet with their droppings.