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"Where is he?" Mei asks. "About sixty-three kilometers down the Avenue of Limits." "You ran sixty kilos from the time I called you?" the reporter asks. "I can move much faster than that," Munk replies modestly, "but there are structures to avoid on the Avenue. And it is warm here. My coolant system was nearly overtaxed." "You must have spent a lot of power," Mei notes. Despite herself, she can't help admiring the androne's spunk, at the very least. "Yes. I depleted fifty-two percent of my power cells to get here quickly. But the expenditure was required." Shau heartily agrees. "I'll say! They were going to kill us." "But how are we going to charge your cells?" Mei places a concerned hand on the androne's breastplate and feels the dew-chill of it. "We have no credits." "Get me to a link," Shau says, "and we'll see what Softcopy can do." "I have already contacted Buddy," Munk acknowledges. "He says he will meet us at Rey Raza's garage. It's only a few kilometers from here. I will carry the two of you." "And me without my damn recorder!" Shau kicks the car's skim plate again. "This would have been the perfect lead-in!" Munk spends a moment adding this behavior to his anthropic model. Mr. Charlie had declared that we all live by our fictions, and here is a bleeding man who grieves for the story he has lost. Mei Nili herself has an incredulous look on her face, as if she is convinced a life can be overremembered. The androne regards them both with quiet satisfaction, proud that he has preserved two dewdrop lives from the void. Staring at these human creatures his strength has kept whole, he feels right. He knows this feeling is the cyberkinesis of his C-P program, his own subjectivity, but that doesn't seem to matter. He feels a mutual kinship with Jumper Nili's cool detachment and the reporter's hot ambition. He yearns to see Mr. Charlie, the ancestor of his maker, whole before him. And yet-and yet, he is an androne. His yearning is the calm fury of his maker. He remembers floating in the delicious cold of farside Saturn, tiny in the penumbra of the gas giant, knowing that he knew he was a programmed being. He experienced an echo of that humbling smallness under the immense vallation of Terra Tharsis. And now here, again, he knows he is becoming an accident, like everything else. Jumper Nili has seen something become nothing when her family died, and he almost saw that tonight. He has never witnessed a human death. The very thought oozes with unhappiness and makes him recall that there are light-years of silence surrounding him. That fact mutes his sadness. Once again, he determines that he will defend these frail residues of human life with all the strength in his power cells. That pleases him, or at least makes him less unhappy with his smallness under the tumultuous sky and the slowness of time.
Clutching Charles Outis between them, Mei Nili and Shau Bandar ride in the embrace of Munk's arms. They bound over the main artery past hip-roofed sheds, gaunt storage towers, oxide-stained corrugated fences, weathered warehouses, a graveyard of rust-gutted drums, and desolate crossroads grimly empty under the blazon of lux wires. At the reporter's command, they stop before a wide garage with a pyramid of latticed metal on the roof and a. circular sign hanging above the open port announcing: RAZA'S TOURS OF THE WILDS. Within the tall port of the garage are three big sand rovers, painted a glaring white with RAZA stenciled in red on the vent-ribbed runners. Slender laser cannon mounted under the eaves of the garage swivel aggressively, and Munk turns his reflectant cowl toward them. "State your business!" a gravelly voice exclaims over a speaker system. "Rey? This is Shau Bandar from Softcopy! We're here for the trek." "Sorry," an unamplified voice says. "You can't be too careful on the Avenue of Limits." A wiry, falcon-faced man with a shaved head, tiny mustache-Ups at the corners of his wide grinning mouth, and green splashes of face paint under his eyes strides across the port. He's dressed in scarlet and gold clothes, a magnificent fullness of pleats and panels and intricate braiding, baggy as a bright, rackety kite. "I am Rey Raza," he proclaims boisterously, through a gleeful smile. Wrinkles of merriment seam his face, but his small, hooded eyes regard the world with a mean squint. "Softcopy said you were coming. Where are your recorders?" "Distorts jumped us," Shau says, stepping out from behind the androne. "Munk here saved our lives. The distorts probably still have my jacket. If we act quickly, we can use it to help target a posse." Rey Raza tosses a thick laugh at the reporter. "You've seen too many news clips, Bandar. There are no posses on the Avenue of Limits. Here we are ruled by the one and true law, the natural night of primacy itself." "What about justice?" Bandar complains. The tour guide shrugs. "Justice, moral right, equity, and due consideration to the weak have no value whatsoever here or in the great and terrible land beyond these limits. You'd better get that straight now, Mr. Journalist, for there will be no turning back once we are away." "Sand rovers will take several days to make the crossing to Solis," Munk notes. "Are there no flyers available?" "You are clearly from a far and distant system, Munk," Rey Raza observes chidingly. "You're a Jovian deep-space patrol-class androne, I'd judge from your looks. And those legs have been augmented, haven't they? Must be unbearably hot for you around here." "I am from lapetus Gap in the Saturn system. My legs were fitted for me by Apollo Combine on Deimos. And, yes, I find this heat enervating. Most of my power is spent cooling my systems." "Didn't you tell them anything, Bandar? Flyers– really." Rey Raza waves them inside. "It's not a good time of day for street talk. Will you join me for some refreshment? Munk, I don't think I have the right power amps for your kind of cold-body cells, but you're welcome to look over my equipment. As for flyers-well, Terra Tharsis and Solis just don't permit flyers anywhere near them. Ah, here is the archaic brain." He presses his forehead to the plasteel capsule. "He's dreaming. Maybe of Earth. I'll bet he feels more awake now than when he wakes next among us, eh?" The interior of the capacious garage smells acridly of lube oil and lathed metal. Behind the three sand rovers, a wire-mesh partition isolates a machinist's pit, engine hoist, and a tool-and-die shop. Raza admits Munk to the generator deck and leads Mei and Shau past the dimly lit work areas to the back of the garage. A sheet metal door slides open on a radiant room with the clean redolence of woodwork. Blue straw mats cover the floor, and yellow paper screens, like vertical louvers, section the suite. Between the screens, strips of a kitchen and a sleep cubicle are visible, both with wooden furniture-floral-carved pantry, painted cupboard, swivel stools, a trestle cot, and lacquered side tables. A blond wood table and fanback chairs in the front room squeeze Mei's heart, and a tear startles down her cheek. She lowers her face to smell the spray of wildflowers in the table's centerpiece, trying to hide her emotion. Rey Raza places an airy hand on her shoulder. "You're exhausted. I can see the fray light around you." Shau, surprised, starts to explain, "Rey's from a strong-eye clade. He sees some infra and ultra, bodylights-" "It's the wood," Mei manages to get out, feels stronger for it, lifts her head and wipes her eyes. "I haven't been close enough to smell and touch wood since I left Earth. I didn't know how much I missed it." Shau puts a fist to his forehead, regretting again the absence of his recorder. He's convinced that these are the moments that will make his clips run. "Rey, rye got to call in." "Use the cable phone by the cot." Rey points the way, then says with mesmeric softness to Mei, "You must sleep. Tomorrow Grielle comes. She is the woman on the death passage. Like all passagers, she's eager and will want to leave at once. So we will skip the refreshments and let you rest now. You may have the cot, and Shau can sleep in the rover. I have more work to do in the shop and will stay there. Good night."