After escorting Patron to his apartment and going down to check on the meeting hall, Kizu was asked by Ogi to take still photos of the event. Ogi clearly wanted to give him a role that would allow him to walk freely about the hall, not under the restrictions imposed by the security detail. Ogi added that, if things got out of hand, he and the others would whisk Patron to safety, while Kizu was to take refuge as quickly as he could in his apartment.
During their short exchange, the participants had lined up in the corri- dor beside the lawn on the south side of the building and were filing inside.
Ms. Tachibana was there, along with her brother, his handsome, even solemn features set off by fixed eyes behind thin-framed glasses; a rather flamboyant woman in her mid-thirties was walking with them. When Ogi spotted her he flushed red in apparent consternation.
Kizu and the others were in the unused laundry room, watching the line of people through the frosted glass window. Dancer quickly noticed Ogi's reaction. It was clear she was interested.
The time was soon approaching for the service, so Kizu and Dancer escorted Patron down to the elevator lobby. Kizu noticed that Patron was dragging his right leg ever so slightly, and as they descended to the basement, Dancer supported Patron's back. They walked past the bicycle racks and the laundry room. When they came to the heavy door leading to the meeting room, they could sense the mass of people waiting there, even though there were no voices coming from the other side. All the participants had taken their seats, but they knew that Ogi, who was in charge of the itinerary, would want to stay on track, and it was five minutes before the scheduled start.
Kizu turned to Patron and asked about an attack of gout that had begun a week before.
"No, it doesn't hurt anymore," Patron replied, pulling himself away from some other thought that preoccupied him. "The inflammation's gone, just the embers left… A long time ago, when I had my first attack of gout, Guide explained-very coldly, I thought-how it starts with the base of your big toe, moves to your shin, goes to your waist, and then reaches your heart.
It's already gotten to my shin. At first it doesn't hurt so much, but at the end it spreads quite fast. I don't have much time."
Patron straightened up from the concrete wall he'd been leaning against to take the weight off his leg. Dancer, her paper-thin skin pale from excite- ment, took out a brush and tidied the collar of his midnight-blue jacket. Ogi opened the door to greet them, and Patron walked into the meeting hall, not dragging his leg at all.
Looking at Patron from behind, Kizu saw a relaxed man used to pub- lic speaking but with a touch of nerves. Perhaps out of concern for Patron's bad leg, Dancer had set up the podium on the same level as the seats. Head down, Patron proceeded past the front row of chairs that pressed up close.
Dancer and Kizu went over to stand in front by Ogi and Ikuo. Patron rested both hands on the podium, apparently taking a moment in prayer. Then he raised his head. A deep sigh wafted over the packed assembly.
Patron thrust his chest out and stood silently facing the audience. With a brusque but dignified movement he turned to gaze at the photograph of Guide and the high vase with its branches of dogwood flowers in full bloom that were behind him. Then he turned back to face the audience and spoke for the first time.
"Thank you all for coming here to this service in memory of Guide. In the years after the Somersault, until Guide was cruelly murdered, he and I were always together. For Guide and myself this was a time when we fell into hell. The most painful aspect of our hell was that during those ten years I never once had a major trance, and as a consequence Guide was unable to interpret any visions for me. We existed in a silent darkness. The kind of scene dis- played here was over. Without recovering his health, Guide was lost to me."
Patron fell silent again and turned back to the photograph behind him.
It was a snapshot of the two of them sitting in armchairs in Patron's study.
Patron looked absentminded, as if recovering from an illness, while Guide, his hair dark and luxuriant, was leaning toward Patron.
Kizu looked around the hall. The group of women he'd visited on the hilly district along the Odakyu Line occupied seats in the center, a few rows back from the front, their quiet children with them.
"Why were the two of us together during those ten years of hell? " Patron went on. "Because each of us had had his own hell decided for him, I believe.
We did the Somersault together and fell into hell together. One of the after- effects-or, I should say, legacies-of the Somersault was that, as one condi- tion of our respective hells, we had to see each other day after day. Then, after ten years passed and we were considering climbing up out of the abyss-in other words, when we were starting to grope toward a new be- ginning-Guide was killed. This was also exactly the time when I began to find signs that my trances were about to return.
"Once more I felt banished to the wilderness. Even if in the near future my painful deep trances were to return, without Guide's intervention I wouldn't be able to put these visions into words. All my suffering would be in vain. Now I believe I've found a new Guide, though I am not saying that I've discovered someone to translate my visions. The Guide who was murdered was a unique individual, which indeed was one of the reasons he was killed.
"Without him, when I return from my trances, emotionally and physi- cally drained, I'm unable to extract information from the other side from my dark, muddled brain. A fear seizes me each and every day that, if I am unable to unravel it, this lump of information will disappear.
"Once I lost Guide, I started reading, desperately searching through books that might show me how to create a line of communication between this side and the other, which is what I want the new Guide to help me do.
One thing I read was the description from the Bible of Jesus on the cross. As long as Jesus could complete his work on the cross, he could leave the resur- rection entirely up to God.
"I quote from the gospel according to Mark.
"At the sixth hour darkness came over the whole land until the ninth hour. And at the ninth hour Jesus cried out in a loud voice, 'Eloi, Eloi, lama sabachthani?'-which means, 'My God, my God, why have you forsaken me?'
"When some of those standing near heard this, they said, 'Listen, he's calling Elijah.'
"One man ran, filled a sponge with wine vinegar, put in on a stick, and offered it to Jesus to drink. 'Leave him alone now. Let's see if Elijah comes to take him down,' he said.
"With a loud cry, Jesus breathed his last.
"The curtain of the temple was torn in two from top to bottom."
"I just can't get the face of Jesus out of my mind, crying out in a loud voice as the earth turns dark. I realize it's a tasteless parody, but if I use the name that the old-timers among you are used to and imitate Jesus, in this dark situation I'm in right now, I imagine in my shock and anger I would raise up a loud voice and cry, My Prophet, my Prophet, why have you for- saken me?"
Resting both arms on the podium, Patron leaned backward, his face to the surprisingly large space above the underground lounge, and vehemently shouted this out. The windows facing the lawn were bright, and with the lights on at the other side of the room it felt to the participants as if an opaque mem- brane was hanging over them. The children sitting right in front of Patron all tucked in their chins as if something quite scary was about to happen.