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Mother?

Mother Is Crossed Arms Rocking a Baby

In thirty years, my mother’s dreams had never lied. Though I only knew her for twelve of those years, and though she probably didn’t mean them to, all her prophesies came true.

I know exactly when I began to think of her only in general terms. It was the morning of the day the imam died. Arising with dawn’s fragile mist, she walked into the living room, straight to the sideboard that held all our photographs, and draped the imam’s photograph with a black ribbon of mourning. I suppose you can say that my mother was a witch and in an older time, a rope around the neck would have tested her innocence.

This new prophesy came in the middle of the imam’s latest fast and he had been in the mosque for days. It was inconceivable to either of us to tell him, to disturb his communion with angels and jinn. That morning as she went about the making of breakfast, her tears fell freely, if silently, over-salting the eggs and making the milk turn rancid so that the eucalyptus tea became undrinkable. If we were back in the south, with Grandfather, mother might have been able to work some counterspell, but the imam’s faith forbade anything not of the one God, be it Christian or Muslim. For him, there was little difference, believing that both religions were brothers of the one father; a pair from the triplets— Judaism, Christianity, and Islam — a weird kind of trinity. But here, mother was denied even the mercy of a dried chicken heart that when clutched in a cooling palm could be used to ward off demons, so she spent that day watching in silent terror their bald-headed approach. Now I wonder if she was crying also for the more distant future she saw coming. If I blamed her, blame her, I blame the imam equally for his own death. The seed of it was his greatest arrogance, the belief that he knew the will of the unknowable. Grandfather always said that believers are like unschooled children holding onto the essence of a truth merely because they have spoken it. But now that I have seen a soul all brittle and flaky like coughed-up biscuit crumbs leave a man, blame is not so easy to lay on another.

All that day and into the night, my mother knelt before her altar, before the icon of the Virgin, before the candles burning, and rolled her rosary between her hands, beating her chest and calling for mercy, for some intercession. As I watched her, I realized that she could see death, and I too, and it wasn’t some ugly skeleton with a scythe — death is a beautiful woman, eyes soft from morning dew, lips pulled back in the saddest smile, praying at an altar for her husband’s life.

When it grew dark and mother didn’t move from her vigil, I finally decided to do something, and headed to the mosque. Whatever the consequence of waking him, death must be more extreme, so I lit a candle and stepped out of the house. In the alley between the mosque and our house, my fear smothered the candle flame and the darkness crackled in the heat. It was early but the streets were deserted. I entered the mosque from the side door, walking quickly through the courtyard that housed the ablution fonts, the sand crunching under my shoes. Not bothering to take off my shoes, I ran across the mats to where the imam lay face-up in a trance. I shook him and shook him, but I couldn’t wake him. Then there were two shapes beside me, each holding a sword. As they raised them to strike, I ran, like a coward, I ran and hid in the courtyard, behind the farthest font. I heard the imam cry out, and then stumble out into the courtyard, chased by his assailants, who cut him repeatedly. When they fled, I came out to him. He smiled at me and touched my face, smearing his blood on my cheek. He tried to speak, but only blood came. I pushed back from him and he died in the sand like a dog.

Oh, how can my sin be so luminous!

I ran back to Mother. She was waiting with a bowl of water and a rag and she washed my face and said nothing. Instead, she just held me and rocked back and forth singing softly: “You Are My Luck.”

I scream, or try to, but the sound that comes from me is no more than a harsh gurgling like a wild animal dying. I fall to the ground. The woman ahead of me pauses, turns, and sees me. It is not my mother. She puts her coffin down and walks back. She squats beside me, and holding my head up she pours water from a canteen into my mouth.

As I struggle to drink through my choking, she strokes my forehead and whispers: “Son.”

Rest Is a Chin Held in a Palm

“Death is our burden to carry,” the woman says, when I point to the coffin and raise my eyebrows. The water she gave me has revived me and I am sitting up, propped against the coffin, smoking another cigarette. I offer her one, but she shakes her head, reaching into her bra and pulling out a small round silver box with a mirror on its lid. She taps it a few times, twists the cap off, and dips a moistened forefinger into it. It comes out packed with snuff, which she rubs against her gums. She makes a satisfied sound, tears running from the harsh hit. She turns and gives me a watery smile. I look away. I have a persistent hunger, an appetite for something I can’t define. Above, the sky is becoming overcast.

“We should find shelter before it begins to rain,” she says.

I nod and get up. I look down the road. There is a bamboo grove not far. I guess the river winds back at that point. Bamboo clumps grow on the banks and droop like willows, rippling fingers through the dirty water. Grandfather said they were mermaids who while washing their hair didn’t notice the gaze of humans until too late. They became frozen, the bamboo all that was left of them, still vainly trying to wash their hair in the river. It should be easy to build a shelter there. I turn to the woman.

“What is your name, Mother?” I sign, using the respectful term for a woman old enough to be my mother. It is the way here. She likes it, she smiles.

“My name is Grace,” she says.

“Come, Mother,” I sign. “We can find shelter ahead.”

She helps me hoist the coffin onto my head and we move along. It is natural and fitting that I should take the coffin from the old woman. I am stronger and younger, yet I feel even closer to death with the infernal box on my head. Grace says nothing, just follows. When we get to the grove, I clear the ground shrub just away from the road, the blade of the machete fast against the hollow bamboo, sounding a song of steel and wood. In no time I have built a lean-to and roofed it with bamboo leaves woven into small squares; and just in time because I have barely hauled the coffin into the shelter when the sky opens up in a storm.

“Can you build a fire?” Grace asks.

If she thinks it is strange that I don’t speak, she has said nothing. I nod and gather kindling. It is easy — I just reach back into the grove. Soon there is a small but cheerful blaze going. Grace opens the coffin and pulls out a pot and some cooking ingredients. As she stands the pot in the rain to collect water, she asks: “Is that yam I see in your bag?”

I nod and offer it to her. She peels it quickly with my bayonet, her grip experienced, and then she holds it out in the rain to wash it clean. She chops it and puts it in the pot of water, adds the last of the oil from my bag, some herbs she has, and a piece of dry fish she has been clearly hoarding for some time. While we wait for the rain to abate and the yam pottage to cook, I smoke and she rubs snuff on her gums. She begins to talk.

“I’ve carried this coffin for so long; for such a long time. You see, we are nothing if we don’t know how to die right. That sums us up as a people. Not the manner we come into the world, but the manner in which we leave.”

After all that I have seen, it sounds a little self-indulgent, but it’s not like I can interrupt her, so I let her go on. It seems important to her to tell me this stuff, although I don’t know why. Why, even in moments like this, do people feel they have to explain their oddness? If no one felt that kind of shame, that kind of embarrassment, would there be no more war? It sounds silly. I guess this is what Grandfather meant when he would say I was acting my age.