Only when Hildy looks through the binoculars, watching her cousin turn the bedroom light on and off without lifting a hand, does Jenny Rose seem solid. She is training her eyes to see Jenny Rose. Soon Hildy will be the only person who can see her.
No one else sees the way Jenny Rose's clothes have grown too big, the way she is sealing up her eyes, her lips, her face, like a person shutting the door of a house to which they will not return. No one else seems to see Jenny Rose at all.
The R.M. worries about James, and Mr. Harmon worries about the news; they fight busily in their spare time, and who knows what James worries about? His bedroom door is always shut and his clothes have the sweet-sour reek of marijuana, a smell that Hildy recognizes from the far end of the school yard.
Jenny Rose doesn't wet the bed anymore. At nine-thirty, she goes to the bathroom and then climbs into bed and waits for Hildy to turn out the light. Which is pretty silly, Hildy thinks, considering how Jenny Rose spends her afternoons. As she walks back to her bed in the darkness, she thinks of Jenny Rose lying on her bed, eyes open, mouth closed, like a dead person, and she thinks she would scream if the lights came back on. She refuses to be afraid of Jenny Rose. She wonders if her aunt and uncle are afraid of Jenny Rose.
This is a trick that her father taught her in the blackness of the prison cell, when she cried and cried and asked for light. He said, close your eyes and think about something good. From before. (What? she said.)
Are your eyes closed? (Yes.) Good. Now do you remember when we spent the night on the Dieng Plateau? (Yes.) It was cold, and when we walked outside, it was night and we were in the darkness, and the stars were there. Think about the stars.
(Light.)
In this darkness, like that other darkness which was full of the breathing of other people, she remembers the stars. There was no moon, and in the utter darkness the stars were like windows, hard bits of glass and glitter where the light poured through. What she remembers is not how far away they seemed, but how different they were from any other stars she had seen before, so bright-burning and close.
(Darkness.)
Do you remember the Southern Cross? (Yes.) Do you remember the birds? (Yes.) She had walked between her father and mother, passing under the bo trees, looking always upward at the stars. And the bo trees had risen upward, in a great beating of wings, nested birds waking and rising as she walked past. The sound of the breathing of the cell around her became the beautiful sound of the wings.
(Light.)
Do you remember the four hundred stone Buddhas of Borobodur, the seventy-two Buddhas that were calm within their bells, their cages? (Yes.) Be calm, Jenny Rose, my darling, be calm.
(Darkness.)
Do you remember the guard that gave you bubur ayam? (Yes.) Do you remember Nyoman? (Yes.) Do you remember us, Jenny Rose, remember us.
(Light.)
"What are you doing?" James says, coming upon Hildy in the gazebo.
She puts down the binoculars, and shrugs elaborately. "Just looking at things."
James's eyes narrow. "You better not be spying on me, you little brat." He twists the flesh of her arm above the elbow, hard enough to leave a bruise.
"Why would I want to watch you?" Hildy yells at him. "You're the most boring person I know! You're more boring than she is."
She means Jenny Rose, but James doesn't understand. "You must be the most hopeless spy in the world, you little bitch. You wouldn't even notice the end of the world. She's going to kick him out of the house soon, and you probably won't even notice that."
"What?" Hildy says, stunned, but James stalks off. She doesn't understand what James just said, but she knows that marijuana affects the brains of the people who use it. Poor James.
The lights in her bedroom flick on and off, on and off.
Light, darkness, light.
Myron and Hildy are in the basement. In between studying for biology, and cutting out articles for current events, they play desultory Ping-Pong. "Is your cousin a mutant?" Myron says. "Or is she just a mute ant?"
Hildy serves. "She can talk fine, she just doesn't want to."
"Huh. Just like she doesn't bother to turn the lights on and off the way normal people do." He misses again.
"She's not that bad," Hildy says.
"Yeah, sure. That's why we spy on her all the time. I bet she's really a communist spy and that's why you have to keep an eye on her, spying on a spy. I bet her parents are spies, too."
"She's not a spy!" Hildy yells, and hits the ball so hard that it bounces off the wall. It's moving much faster than it should. It whizzes straight for the back of Myron's head, veering off at the last minute to smash into one of the spider plants.
The macrame plant holder swings faster and faster, loops up and drops like a bomb on the carpet. Untouched, the other macramЋ plant holders explode like tiny bombs, spilling dirt, spider plants, old Ping-Pong balls all over the basement floor.
Hildy looks over and sees Jenny Rose standing on the bottom step. She's come down the stairs as silently as a cat. Myron sees her too. She's holding a postage stamp in her hand. "I'm sorry," Myron says, his eyes wide and scared. "I didn't mean it."
Jenny Rose turns and walks up the stairs, still clutching the postage stamp. Her feet on the stairs make no sound and her legs are as white and thin as two ghosts.
Hildy collects lipsticks. She has two that her mother gave her, and a third that she found under the seat of her father's car. One is a waxy red, so red that Hildy thinks it might taste like a candy apple. One is pink, and the one that she found in the car is so dark that when she puts it on, her mouth looks like a small fat plum. She practices saying sexy words, studying her reflection in the bathroom mirror, her mouth a glossy, bright O. Oh darling, she says. You're the handsomest, you're the funniest, you're the smartest man I know. Give me a kiss, my darling.
She wants to tell Jenny Rose that if she – if Jenny Rose – wore lipstick, maybe people would notice her. Maybe people would fall in love with her, just as they will fall in love with Hildy. Hildy kisses her reflection; the mirror is smooth and cool as water. She keeps her eyes open, and she sees the mirror face, yearning and as close to her own face as possible, the slick cheek pressed against her own warm cheek.
In the mirror, she looks like Jenny Rose. Or maybe she has watched Jenny Rose for too long, and now Jenny Rose is all she can see. She leans her forehead against the mirror, suddenly dizzy.
Myron won't come over to the Harmons' house anymore. He goes to the Y instead, plays basketball, until his mother comes to pick him up. He avoids Hildy at school, and finally Hildy calls and explains that she needs him, that it's an emergency.
They meet in the gazebo, of course. Myron won't go inside the house, he says, even to pee.
"How are things?" Myron says.
"Fine," Hildy says. They are formal as two ambassadors.
"I'm sorry I called your cousin a communist."
"That's okay. Look," Hildy says. She presses the heel of her Ked against a loose board until the other end pops up. In the hollow there is a stack of white envelopes with square holes where the stamps have been cut out. She picks up the top one, dated July 19, 1970. "It's her secret place. These are her letters."