“Hey there, Sid,” I says.
“Craig Suder?”
“Yeah.” I stop in front of him.
“Well, I’ll be damned.” He laughs. “Come on aboard, boy.”
I hop onto the boat.
He reaches to grab my hand, but my arms are full. “Put something down,” he says, “so I can shake your paw.”
I put my saxophone and everything down and I take his hand. “It’s good to see you, Sid.”
“It’s good to see you, boy. I’ll be damned. Just come by to chew the fat?”
“No, I’ve come by to see if I can spend a few days with you.”
“You don’t say. Well, damn.” He runs his hand over his head. “I’d be glad to have you. Stay as long as you like. I been needing some company. Well, damn.” He looks out over the Sound. “Want a beer?”
“Yeah.”
“Come on,” he says and turns and goes down a ladder into the cabin.
I follow. “How come you call your boat The Ugly Lady?” I ask.
“Named her after my second wife.” He reaches into the ice chest and pulls out a beer and tosses it to me.
“Thanks.”
He pulls one out for himself. “What you doing here in the middle of the season?”
“Let’s say I’m on vacation.”
“You get axed?”
“No.”
“Slump?”
“Yeah.”
“Well, you can stay here as long as you like.” He pulls his hand over his head and rubs the perspiration between his fingers. “Let’s sit up on deck.” We go up on deck and sit down. “What about things at home?”
I question him with my eyes.
“Things at home okay?”
“Fine.” I finish my beer.
“Damn, you went through that fast. Want another?”
I shake my head. “I just thought I’d come by and pay you a visit and maybe sneak some fishing in.”
“Fishing, it is,” he says. “I got some cod in the cooler right now. You want to head out some and poke around for tuna?”
“Yeah.”
“Good.” He looks up at the sky. “Well, hell, we couldn’t have asked for a prettier day. What do you say we head out now?”
I nod. “Can I put my things below?”
“Yeah, yeah, make yourself at home.”
I take my things down into the cabin and then I’m back on deck.
“Why don’t you untie that there,” says Sid, pointing to where the boat is tied to the pier.
I do as he says and then he cranks up the motor and we’re off. I climb up the ladder to where he’s steering the boat. I’m looking ahead out the window.
“Not much traffic today,” he says. “I got a great spot.” He pauses and looks at me. “I’ll be damned.” He’s smiling and shaking his head.
We cruise through the Sound and head three or four miles out. We drop in a couple of lines and just sorta set back and take it easy. The sun is bright and the breeze is good and I get relaxed. I start to drift off into sleep.
“I got one!” Sid says, sitting up straight.
I sit up and see his taut line and then this fish shows himself. “Look at the size of that baby,” I says.
“Yeah, that’s a nice-sized one. Nice size.” He lowers his rod and lets the fish run.
I’m standing up and walking around in back of Sid. “Look at that sucker go.”
The line stops feeding out and Sid pulls up on the rod and starts reeling him in. The line becomes really taut again and Sid points the tip of the rod at the fish once more. “You gotta play him right, boy.” He pulls his face across his shoulder. “Do me a favor, Craig, and wipe the sweat off my head.”
I am looking for something to wipe his head with. “What do you want me to use?”
“Take the rag out of my back pocket.” He starts reeling the fish in again. “The sweat’s real annoying.”
I pull the rag across that shiny dome of his. “There you go.”
A half hour passes with me periodically wiping the sweat off his top. He’s letting the fish run again and he looks up at me.
“Boy, I’m tired,” Sid says. “Take this thing while he’s running. He’s weakening, I can tell.”
I take the rod and reel and his seat and he takes to wiping perspiration from his face and head. “Play him, boy,” he says as I start reeling. He ducks down into the cabin and comes up with a bottle of bourbon. “Play him, Craig.” He moves behind me. “That’s it, bring him in.”
I continue to reel him in.
“That line’s looking mighty hard. Maybe you should let him out some.” I push the button and point the rod down and the fish takes off. “My hands are getting real sweaty,” I says to Sid.
He doesn’t answer.
I start reeling again. “My hands,” I says.
“That’s it, reel him in.” He takes a swig from the bottle. “Let him out again.”
I forget to push the button and I point the tip of the rod at the fish and the whole works is ripped right out of my hands. I close my eyes.
“Damn shame,” says Sid and he walks away and down into the cabin.
I sit there for a long while, just looking at the ocean.
We’re starting to lose daylight as we pull into the dock. I hop out of the boat and tie it up. Sid is standing on deck, taking a swig from his bottle of bourbon.
“I’ve got something I want you to hear,” I says.
“Yeah?” He screws the cap onto his bottle. “What is it?”
“I’ll get it. Hold on.” I go down into the cabin and come up with my phonograph and my record. I’m looking around for an outlet and then I look at Sid.
Sid points to the base of a lamp on the pier.
I jump off the boat and plug in the machine and play the record.
“That’s real pretty,” Sid says. “Who is it?”
“This is Charlie Parker.” I smile.
“Yeah, that’s real pretty.” He looks at the lights around. “What do you say we go scout out some women?”
I pick the needle up off the record and I’m really pleased that he likes it. “Where do you want to go?”
“There’re a couple of bars around here.”
“Sure. Let me get my horn.” I run into the cabin and grab my saxophone. I pick up my phonograph and record and we walk away from the boat.
“You need to carry all that shit?” Sid wants to know.
“Yeah.”
We walk along the waterfront until we come to this little tavern. There ain’t many people inside and we grab a couple of stools. I put my things on the bar and the bartender tells me I have to move it all. I put my phonograph and record on the floor and I hold my horn in my lap. We down a couple of beers and the place starts to fill up.
This guy hops on a stool in the middle of the floor and he’s holding a guitar. He starts to playing and singing, but what he’s playing ain’t nothing like Charlie Parker.
“Craig,” Sid says, “if you just gonna keep that horn in your lap, it’s about as useful as tits on a boar hog.” He pauses. “If you ask me.”
I don’t say anything. I just look back at the fella singing. I pick my saxophone up out of my lap and walk over to the singer. I stand there right in front of him and he stops in the middle of a song.
“Yeah?” he asks.
“You know ‘Ornithology’?”
“No, who’s it by?”
“Charlie Parker.”
He looks at me, puzzled-like.
“Charlie Parker, the saxophone player.”
“I don’t know him or the song.”
“I’ll play it for you.” I walk to where Sid is sitting. People in the tavern are grumbling: “Hey, what happened to the music?” “What’s the story here?” “Let’s have a song!”