"I realize that. Just look at the pictures carefully."
"And the papers and TV won't find out about John and me?"
Lloyd smiled and lied through his teeth. "That's right."
For an hour Christine smoked and looked at snapshots of white male felons. Lloyd sat beside her, reading her face for flashes of recognition. Twice she said, "Sort of, but not him"; three more times she held the binder up and gave it an extra close scrutiny, then shook her head. Lloyd marked the pages that drew her strongest reactions, and when Christine was finished with the last mug book, he wrote down the names and file numbers of the felons and went to the records booth to check their files on the off-chance that there might be some sort of connection to perk his mental juices.
He gave the five files cursory read-throughs, looking for the felons' current dispositions, known associates and brothers with criminal records, learning that George James Turney had been stabbed to death in a San Quentin race war six months previous and had two older brothers in their forties; that Thomas Lemuel Tucker was on federal parole in Alaska, and an orphan; that Alexander "Ramo" Ramondelli had a sister and was dying of cancer at Vacaville Prison Hospital; that Duane Richard Rice was an only child and was serving a year in the county jail for grand theft auto; that Paul Prescott Orchard had a mentally retarded younger brother and was a state parole absconder. The "known associates" were complete washouts-no familiar names, no sparks. It was time to write up a report to mollify Kapek, goose the media, chase snitch feedback and let the feds run with the ball.
Lloyd put the file numbers in a note to the squad lieutenant supervising the Issler assault, telling him to have a police artist utilize them with the assistance of a new eyeball witness the feds had. After dropping the memo off with the desk officer, he walked back to Christine and said, "Let's go. I'll drive you home."
They were walking out the door when Lloyd saw Peter Kapek striding up the steps toward them. He checked his watch: 5:30. The junior G-man had outfoxed him with an early arrival.
Kapek looked at Christine suspiciously; suddenly Lloyd felt sad for the bank manager's mistress. When Kapek started to fume silently for an explanation, Lloyd pulled him out of Christine's earshot. "I had to move fast or lose her. Call me at home and I'll tell you about it. If you don't like it, go fuck yourself and get me detached. She's your witness, but be good to her."
Kapek's fuming rendered him beet red. Lloyd nodded to Christine, then walked back into the station. The desk officer handed him a piece of paper. "Just got the call, from the switchboard at Parker Center. They didn't say who it's from. Sounds like a snitch to me."
Lloyd looked at the message. It said: Luis Calderon dealing army.45s. (Reliable info-call me for details.)
12
The restaurant was cool and dark; the Mexican music soft and harmless; the wraparound booth big and cushiony-a good, private place to talk crime plans. Sipping iced tea and waiting for the Garcias, Duane Rice felt his twenty-four hours of nonstop movement lose its frenzied edge. It was all going to happen; what he'd done since splitting Stan Klein's place proved he could do anything.
After trashing the pad for info on the "video shoot" Vandy and Klein were on, and getting zilch, he knew it was either tend to business or go gonzo, so he'd driven by the Pico-Westholme bank and memorized the floor plan, then cruised the side streets surrounding it for getaway vehicles. Around the corner on Graystone, he noticed an '81 Chevy Caprice parked in the driveway of a house whose screen door was spilling over with rubberband-wrapped newspapers. He'd walked up and checked the name on the mailbox-Latham-then waited for the paper boy and handed him a spiel about being a friend of the Lathams', and by the way, when were they getting back? The kid said next Friday. Bingo. One vehicle down, one to go.
Then it was think or go gonzo, and he forced himself to remember small details all the way back to his kick-out from the slam. It took half an hour of brain-frying concentration, but finally he got it.
At the Burger King down the street from the Bowl Motel there was a fat slob security guard who bragged to the customers about his sixteen-hour shifts and all the money he was making, and how he was spending most of it on his '78 Malibu with a 327 and a B amp;M Hydrostick. It was never in the lot, but it had to be parked nearby. After a final recon of the Pico-Westholme area, he drove up to Hollywood and found the Malibu parked on De Longpre a half block from the Burger King. Two vehicles down-only the keys to go.
He drove to an art supply store and bought a large piece of molding wax, then cruised by the repo lot on South Western. It was closed up at nine o'clock, and there was no nightwatchman. A simple chisel pry, and he was inside the salesman's hut. There was an oversupply of master keys for all latemodel Chevys, so he forgot about making wax impressions and glommed the keys outright. The two getaway vehicles were as good as his.
Next he called Rhonda, catching her on her way out the door to her weekend at "The Springs." She told him she didn't know where the video shoot that Vandy and Klein were on was, and that she didn't know whether Vandy performed in any of Klein's X-rated videos. She said she would talk to people in "The Springs" and leave a message if she got any hard info. She mentioned money several times, and he promised to call Silver Foxes Monday night to set up a meet.
Then came the tough part-manipulate the Garcia brothers: both of them for the Pico-Westholme heist; Joe for a watchdog. The heaviest gaming would be groveling to Bobby. Even though it was the right thing to do, it felt all wrong, and he was relieved when he called and got no answer.
Which left him at midnight with nothing to do and no one to do it with, and nowhere near sleep. The Holiday Inn was now total skunk city, so he moved back to the same room at the Bowl Motel, where the same grease spots and lines of dust greeted him, but did not ease him into sleep. Since he now had to stay awake to talk to Joe Garcia, it was either move or go gonzo.
So he moved, driving the Trans Am like a meek old man, going a weird kind of gonzo, where the superior type English he knew from police reports filled his head with thoughts he didn't want to say or even think out loud:
Unlike Stan Klein, Gordon Meyers is not a known associate. In the course of his career as Module 2700 night jailer, he incurred only mild resentment from the thousands of inmates he supervised, all of whom were mentally disturbed misdemeanants incapable of perpetrating armed robbery and murder;
Said unknown perpetrators were obviously seasoned bank robbers, most likely San Quentin or Folsom parolees, institutionalized and subconsciously desirous of committing felony acts in hopes of receiving ten-to-life habitual offender sentences.
The parole officer/cop/shrink rap kept eating at him; finally he started thinking of Vandy to hold it down. He thought of known associate Stan Klein, whom he couldn't touch, and got very calm, even cocky. Deciding to check out Stan Man's new scam, he started asking night clerks at "adult" motels if they had any good "fuck music." The first three clerks took his ten spot and said no; the fourth said yes and offered him a special "short timer" rate for private listening. Steeling himself, he accepted the offer.
The six cassettes stacked atop the V.C.R. in front of the sweat-stained bed all bore the "Stan Man" name and P.O. box. He loaded them into the machine and turned off the lights. Tremors and a flash thought hit him along with the "Stan Man" logo; he didn't want it to be Vandy, but if it was Vandy, he wouldn't be so god-awful alone. Cursing himself, he turned up the volume and watched the show.
A disco beat, then a haggard woman was gobbling a donkey-sized dick while Donna Summer belted, "She Works Hard for the Money." Fade-out, logo, then Rhonda the Fox was taking on four guys at once, the Beach Boys wailing for her to help them. Blank frames, blurred logo, "This Land Is Your Land" on the sound track, Mondale and Ferraro doing a handshaking tour on the screen, intercut with a girl in a red, white and blue negligee giving head to a jig in an Uncle Sam costume.