Miss Maszkerádi, all her Talmudic wisdom notwithstanding, loved to refer to women of easy virtue as wondrous creatures who lived off their bodies. She preferred French novels that described life in brothels, and would have given much to clandestinely observe the goings-on at some sordid club one night. She was convinced that the best way to get to know a man was by witnessing his coarsest words and acts.
“Had I a father or brother, I would send them to accompany my would-be fiancé on a visit to the filles de joie. I’d want to know how my future life-companion acted, how he behaved there…” Miss Maszkerádi insisted. “But I don’t want to get married. Because then I’d have long ago become an expert in midwifery, and in all the seductive practices of loose women.”
And on this childish note the wise Miss Maszkerádi closed the evening’s proceedings. She went to bed in her room, smiling in quiet scorn at Eveline, who would listen all night long for the sound of footsteps coming and going around the house. She knew it was nothing but the spring wind fidgeting out there.
***
In the morning Miss Maszkerádi went horseback riding. (Actually, the real reason she liked to sojourn at Eveline’s Bujdos estate was because it offered wide meadows and endless country roads for indulging in her passionate pastime. Back in Pest she rarely showed herself on the Stefánia Road promenade among the nannies, small children and the multitudes of happy or unhappy lovers. “Someone might think I’m trying to show off,” she thought and was always annoyed whenever some man stared too long at her willowy equestrienne waist and her silver-spurred little riding boots. As if she were trying to impress anyone!)
At Bujdos-Hideaway a fat mare named Kati was Miss Maszkerádi’s mount. This saddle horse had ears as long as a donkey’s. She had a shifty way of eavesdropping on conversations around her, pricked up her ears at approaching footsteps, and assiduously whisked her short tail like a housemaid shaking a dust rag. At times she was as obedient as a trained circus horse. Then in one of her capricious moods she threw Miss Maszkerádi, and, maliciously satisfied, ran off. She was as old as the chief steward’s wife, and as gluttonous, doleful and impetuous as a frustrated spinster.
Miss Maszkerádi rode over hill and dale, resting her eyes on the colors of the early spring landscape that alternated with the humdrum monotony of an aging chorus singer’s costume changes. It is only human to be constantly astounded by springtime; sixty or seventy years are not enough to make you tire of it. Each spring a new card game begins with life itself; you may win or you may lose. Secretly everyone starts life anew each spring. Only thing is, no one has the courage to admit wanting to be born again, to start everything all over: love, marriage, lifelong projects. To throw off the shabby old clothes and those dented decorations. Oh to run, run naked and devour buds, trees, girls, pale boys in the woods, and quickly lay to rest the old folks wrapped in their lynx furs, still mumbling about winter. — Miss Maszkerádi had never in her life read a springtime lyric, and despised people who delighted in the weather. Wasn’t it all the same, a screeching snowstorm or a mild lingering breeze, once you lay in your grave? Why bother to set out in life when it was over so soon?
So she whacked the melancholy mare Kati, and, flushed in the heat of excitement, cantered through birch woods, where the aftereffects of melted snow, blackened nests and globular growths hung from bare branches like so many hanged men slain by spring for being no longer fit to live.
The wily mare cantered on the wet road, past deep ditches as dark as grave pits whose dead had escaped to become ghosts; the meadows, convalescent after their long confinement, looked as feeble as a nonambulatory patient sitting on the edge of the bed. Birds: crows and magpies wheeled in the air as if newly acquainting themselves with the land below; spring was sprung with a vengeance, as if hardy hands were prying some vast door open a crack, allowing to slip back into this world those meteorological exiles, those playful roués and screeching, shameless hussies, clowns and paunchy rakes: the lock is creaking, there is a great rush as the stag-headed, mossy-bearded stable master sweeps over the land, horsewhips and expels winter’s lingering leftovers, kicks the dead into the ditch, cracks the whip at wandering minstrels and unrolls the meadows’ endless carpets for the upcoming catastrophic onrush.
On buds, naked little fairies seat themselves astraddle (till now they were mute shadows in hidden groves); in the air, snaps and creaks, voices of unknown origin, as if underground germs and seeds sang a grand chorale; gusts of air scamper like crazed wheels, whistling clouds whoosh by streaming overland, solemnly still waters for no particular reason stir now as if they, too, wanted a part in the Spring Ball; it is a miracle that strident, bleating billy goats don’t flood the field where everyone and everything aches to play. And still, in abandoned little autumnal niches hidden among trees in the depths of sad copses that seem to be created for solitary ghostly reveries with bent head — someone must certainly be sitting there, in a clearing that no one ever sees. But even such solitudes are approached by young snoopers on tiptoes, eager to spy on saddish old folks’ thoughts.
“Spring!” thought Miss Maszkerádi. “You are an idiot. I just don’t believe in you!”
And yet she must have believed in it a tiny little bit, for she searched out the tree she had been in love with for years.
It was a dwarf willow up on the bank of a stream gone dry, highly solemn, determined to hold its ground like some watchman. Its twigs had long ago gone with the wind, like unfaithful, flighty women from an old man’s side. But the ancient tree maintained a virile, calm, patriarchal equanimity. This was one somber, manly male who never showed any hurt, rejoiced not at Eastertime, nor did it celebrate the coming and going of evanescent life all around.
Miss Maszkerádi had sought precisely such a gruff, ancient tree-like male all her life, to whom she could have been as faithful as to this rooted, bark-bound, impassive trunk that had a face, as in fabled forests of old, hands in pockets, and a waist aslant, in a bored pose. At times she fancied the tree as an aging vagabond who had weathered many a hardship in his wifeless life, tramped about aimless as a muddy dog, the kept lover of man-hungry females; he despised love’s joys and woes, had plucked his share of triumph and hopelessness, taken quiet delight in success, had women on their knees to kiss his hand; passionless, not even pretending a semblance of emotion, he seduced the women in his path, then sent them packing, so many used-up playmates; they had loved and hated him, caressed him with trembling hands, then flung curses at his head, the way chambermaids in Pest toss trash out of a window…This manly one stayed calm and collected by living the inward life, thinking his own thoughts and always doing whatever felt good. He never kept a flower, a lock of hair, or remembrance of a kiss. He dealt with women as they deserved. Never did he wander with aching heart on moonlit nights, under anyone’s window, no matter how much awaited…He might prowl about for a week or two like a dog in springtime, then, all skin and bones and weary of the world, he would return from his wanderings and never recall what happened to him, what women had said, what they smelled and tasted like…Miss Maszkerádi positively abhorred novelists who always write about old men remembering youthful adventures. Thus she could not stand Turgenev, whom Eveline would have read night and day.
The old rogue pretended not to notice last year’s lover, Miss Maszkerádi. Indifferent and cool, he stood his ground by the vanished creek whose bed had perhaps drained off his very life, never to return, flighty foam, playful wavelet, rainbow spray.