Groaning, Vasquez tried to roll away from the sight of Buchanan’s head surrounded by teeth like broken flagstones. It wasn’t easy. For one thing, her right hand was still in her pants pocket, its fingers tight around the Walther, her wrist and arm bent in at awkward angles. (She supposed she should be grateful she hadn’t shot herself.) For another thing, the cold that had struck her back was gone, replaced by heat, by a sharp pain that grew sharper still as she twisted away from the snap and crunch of those teeth biting through Buchanan’s skull. God. She managed to move onto her back, exhaling sharply. To her right, the sounds of Buchanan’s consumption continued, bones snapping, flesh tearing, cloth ripping. Mr. White—what had been Mr. White, or what he truly was—that vast figure was grunting with pleasure, smacking its lips together like someone starved for food given a gourmet meal.
“For what it’s worth,” Plowman said, “I wasn’t completely dishonest with you.” One leg to either side of hers, he squatted over her, resting his elbows on his knees. “I do intend to bring Mr. White into my service; it’s just the methods necessary for me to do so are a little extreme.”
Vasquez tried to speak. “What . . . is he?”
“It doesn’t matter,” Plowman said. “He’s old—I mean, if I told you how old he is, you’d think . . .” He looked to his left, to the giant sucking the gore from its fingers. “Well, maybe not. He’s been around for a long time, and he knows a lot of things. We—what we were doing at Bagram, the interrogations, they woke him. I guess that’s the best way to put it; although you could say they called him forth. It took me a while to figure out everything, even after he revealed himself to me. But there’s nothing like prison to give you time for reflection. And research.
“That research says the best way to bind someone like Mr. White is—actually, it’s pretty complicated.” Plowman waved his pistol at the symbols shining around them. “The part that will be of most immediate interest to you is the sacrifice of a man and woman who are in my command. I apologize. I intended to put the two of you down before you knew what was happening; I mean, there’s no need to be cruel about this. With you, however, I’m afraid my aim was off. Don’t worry. I’ll finish what I started before I turn you over to Mr. White.”
Vasquez tilted her right hand up and squeezed the trigger of her gun. Four pops rushed one after the other, blowing open her pocket. Plowman leapt back, stumbled against the opposite wall. Blood bloomed across the inner thigh of his trousers, the belly of his shirt. Wiped clean by surprise, his face was blank. He swung his gun toward Vasquez, who angled her right hand down and squeezed the trigger again. The top of Plowman’s shirt puffed out; his right eye burst. His arm relaxed, his pistol thumped on the floor, and, a second later, he joined it.
The burn of suddenly hot metal through her pocket sent Vasquez scrambling up the wall behind her before the pain lodged in her back could catch her. In the process, she yanked out the Walther and pointed it at the door to the junior suite—
—in front of which Mr. White was standing, hands in his jacket pockets. A dark smear in front of him was all that was left of Buchanan. Jesus God . . . The air reeked of black powder and copper. Across from her, Plowman stared at nothing through his remaining eye. Mr. White regarded her with something like interest. If he moves, I’ll shoot, Vasquez thought, but Mr. White did not move, not the length of time it took her to back out of the corridor and retreat to the elevator, the muzzle of the pistol centered on Mr. White, then on where Mr. White would have been if he’d rounded the corner. Her back was a knot of fire. When she reached the elevator, she slapped the call button with her left hand while maintaining her aim with her right. Out of the corner of her eye, she saw Buchanan’s gift for his son, all two hundred and sixty euros’ worth, wedged under its chair. She left it where it was. A faint glow shone from the near end of the corridor: Plowman’s black-lighted symbols. Was the glow changing, obscured by an enormous form crawling toward her? When the elevator dinged behind her, she stepped into it, the gun up in front of her until the doors had closed and the elevator had commenced its descent.
The back of her blouse was stuck to her skin; a trickle of blood tickled the small of her back. The interior of the elevator dimmed to the point of disappearing entirely. The Walther weighed a thousand pounds. Her legs wobbled madly. Vasquez lowered the gun, reached her left hand out to steady herself. When it touched not metal, but cool stone, she was not as surprised as she should have been. As her vision returned, she saw that she was in a wide, circular area, the roof flat, low, the walls no more than shadowy suggestions. The space was lit by a symbol incised on the rock at her feet: a rough circle, the diameter of a manhole cover, broken at about eight o’clock, whose perimeter was shining with cold light. Behind and to her left, the scrape of bare flesh dragging over stone turned her around. This section of the curving wall opened in a black arch like the top of an enormous throat. Deep in the darkness, she could detect movement, but was not yet able to distinguish it.
As she raised the pistol one more time, Vasquez was not amazed to find herself here, under the ground with things whose idiot hunger eclipsed the span of the oldest human civilizations, things she had helped summon. She was astounded to have thought she’d ever left.
—
For Fiona.
——
John Langan is the author of the novel House of Windows and the collection of stories Mr. Gaunt and Other Uneasy Encounters. His stories have appeared in Fantasy & Science Fiction and Poe: 19 New Tales Inspired by Edgar Allan Poe. He lives in upstate New York with his wife and son.
——
Ellen Datlow has been editing science fiction, fantasy, and horror short fiction for over twenty-five years. She was fiction editor of Omni and Sci Fiction and has edited more than fifty anthologies, including the horror half of the long-running The Year’s Best Fantasy and Horror, the current The Best Horror of the Year, Inferno, Poe: 19 New Tales Inspired by Edgar Allan Poe, Lovecraft Unbound, Darkness: Two Decades of Modern Horror, Tails of Wonder and Imagination, Digital Domains: A Decade of Science Fiction and Fantasy, Naked City: Tales of Urban Fantasy, The Beastly Bride and Other Tales of the Animal People, Teeth: Vampire Tales (the latter two with Terri Windling), and Haunted Legends (with Nick Mamatas).
Forthcoming is Blood and Other Cravings and After (the last with Windling).
She has won multiple Locus Awards, Hugo Awards, Stoker Awards, International Horror Guild Awards, World Fantasy Awards, and Shirley Jackson Awards for her editing. She was named recipient of the 2007 Karl Edward Wagner Award, given at the British Fantasy Convention for “outstanding contribution to the genre.”
She lives in New York. More information can be found at Datlow.com or at her blog: Ellen-Datlow.LiveJournal.com.