“Call her for me then.” Landon barks in a dare. “Tell her she wrote me something on a napkin. She’ll know who I am.”
The matron parses with a frown, and then surprises him by leaning over the counter and whispering something to a nervous colleague, who picks up the handset and punches in the numbers. In the waiting silence they hear the Mandarin dialogue of a soap opera from a nearby TV.
“No answer,” the counter lady tells the matron.
“Could I have an email at least?”
The matron holds up her hands. “I’m sorry, you have to leave right now.”
“All right, I’m sorry,” Landon realises his folly and slaps his forehead. “No address, no emails, no phone numbers, right? Could you tell me the probability of her visiting? Once in a fortnight? A month?”
“We don’t know that.” The matron gestures at the door. “Please.”
“Anything would be good. Anything on Clara.” Landon twists his hands together pleadingly. “Anything.”
“You have to leave.”
Desperation rends his heart. He pulls his hands miserably across his face and coughs up a sardonic laugh. Surely they would remember him for this. It’s now or never.
“You don’t understand; she doesn’t have a father.” He struggles to articulate his speech. “That man isn’t her father or grandfather or whoever she might have told you. She has no kin.”
The matron shows him the door. “Please leave.”
Landon raises his voice. “You don’t know who she is!”
The matron ushers him on.
“You don’t know who you’re keeping here!” Landon stops at the door. “You cannot keep anyone you don’t know about!”
“He’s her husband.”
The reply turns Landon cold. “Oh, eat that…” He mutters in disgust.
“Excuse me?”
“Eat your own filthy lies!” He throws off someone’s attempt to hold him. “She doesn’t have a husband! She isn’t supposed to have a bloody husband!”
The matron waves her arm and two liveried men converge upon him. He braces himself against the door frame and prepares for a humiliating grapple. A large hand closes firmly over his arm. He turns and sees John steps placidly past him and holds the door open.
“Sorry for the trouble,” he says, shaking the matron’s hand. “This man is my cousin. He’s been on medication and I think he had a little too much of it.”
The matron looks visibly relieved. She acknowledges his explanation with a sombre nod and looks on as John escorts Landon through a contemplative audience of seniors; their gazes disapproving, their lips pinched.
John crosses a patch of lawn and Landon follows like a guilt-ridden child doddering after a fuming parent. “How did you find me?”
John marches on. He doesn’t speak.
“I said: how did you find me?”
John stops, whips about and jabs an accusing finger at him. “My job’s practically a living hell because you’ve been doing one stupid thing after another. You don’t stay hidden, you don’t stay alive, okay? It’s that simple.”
Landon steeps himself in silence and closes his eyes as breeze passes, hoping it would mollify his rage and appease his demented senses. But in the blackness Hannah’s face appears.
“You’re a wreck, Landon.” John looks him over. “Your eyes look like they’ve got hoods over them.”
“I haven’t been doing anything stupid.”
“Like visiting that doctor of yours? You don’t know what you’ll end up revealing.” John thrusts out his head at him. “Also, cut the profanities, especially to respectable old ladies back there. Profanities discredit you.” Landon says nothing in defence. He gets into John’s car and they cruise down Holland Road. John turns randomly onto an obscure, nameless street. There he pulls up the handbrake, dons his reading glasses and fingers through the contents of a brown envelope.
“How are your burns?” John’s tone suddenly softens.
“Light.”
“The Serum aids in the healing.”
“Good to know.” Landon stares out of the window. “The fire claimed a life and almost took another. Some bodyguard you are.”
“It wasn’t meant to kill you.”
“Sure,” Landon twists his lips to a sardonic scowl. “I’m caught in two explosions and I’m convinced no one’s trying to kill me.”
“One of them now has something to do with you.”
“How’s that?”
“Domestic gas is odourless, if you don’t already know.” John pulls out a satellite photograph and holds it to the daylight. “Vendors made it smell like rotten eggs so people will notice if it leaks. Someone pumped the café full of it and left out the stink.”
Landon tries to conceive numerous possibilities and finds sense in none of them. “I don’t see how someone does that without a murderous intent.”
“It was the café they’re after.” John pulls out another print and hands it to him.
It is a satellite photograph the size of copier paper, monochromatic and of high gloss. Its planar angle depicts something of a construction site, with grids of string or rope drawn across what appeared to be partly-excavated ground.
Landon turns it this way and that. “What am I looking for?”
“Those are archaeological grids,” says John. “We managed to capture it before it went under the tarpaulin. It’s Retrieval.”
“Whatever that means.”
“There are a few stages to a Chronomorph’s lifecycle,” John explains tolerantly. “Retrieval is among the last few. It means they’ve found something on you.”
“What’s the last?”
“Elimination.”
The word delivers a chill but Landon feigns indifference. John takes the photograph from him. “Collateral death is acceptable, so it wouldn’t matter if the fire killed you or not. The Other Side was willing to take a shot at that. I need to know what they were looking for and I was hoping you could shed some light.”
“I’m an amnesiac.”
“They must’ve found something from you. Try to recall if there was anything entrusted to you besides your house. Perhaps at the moment when you received the Serum?”
“I don’t even remember how I got this thing.”
“Please, try.”
Landon’s chest falls in a weary sigh. “It’s just my house.”
“The one at Clacton?”
“I have no other property.”
It’s all starting to feel like a dead end. John pauses, studies Landon’s disposition and finds little reason to doubt him. He force himself to consider the possibility that the Serum has been transplanted into him without any connections to the Unknown; and that whoever gave it to him hadn’t been one of the original Chronomorphs in the first place. Factor that into the equation and you get a real conundrum.
From the attention CODEX accords to a case like this it is obvious Landon isn’t the typical, bungling Transplant who had paid his way to longevity in the days when renegade operatives peddled the Serum on the black market as an elixir of life.
This one might turn out to be a rare epitome of the hypothesis that the Unknown isn’t just a myth. And the prospect of it actually excites him.
“How do you know it wasn’t me who saved you?” He couldn’t resist asking. “You know someone I don’t?”
The question appears to have surprised Landon, and John senses hesitation in him, as one yearning to confide but holds back for want of a better confidant.
“The papers said whoever saved me ‘refused accolade for the service he rendered’. That was quite noble of you.” Landon says.