Ah, said Suttree. That’s what she says.
The black nodded.
Why dont you go up and see her?
He shrugged.
She said it wasnt yourself you wanted to see her about.
He looked at Suttree and looked back to the table again. Who she say I want to see her about.
Your enemies.
Ah, said Jones.
They went in the evening through the locust wood, insects so named screaming in the greenery, beneath great blooms of newsprint and into the steaming sink.
She was tending her garden, stooped with a hoe, a figure the size of a child. The homedyed black of her gown fugitive at back and shoulders from the sun. When she saw them she raised up and went into the house. They crossed the yard. Past the little rows of tomato plants and late runner beans. Suttree tapped at the door and they stood looking out at the little glade. After a while he tapped again.
When she came to the door she was bareheaded and she wore her spectacles. She stood aside for them to enter as if they’d been expected.
They followed her down the little hall in all but darkness toward an open door beyond which stood a table and a lamp burning. Jones stooped to enter, Suttree followed. They stood in the kitchen. Suttree looked about. The walls were hung with pictures, the pictureglass all dull with grease. He bent to study a clan of blacks, some thirty or more all formally aligned, old patriarchs and men and women and small children peering out and in the center seated and shawled what appeared to be a scorched rhesus monkey.
She was standing across the room and the light was poor and she could not have rightly known which photograph among the many he was looking at and yet she said: She was born in seventeen and eighty-seven.
Who is she?
My grandmama. She was a hunnerd and two when she died.
She looks almost that old in the picture.
She’s dead in the picture.
Suttree looked at her. The goldwire frames catching the light, the little round panes of glass. He leaned to see the picture again. Someone in the photograph behind the grandmother was holding her head up and her eyes were glazed and sightless. Suttree could not stop looking at this cracked and lacquered scene from times so fabled. The hands at the neck of the creature seemed to be forcing her to look at something she had rather not see and was it Suttree himself these sixty-odd years hence?
Are you in the picture? he said.
I aint in it. That was in Fayette County Kentucky. They kep her in a rootcellar till they could fetch the man to come and take the picture. Her children set with her down there of a night with candles.
Was that before you were born?
No. I was there. I never come out in the picture. I was there when it was took but I never come out.
Where were you in the picture?
Right yonder in that dead place.
He bent to see. On the far right there was a grayed-out patch, a ghost in the photo among her pellagrous predecessors. Here? he said.
She nodded, the little spectacles winking in the lamplight. Set down, she said.
Suttree sat beneath the picture. Jones was still standing almost in the middle of the little room and he seemed suddenly mindless, a great tottering zombie that she must take by one elbow and steer to the table although he has been here before. She’s sewn him up like a hound with carpetthread and the blood beading very fine and bright from the pursings of black flesh, stanching lesser holes with cataplasms of cobweb, binding him in bedlinen. With him drunk at the door two days later demanding to be undone and sewn looser because he could not bend. Eyes raddled with blood, reeking of splo whiskey.
He sat. The crowned tooth of flame shifted and reshaped within the glass. Her neckware winked, tin amulets, a toadstone, an ebon baal that hung from a necklace of braided hair. She spread her hands. Under the black and dusky skin you could see how the fingerhinges were fashioned, the lean and jointed bonepipes. She said: I dont know which of these two souls is the worst troubled. Let me see your hand.
Jones laid his hand on the table. Fingers like old bananas, that fat, that brown. She sat slowly and took the hand palm up in her dark little claws and shut her eyes. Then she looked down at it. She bent closer. What’s that? she said.
Jones looked. That aint nothin. Just where I took a knife off of some fool.
She pressed his seamy palm with her fingertips. She leaned back. Suttree was studying a photograph above the table to his right. A black boy in uniform who has watched the camera with some suspicion of his own expendability. The old woman said: You wants him here?
The youngblood? The youngblood can stay.
She bent forward and her eyes opened and her mouth made a little popping noise like a turtle’s. Gimme five dollah, she said.
Jones raised one hip and reached into his pocket. He brought out a large roll of bills fastened with a rubber band and he dealt a five onto the tabletop. She took it and folded it and it disappeared somewhere about her person and she took his hand again. She began to recount for him aspects of his past. Legends of violence, affrays with police, bleeding in concrete rooms and anonymous coughing and groans and delirium in the dark.
Jones looked up. I aint interested in all that, he said. I just dont want to leave Quinn here and me gone.
You caint buy that.
I caint buy it with five dollar.
A flickering look of impatience in her blueblack face. She told a tale of retribution, silver seals but cannot buy such powers.
She has bored a keep in a treebole and hid therein the dung of her enemy and plugged it shut with an oakwood bung. She leans to them in terrible confidence: His guts swoll like a blowed dog. He couldnt get no relief. His stool riz up in his neck till he choken on it and he turn black in the face and his guts bust open and he die a horrible death a screamin and floppin in his own mess.
Jones nodded. He said that that would suit him fine. Suttree smiled against the back of his hand but the ogress waggled a finger before them both. She rose and went to a cupboard above the cookstove, climbing with surprising agility from a chair to the top of the stove and reaching up and taking down a small and moldy leather poke. She brought it with her to the table and she spread over the naked boards a cloth of black damask, smoothing the creases with hands as black, more deeply creased. She sat with her hands folded so and she rolled her soapy old eyes at them. She took up the pouch and held it and closed her eyes. Her fingers undid the mouth of the little bag and when the strings hung loose she held it clenched by the neck as if what crouched inside might otherwise out. She began to sway lightly back and forth and she was holding her head up very stiffly and something was moving in the black folds of her throatskin as if she were swallowing repeatedly. Suddenly she opened her eyes and looked about and with a motion almost violent raised the leather bag and upended it over the table. Out clattered toad and bird bones, yellow teeth, frail shapes of ivory strange or nameless, a small black heart dried hard as stone. A joint from a snake’s spine, the ribs curved like claws. A bat’s skull with needleteeth agrin, the little pterodactyl wingbones. Tiny pestles of polished riverstone. These things lay shapen still and final upon the black damask and the dark gospeler of their constellation who would in moments now postulate the denial of the old lie that beholder and beheld are ever more than one, this dusky fugitive of the pyre with whom they trafficked studied the figures briefly and looked away. Looked away, let shut the seamy doors of her eyes. They sat in silence.
Jones spoke. He said: What do it say?
About you it dont.
About Quinn then.
It dont say. It aint you nor Quinn neither. It’s him.
Suttree felt the skin on his scalp pucker.