At the corner of Pomeroy Avenue he turned and stared worriedly down the street. This was the Bad Part of town. There on the corner was the Peppermint Twist Lounge, and beyond it was the Red Rooster Pool Room, and beyond that the Roseland Ballroom, where fights broke out every Saturday night. Further down toward the pier were the penny arcades: Playland, with its red sign, and the other one with no name. Its yellow sign just said ARCADE.
Markie wasn’t ever supposed to go over here, but he did. For a while after his daddy had moved out Markie had been able to see him by walking past the Red Rooster, looking quickly in through the door into the darkness. His daddy would be at the back, leaning listlessly against the wall with a beer bottle or a pool cue in his hand. If he saw Markie he’d look mad, and Markie would run. Then one day his daddy hadn’t been there any more, nor had he been there since.
Markie looked in, all the same, as he trotted down the street. No daddy. Markie kept going, all the way down the street, to stand at last outside the doors of the arcade with the yellow sign. He drew a deep breath and went in.
The minute he crossed the threshold into darkness, he wanted to clap his hands over his ears. It was the loudest place he’d ever heard. In a corner there was a jukebox booming, telling him hoarsely that Frankie and Johnny were lovers. Next to that was a glass booth in which a marionette clown jiggled, and as its wooden jaw bobbed up and down a falsetto recording of The Farmer in the Dell played nearly as loud as the jukebox. From the back came the monotonous thunder of the skee-ball lanes, and the staccato popping of the shooting gallery: somebody had trapped the grizzly bear in his sights and it stood and turned, stood and turned, bellowing its pain as the ducks and rabbits kept racing by. There were pinball machines ringing and buzzing, with now and then a hollow double knock as a game ended, and a shout of disgust as a player punched a machine or rattled it on its legs. In a booth fixed up with a seat and steering wheel, somebody was flying as grey newsreel skies from the last World War flickered in front of them, and the drone of bomber engines played from a speaker. There were big boys standing around, with slicked-back hair and cigarettes, and some of them were shouting to each other; most of them were silent at their games, though, and dead-eyed as the waxen lady in the booth who swung one arm in a slow arc along her fan of playing cards.
Markie stood shivering. Big boys were scary. If you were lucky they ignored you or just flicked their cigarette butts at you, but sometimes they winked at their friends and grabbed you by the arm and said Hey, Shrimp, C’mere, and then they told you jokes you couldn’t understand or asked you questions you couldn’t answer, and then everybody would laugh at you. He turned to run outside again, but at that moment a car backfired right outside the door. With a little yelp he ran forward into the gloom.
Then he had to keep going, so he pretended he’d meant to come in there all along, and made for a small machine with a viewscope low enough for him to reach. Silver letters on a red background read IN THE DAYS OF THE INQUISITION. He didn’t know what the last word was, but underneath it in smaller letters were the words One Cent, so he dug in his pocket for a penny and dropped it in the slot, and looked through the little window.
Clunk, a shutter dropped, and by yellow electric light he saw a tiny mannequin with its head on a block. Whack, another mannequin all in black dropped a tiny axe on its neck, as a third mannequin robed in brown burlap bobbed back and forth in a parody of prayer. The head, no bigger than a pencil eraser, dropped into a tiny basket. Just before the light went out Markie could see the head coming back up again on a thread, to snap into place until the next penny was dropped into the slot.
Markie stepped back and looked around. There were other penny machines in this part of the arcade, with titles like SEE YOURSELF AS OTHERS SEE YOU and THE PRESIDENT’S WIFE. He felt in his pocket for more pennies, but a hand on his shoulder stopped him. He turned and stared up at someone very tall, whose face was hideous with lumps and pits and sores.
“Whatcha lookin’ for, peanut?” the person shouted.
“Are you Smith?” Markie shouted back. “I got to say something to Smith.”
The person jerked a thumb behind them. “Downstairs,” he told Markie. Markie followed the direction of the thumb and found himself descending into darkness on a carpeted ramp, booming hollowly under his feet, that led to a long low room. It was a little quieter down here. There were dim islands of light over pool tables, and more dead-eyed boys leaned by them, motionless until an arm would suddenly flash with movement, shoving a cuestick forward. Markie was too short to see the colored balls rolling on the table, but he could hear the quiet clicking and the rumble as they dropped into darkness.
At the back of the room were more pinball machines, brightly lit up, and these did not feature little race horses or playing cards, like the ones upstairs. There were naked ladies and leering magicians on them, instead. There was an old man seated between two machines, resting his arms on the glass panels. Markie approached cautiously.
This was a wizened old man, heavily tattooed, in old jeans and a T-shirt colorless with dust. The dust seemed to be grained in his skin and thick in his hair and straggly beard. He wore pointed snakeskin boots and a change belt full of nickels, and he was smoking a cigarette. His eyes were heavy-lidded and bored.
“Are you Smith?” Markie asked him. The old man’s eyes flickered over him.
“Sure,” he replied. It was hard to hear him, so Markie edged closer.
“I talked to this other man, and he said I was supposed to tell you something,” he said, loudly, as though the old man were deaf. Smith took a long drag on his cigarette and exhaled. It smelled really bad. Markie edged back a pace or two.
“Oh yeah?” Smith studied his cigarette thoughtfully. “What’s he got to say to me, kid? He bitching about something again?”
“No, he says-” Markie scratched a mosquito bite, trying to remember. “He wants to know how you like his new servant, the one that breaks chains and stuff. He says he talks about old kings and rightness? You know? And he wants to know why he shouldn’t, um, s-s-succeed.”
“He does, huh?” Smith stuck his cigarette behind one ear and scratched his beard. “Huh. He’s baiting me again, isn’t he? Jeeze, whyn’t he ever leave well enough alone? Okay. Why shouldn’t this servant succeed?” He removed the cigarette and puffed again, then stabbed the air with it decisively. “Here’s why. His father was unrighteous, and his sins are visited on his kids, right, unto the third and fourth generation? Aren’t those the rules? So there, that’s one reason. And this man is an adulterer and lusts after the flesh, right? Reason Number Two. Hmmm…” Smith pondered a moment; then his eyes lit up. “And when his son was born dead he despaired in his heart! Sin, Sin and Sin again. That’s why his big-shot servant should fail, and you can tell him so from me. Okay, kid? Now beat it.”
Markie turned and ran, up the ramp and out through shrieking darkness, and into the clean daylight at the foot of the pier. He pounded to a stop beside the snack stand and caught his breath, looking back fearfully at the arcade. After a moment he wandered out on the pier and looked south toward the dunes. They seemed far away, and full of strange shifting lights. He shrugged and ventured further along the pier, stopping to watch with interest as a fisherman reeled in a perch and gutted it there on the spot. There were four telescopes ranged along the pier at intervals, and he stopped and climbed the iron steps to look into the eyepiece of each one, and check the coin slot to see if anyone had jammed a dime in there. No such luck. Further on, he stopped at the bait stand and bought a bag of peanuts for five cents. Just beyond the bait stand was a bench with a clean spot, and he settled down and proceeded to eat the peanuts, dropping the shells through the gaps between the pier planks and watching the green water surge down below.