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Then abruptly she stopped and touched her head. Except for a few bald spots where the shaved hair was already growing back in, she felt no difference. Didn't even ruin the dreadlocks. Same old Gina. Same old-

ATTENTION, GINA.

She looked up, unsure whether she had actually heard anything or not.

PLEASE CONCENTRATE. PLEASE VISUALIZE A BOX.

She held her head with both hands until she was sure it was just a memory. Just a memory, just an awfully stone-fucking home intense fucker of a fucking memory. Feeling a little shaky, she sat down on the bed again, and a new memory intruded.

Lying on a padded slab; going with it now as the slab begins to move and the ceiling begins to move; head goes into a box; a short wait and the fast insect sting of needles, very deep, sinking far, far in and suddenly fading to a sensation of distant cold; murmur of voices, saying they are mapping this and mapping that, and the brain feels no pain, the brain feels no pain, the brain feels nothing at all-

But this brain feels something.

Something is there; something has come in and something is still coming in and

The pictures flashed quickly, one after another. She touched her head again, but it still didn't feel any different. Except for each small bump that marked the locations of the sockets. Bet I look pretty fucking drop-dead with wires in my skull. Medusa's ugly sister.

Mark.

She got up and tried the door, thinking she would find it locked and then she'd have to trash the place till alarms went off. But the door swung open, and she found herself in a long hallway. Down at the very end, a light was on in some kind of alcove.

Gina hesitated. No guards-excuse me, nurses-keeping watch? She scanned the light-track running the length of the ceiling. The light was damped down, either for night or for her and Mark's benefit, after their long sleep, but she saw nothing other than the unbroken strip of illumination. Fuck it, they wouldn't have been that obvious, to stick eyes where anyone could just look up and see them. And on the other hand, who did they think they were fooling? Did they really think she'd believe she was moving around unobserved after fucking brain surgery?

Fuck 'em. Take a good look at the walking, talking rock'n'roll animal. She went down the hall.

Mark was sitting at a table off to one side in the dormitory-style kitchenette set up in the alcove, eating something unidentifiable out of a plastic dish. She jerked her chin at it.

He held up his dripping spoon. "Fuck if I know, but it's supposed to boost your neurotransmitter production. Brain glop. Tastes a little fishy."

She pulled up the sleeves of the stretchy white jumpsuit or pajama or whatever it was. Mark was wearing the same thing; it made them look like a couple of overgrown kids sneaking a midnight snack while the adults were asleep.

"Is it what you wanted?" she asked.

His head jerked slightly. "Well, it's not what I didn't want, put it that way."

She moved behind him and put her hands on his shoulders. They felt bony and frail. Like always. Abruptly she thought of Gabe Ludovic. The image of him lying on the ground with his face bloody and confused came to her out of nowhere, as intense as one of those inserted images.

Mark put a hand on one of hers, twining their fingers. "I know what I'd like to do right now."

She held very still. He twisted around and looked up at her. He really didn't look too bad. Better than he had in ages, as if a great deal of trouble had dropped away from him. Maybe it was not having to worry anymore. He could just stick a socket in his head and out it would come, essence de V. Mark. Video on tap.

He stood up then and wrapped his arms around her. This was never the easy part. They weren't smooch-faces, it didn't work that way, for her or for him. In twenty-some-odd years she hadn't stopped too often to wonder how it could have gone.

One time, though…one time, three-four-five years into the madness, there'd been a space where they'd come together one night, and it had been different. Hadn't been the first time or the last, but it had definitely been different. Might've just been time for it, time to find out, or try to find out. He'd been reaching, and she'd been reaching, and for a little while there, they'd gotten through. Maybe that had been the night when the little overlapping space called their life had come into existence.

And as if to make the point, as if to make absolutely sure they both understood, he'd put on this music, straight audio, very old stuff, guy named Dylan. I Want You. Very old, very big; maybe too big for either one of them. She remembered being unable to move or talk, or do anything but listen, and at the same time some part of her wanting to laugh her old laugh to break it up and break it down-hey, jellyroll, let's us just sit down and read our profiles in the entrails of popular culture, whaddaya say, but another part of her, the bigger part, got it right away, and that was the part that kept her from laughing. Because if you didn't speak your truth, there was always something that would speak it for you that much louder.

Maybe there'd been a little too much truth in the room with them. Something had almost turned there, but the night ended, and after that they just couldn't ever get it right.

Now she let herself relax into him for the first time in a long time, resting her head on his hard, bony chest and slipping her arms around his waist. Her mind began to drift, unreeling a series of wordless memories and pictures in no particular order, scenes from the old days, from all the days before this one: Mark bending over a screen, his prematurely old face lit by the glow of the rough cut he was previewing for final editing; the Beater sitting at the permanently closed synthesizer, unmoving and unmoved, and Mark standing on the other side, trying to get his mind around it and having a bad time; Mark on the courthouse steps; the Beater facing her with it; the lake with the stony shore-

It came to her like a paper flower unfolding to reveal a secret center. The lake scene was the area where Mark had grown up in New England. She had seen it before, but she had never been there, until now. Whenever now had been.

Gingerly she concentrated, trying to detect a difference of feeling in her mind.

"It's good," he said suddenly, his voice low and easy but too much as if he'd been reading her thoughts-too much by fucking half-and yet she could not move even to look up at him. "I mean, I don't know if it's good, I don't know if it's right, but it sure is good. And I was born to do it, I've been trying to do it all my life, and I never knew it. Someday you're gonna come into a room, and you're gonna see this funny-looking thing, a piece of flesh clutching into naked console, and you're gonna stop and stare, because you won't be sure where the flesh stops and the chips and the circuits begin. They'll be, like, melted into each other, and some of the console'll be as alive as flesh and some of the flesh'll be dead as console, and that'll be me. All of that'll be me."

Gina said nothing. Her hands pressed into his back.

"I don't know if it's what I want," he added, "but it's what I'm supposed to be." He paused. "I'm sorry."

"What are you sorry for," Gina said quietly. "If it's for me, you're sorrying down the wrong fucking rain barrel." She felt him stiffen just slightly, and she suppressed a smile as she pulled her head back to look up at him. "You're the one who's always needed something to grab onto, someone to throw you a rope outa the deep water." Her mouth twitched. "I was always in it for the music."