Jones is waiting in the lobby for the results of his wife’s operation. Has there ever been a time before dread? He would be grateful even to have dread back, but it has been lost, for a long time, in rapid possibility, probability and fact. The baby sits on his knees and plays with his tie. She woke very early this morning for her orange juice and then gravely, immediately, spit it all up. She seems fine now, however, her fingers exploring Jones’s tie. Whenever he looks at her, she gives him a dazzling smile. He has spent most of the day fiercely cleaning the house, changing the bed-sheets and the pages of the many calendars that hang in the rooms, things he should have done a week ago. He has dusted and vacuumed and pressed all his shirts. He has laundered all the baby’s clothes, soft small sacks and gowns and sleepers which froze in his hands the moment he stepped outside. And now he is waiting and watching his wristwatch. The tumor is precisely this size, they tell him, the size of his clock’s face.
Jones has the baby on his lap and he is feeding her. The evening meal is lengthy and complex. First he must give her vitamins, then, because she has a cold, a dropper of liquid aspirin. This is followed by a bottle of milk, eight ounces, and a portion of strained vegetables. He gives her a rest now so that the food can settle. On his hip, she rides through the rooms of the huge house as Jones turns lights off and on. He comes back to the table and gives her a little more milk, a half jar of strained chicken and a few spoonfuls of dessert, usually cobbler, buckle or pudding. The baby enjoys all equally. She is good. She eats rapidly and neatly. Sometimes she grasps the spoon, turns it around and thrusts the wrong end into her mouth. Of course there is nothing that cannot be done incorrectly. Jones adores the baby. He sniffs her warm head. Her birth is a deep error, an abstraction. Born in wedlock but out of love. He puts her in the playpen and tends to the dog. He fills one dish with water and one with horsemeat. He rinses out the empty can before putting it in the wastebasket. The dog eats with great civility. He eats a little meat and then takes some water, then meat, then water. When the dog has finished, the dishes are as clean as though they’d been washed. Jones now thinks about his own dinner. He opens the refrigerator. The ladies of the church have brought brownies, venison, cheese and apple sauce. There are turkey pies, pork chops, steak, haddock and sausage patties. A brilliant light exposes all this food. There is so much of it. It must be used. A crust has formed around the punctures in a can of Pet. There is a clear bag of chicken livers stapled shut. There are large brown eggs in a bowl. Jones stares unhappily at the beads of moisture on cartons and bottles, at the pearls of fat on the cold cooked stew. He sits down. The room is full of lamps and cords. He thinks of his wife, her breathing body deranged in tubes, and begins to shake. All objects here are perplexed by such grief.
Now it is almost Christmas and Jones is walking down by the river, around an abandoned house. The dog wades heavily through the snow, biting it. There are petals of ice on the tree limbs and when Jones lingers under them, the baby puts out her hand and her mouth starts working because she would like to have it, the ice, the branch, everything. His wife will be coming home in a few days, in time for Christmas. Jones has already put up the tree and brought the ornaments down from the attic. He will not trim it until she comes home. He wants very much to make a fine occasion out of opening the boxes of old decorations. The two of them have always enjoyed this greatly in the past. Jones will doubtlessly drop and smash a bauble, for he does every year. He tramps through the snow with his small voyager. She dangles in a shoulder sling, her legs wedged around his hip. They regard the rotting house seriously. Once it was a doctor’s home and offices but long before Jones’s time, the doctor, who was very respected, had been driven away because a town girl accused him of fathering her child. The story goes that all the doctor said was, “Is that so?” This incensed the town and the girl’s parents, who insisted that he take the child as soon as it was born. He did and he cared for the child very well even though his practice was ruined and no one had anything to do with him. A year later the girl told the truth — that the actual father was a young college boy whom she was now going to marry. They wanted the child back, and the doctor willingly returned the infant to them. Of course it is a very old, important story. Jones has always appreciated it, but now he is annoyed at the man’s passivity. His wife’s sickness has changed everything for Jones. He will continue to accept but he will no longer surrender. Surely things are different for Jones now.
For insurance purposes, Jones’s wife is brought out to the car in a wheelchair. She is thin and beautiful. Jones is grateful and confused. He has a mad wish to tip the orderly. Have so many years really passed? Is this not his wife, his love, fresh from giving birth? Isn’t everything about to begin? In Mexico, his daughter wanders disinterestedly through a jewelry shop where she picks up a small silver egg. It opens on a hinge and inside are two figures, a bride and groom. Jones puts the baby in his wife’s arms. At first the baby is alarmed because she cannot remember this person very well and she reaches for Jones, whimpering. But soon she is soothed by his wife’s soft voice and she falls asleep in her arms as they drive. Jones has readied everything carefully for his wife’s homecoming. The house is clean and orderly. For days he has restricted himself to only one part of the house so that his clutter will be minimal. Jones helps his wife up the steps to the door. Together they enter the shining rooms.
JOY WILLIAMS
Joy Williams is the author of four novels, three short story collections, and a history of the Florida Keys. She has received the Rea Award for the short story and the Strauss Living Award from the American Academy of Arts and Letters. Her most recent novel, The Quick and the Dead, was a finalist for the Pulitzer Prize.