Reduced by fear and fatigue and pain to a state bordering upon half consciousness, he blundered on, with each passing hour becoming perceptibly weaker, for he had been without food or water since he had deserted his companions more than thirty hours before.
Noon was approaching. Kraski was moving but slowly now with frequent rests, and it was during one of these that there came to his numbed sensibilities an insistent suggestion of the voices of human beings not far distant. Quickly he shook himself and attempted to concentrate his waning faculties. He listened intently, and presently with a renewal of strength he arose to his feet.
There was no doubt about it. He heard voices but a short distance away and they sounded not like the tones of natives, but rather those of Europeans. Yet he was still careful, and so he crawled cautiously forward, until at a turning of the trail he saw before him a clearing dotted with trees which bordered the banks of a muddy stream. Near the edge of the river was a small hut thatched with grasses and surrounded by a rude palisade and further protected by an outer boma of thorn bushes.
It was from the direction of the hut that the voices were coming, and now he clearly discerned a woman's voice raised in protest and in anger, and replying to it the deep voice of a man.
Slowly the eyes of Carl Kraski went wide in incredulity, not unmixed with terror, for the tones of the voice of the man he heard were the tones of the dead Esteban Miranda, and the voice of the woman was that of the missing Flora Hawkes, whom he had long since given up as dead also. But Carl Kraski was no great believer in the supernatural. Disembodied spirits need no huts or palisades, or bomas of thorns. The owners of those voices were as live - as material—as he.
He started forward toward the hut, his hatred of Esteban and his jealousy almost forgotten in the relief he felt in the realization that he was to again have the companionship of creatures of his own kind. He had moved, however, but a few steps from the edge of the jungle when the woman's voice came again to his ear, and with it the sudden realization of his nakedness. He paused in thought, looking about him, and presently he was busily engaged gathering the long, broadleaved jungle grasses, from which he fabricated a rude but serviceable skirt, which he fastened about his waist with a twisted rope of the same material. Then with a feeling of renewed confidence he moved forward toward the hut. Fearing that they might not recognize him at first, and, taking him for an enemy, attack him, Kraski, before he reached the entrance to the palisade, called Esteban by name. Immediately the Spaniard came from the hut, followed by the girl. Had Kraski not heard his voice and recognized him by it, he would have thought him Tarzan of the Apes, so close was the remarkable resemblance.
For a moment the two stood looking at the strange apparition before them.
"Don't you know me?" asked Kraski. "I am Carl—Carl Kraski. You know me, Flora."
"Carl!" exclaimed the girl, and started to leap forward, but Esteban grasped her by the wrist and held her back.
"What are you doing here, Kraski?" asked the Spaniard in a surly tone.
"I am trying to make my way to the coast," replied the Russian. "I am nearly dead from starvation and exposure."
"The way to the coast is there," said the Spaniard, and pointed down the trail toward the west. "Keep moving, Kraski, it is not healthy for you here."
"You mean to say that you will send me on without food or water?" demanded the Russian.
"There is water," said Esteban, pointing at the river, "and the jungle is full of food for one with sufficient courage and intelligence to gather it."
"You cannot send him away," cried the girl. "I did not think it possible that even you could be so cruel," and then, turning to the Russian, "0 Carl," she cried "do not go. Save me! Save me from this beast!"
"Then stand aside," cried Kraski, and as the girl wrenched herself free from the grasp of Miranda the Russian leveled his automatic and fired point-blank at the Spaniard. The bullet missed its target; the empty shell jammed in the breach and as Kraski pulled the trigger again with no result he glanced at his weapon and, discovering its uselessness, hurled it from him with an oath. As he strove frantically to bring his rifle into action Esteban threw back his spear hand with the short, heavy spear that he had learned by now so well to use, and before the other could press the trigger of his rifle the barbed shaft tore through his chest and heart. Without a sound Carl Kraski sank dead at the foot of his enemy and his rival, while the woman both had loved, each in his own selfish or brutal way, sank sobbing to the ground in the last and deepest depths of despair.
Seeing that the other was dead, Esteban stepped forward and wrenched his spear from Kraski's body and also relieved his dead enemy of his ammunition and weapons. As he did so his eyes fell upon a little bag made of skins which Kraski had fastened to his waist by the grass rope he had recently fashioned to uphold his primitive skirt.
The Spaniard felt of the bag and tried to figure out the nature of its contents, coming to the conclusion that it was ammunition, but he did not examine it closely until he had carried the dead man's weapons into his hut, where he had also taken the girl, who crouched in a corner, sobbing.
"Poor Carl! Poor Carl!" she moaned, and then to the man facing her: "You beast!"
"Yes," he cried, with a laugh, "I am a beast. I am Tarzan of the Apes, and that dirty Russian dared to call me Esteban. I am Tarzan! I am Tarzan of the Apes!" he repeated in a loud scream. "Who dares call me otherwise dies. I will show them. I will show them," he mumbled.
The girl looked at him with wide and flaming eyes and shuddered.
"Mad," she muttered. "Mad! My God—alone in the jungle with a maniac!" And, in truth, in one respect was Esteban Miranda mad—mad with the madness of the artist who lives the part he plays. And for so long, now, had Esteban Miranda played the part, and so really proficient had he become in his interpretation of the noble character, that he believed himself Tarzan, and in outward appearance he might have deceived the ape-man's best friend. But within that godlike form was the heart of a cur and the soul of a craven.
"He would have stolen Tarzan's mate," muttered Esteban. "Tarzan, Lord of the Jungle! Did you see how I slew him, with a single shaft? You could love a weakling, could you, when you could have the love of the great Tarzan!"
"I loathe you," said the girl. "You are indeed a beast. You are lower than the beasts."
"You are mine, though," said the Spaniard, "and you shall never be another's—first I would kill you—but let us see what the Russian had in his little bag of hides, it feels like ammunition enough to kill a regiment," and he untied the thongs that held the mouth of the bag closed and let some of the contents spill out upon the floor of the hut. As the sparkling stones rolled scintillant before their astonished eyes, the girl gasped in incredulity.
"Holy Mary!" exclaimed the Spaniard, "they are diamonds."
"Hundreds of them," murmured the girl.
"Where could he have gotten them?"
"I do not know and I do not care," said Esteban. "They are mine. They are all mine—I am rich, Flora. I am rich, and if you are a good girl you shall share my wealth with me."
Flora Hawkes's eyes narrowed. Awakened within her breast was the always-present greed that dominated her being, and beside it, and equally as powerful now to dominate her, her hatred for the Spaniard. Could he have known it, possession of those gleaming baubles had crystallized at last in the mind of the woman a determination she had long fostered to slay the Spaniard while he slept. Heretofore she had been afraid of being left alone in the jungle, but now the desire to possess this great wealth overcame her terror.