"Clayton."
"Oh, you're the guy that takes the part of the white hunter that Tarzan rescues from the lion."
Cyril Wayne, garbed in a loin cloth, his body covered with brown make-up, was eyeing Clayton and whispering to the director, who now also turned and looked.
"Geeze!" exclaimed the director. "He'll steal the picture. What dumb-egg ever cast him?"
"Can't you fake it?" asked Wayne.
"Sure, just a flash of him. We won't show his face at all. Let's get busy and rehearse the scene. Here, you, come over here. What's your name?"
"Clayton."
"Listen, Clayton. You're supposed to be comin' straight toward the camera through this jungle in the first shot. You're scared stiff; you keep lookin' behind you. You're about all in, too; you stagger like you was about ready to fall down. You see, you're lost in the jungle. There's a lion stalkin' you. We'll cut the lion shots in. Then in the last scene the lion is right behind you—and the lion's really in this scene with you, but you needn't be scared; he won't hurt you. He's perfectly tame and gentle. You scream. You draw your knife. Your knees shake. Tarzan hears you and comes swinging through the trees. Say, is that double here that's goin' to swing through the trees for Cyril?" he interrupted himself to address his assistant. Assured that the double was on the set, he continued, "The lion charges; Tarzan swings down between you and the lion. We get a close up of you there; keep your back to the camera. Then Tarzan leaps on the lion and kills it. Say, Eddie, has that lion tamer that's doublin' for Cyril in the kill got his make-up on even? He looked lousy in the rushes yesterday."
"Everything's all O.K., Chief," replied the assistant.
"All ready then—everybody!" yelled the director. "Get in there, Clayton, and remember there's a lion behind you and you're scared stiff."
The rehearsal was satisfactory and the first shots pleased the director; then came the big scene in which Wayne and Clayton and the lion appeared. The lion was large and handsome. Clayton admired him. The trainer cautioned them all that if anything went wrong they were to stand perfectly still, and under no circumstances was any one to touch Leo.
The cameras were grinding; Clayton staggered and half fell. He looked fearfully behind him and uttered a scream of terror. Cyril Wayne dropped from the branch of a low tree just as the lion emerged from the jungle behind Clayton. And then something went wrong.
The lion voiced an ugly roar and crouched. Wayne, sensing danger and losing his head, bolted past Clayton; the lion charged. Leo would have passed Clayton, who had remained perfectly still, and pursued the fleeing Wayne; but then something else happened.
Clayton, realizing more than any of the others the danger that menaced the actor, sprang for the beast and leaped upon its back. A powerful arm encircled the lion's neck. The beast wheeled and struck at the man-thing clinging to it, but the terrible talons missed their mark. Clayton locked his legs beneath the sunken belly of the carnivore. The lion threw itself to the ground and lashed about in a frenzy of rage.
With his hideous growls mingled equally bestial growls from the throat of the man. The lion regained its feet and reared upon its hind legs. The knife that they had given Clayton flashed in the air. Once, twice, three times it was driven deep into the side of the frenzied beast; then Leo slumped to the ground, shuddered convulsively and lay still.
Clayton leaped erect; he placed one foot upon his kill and raised his face to the heavens; then he checked himself and that same slow smile touched his lips.
An excited man rushed onto the set. It was Benny Goldeen, the production manager.
"My God!" he cried. "You've killed our best lion. He was worth ten thousand dollars if he was worth a cent. You're fired!"
The clerk at The Roosevelt looked up. "Leaving us, Mr. Clayton?" he asked politely. "I hope you have enjoyed Hollywood."
"Very much indeed," replied Clayton; "but I wonder if you could give me some information?"
"Certainly; what is it?"
"What is the shortest route to Africa?"
THE END
EDGAR RICE BURROUGHS TARZAN AND THE LEOPARD MEN BOOK 18 IN THE TARZAN SERIES Serialized in The Blue Book Magazine, August 1932—January 1933
First Book Edition—Edgar Rice Burroughs, Inc., September 1935
TABLE OF CONTENTS
Chapter 1. Storm
Chapter 2. The Hunter
Chapter 3. Dead Men Who Spoke
Chapter 4. Sobito, The Witch- Doctor
Chapter 5. "Unspeakable Boor!"
Chapter 6. The Traitor
Chapter 7. The Captive
Chapter 8. Treason Unmasked
Chapter 9. The Leopard God
Chapter 10. While The Priests Slept
Chapter 11. Battle
Chapter 12. The Sacrifice
Chapter 13. Down River
Chapter 14. The Return Of Sobito
Chapter 15. The Little Men
Chapter 16. A Clue
Chapter 17. Charging Lions
Chapter 18. Arrows Out Of The Night
Chapter 19. "The Demons Are Coming!"
Chapter 20. "I Hate You!"
Chapter 21. Because Nsenene Loved
Chapter 22. In The Crucible Of Danger
Chapter 23. Converging Trails
CHAPTER 1.—STORM
The girl turned uneasily upon her cot. The fly, bellying in the rising wind, beat noisily against the roof of the tent. The guy ropes creaked as they tugged against their stakes. The unfastened flaps of the tent whipped angrily. Yet in the midst of this growing pandemonium, the sleeper did not fully awaken. The day had been a trying one. The long, monotonous march through the sweltering jungle had left her exhausted, as had each of the weary marches that had preceded it through the terrible, grueling days since she had left rail-head in that dim past that seemed now a dull eternity of suffering.
Perhaps she was less exhausted physically than before, as she was gradually becoming inured to the hardships; but the nervous strain of the past few days had taken its toll of energy since she had become aware of the growing insubordination of the native men who were her only companions on this rashly conceived and illy ordered safari.