Text for Nothing I, trans. by author, New York: Evergreen Review, no. 9, Summer 1959 From an Abandoned Work, London: Faber Faber, 1957; New York: Evergreen Review, I, 3, 1957 Comment C’Est, Paris: Editions de Minuit, 1961 (trans. by author, How It Is, New York: Grove Press, 1964; London: Calder, 1964); an extract from an earlier version of this novel, ‘L’image’, London: X, no. 1, November 1959 (another extract trans. by author, ‘From an unabandoned work’, New York: Evergreen Review, no.
14, September-October i960)
Imagination Morte Imaginez, Paris: Editions de Minuit, 196J (trans.
by author, Imagination Dead Imagine, London: Calder, 1965) assez, Paris: Editions de Minuit, 1966 bing, Paris: Editions de Minuit, 1966
No's Knife, Collected Shorter Prose 1947–1966, London: Calder Boyars, 1967, contains: Stories, Texts fir Nothing, From an Abandoned Work, Enough, Imagination Dead Imagine, Ping Premier Amour, Paris: Editions de Minuit, 1970 Le Dipeupleur, Paris: Editions de Minuit, 1970 (trans. by author, The Lost Ones, London: Calder Boyars, 1972)
VERSE
Whoroscope, Paris: The Hours Press, 1930 Echo’s Bones, Paris: Europe Press, 1935 ‘ Trois poemes’, Paris: Cahiers des Saisons, no. 2, October 1955 Poems in English, London: Calder, 1961
BIBLIOGRAPHY
Gedichte (bilingual edition of Echo’s Bones followed by other poems in English and French, with German parallel translation), Wiesbaden: Limes, 1959
ESSAYS
Proust, London: Chatto Windus, 1931 (Dolphin series); reprinted New York: Grove Press, n.d.
Proust, Three Dialogues, London: Calder, 1965 ‘Dante … Bruno. Vico … Joyce’, in Our Exagmination round his Factification for Incamination of Work in Progress, Paris: Shakespeare
Co., 1929 Bram van Velde, New York: Grove Press, i960
ON BECKETT
abel, lionel, ‘Joyce the father, Beckett the son’, New York: The New Leader, 14 December 1959 BENXLBY, eric, What is Theatre? Boston: Beacon Press, 1956 calder, john (ed.), Beckett at Sixty (essays by 24 contributors), London: Calder Boyars, 1967 COE, richard n., Beckett, Edinburgh and London: Oliver Boyd, 1964 (in the series ‘ Writers and Critics’) cohn, ruby, Samuel Beckett: The Comic Gamut, New Brunswick, N.J.: Rutgers University Press, 1962
— Back to Beckett, Princeton, N. J.: Princeton University Press,
1973
— (ed.), Samuel Beckett. A Collection of Criticism, New York:
McGraw-Hill, 1975
— Play Beckett, Princeton, N.J.: Princeton University Press,
1979
ellman, richard, James Joyce, New York and London: Oxford University Press, 1959 esslin, martin, ‘Samuel Beckett’, in The Novelist as Philosopher, ed. John Cruickshank, London: Oxford University Press, 1962 esslin, martin (ed.), Samuel Beckett, A Collection of Critical Essays, Englewood Clifis, N.J.: Prentice-Hall, 1965 (in the series ‘Twentieth-Century Views ’) pederman, Raymond, Journey to Chaos, Samuel Beckett’s Early
BIBLIOGRAPHY
Fiction, Berkeley and Los Angeles: University of California Press,
1965
federman, Raymond and FLETCHER, john, Samuel Beckett: His Work and His Critics, An Essay in Bibliography, Berkeley and Los Angeles: University of California Press, 1970 fletcher, john, T "he Novels of Samuel Beckett, London: Cbatto Windus, 1964
— Samuel Beckett’s Art, London: Cbatto Windus, 1967
fletcher, john and SPURLiNG, john, Beckett. A Study of his Plays, London: Eyre Methuen, 1972
FLETCHER, JOHN; FLETCHER, BERYL S.; SMITH, BARRY; ВАСНЕМ,
Walter, A Student’s Guide to the Plays of Samuel Beckett, London: Faber Faber, 1978 friedman, M. j. (ed.), Samuel Beckett, Paris: Minard, 1964 (‘Configuration Critique’ no. 8) gessner, n., Die Unzulanglidikeit der Sprache, Zurich: Juris, 1957 ‘Godot gets around’, New York: Theatre Arts, July 1958 guggenheim, peggy, out of this century, the informal memoirs of peggy guggenheim, New York: the dials press, 1946
— Confessions of an Art Addict, London: Andrd Deutsch, i960
harvey, lawrencb в., Samuel Beckett. Poet and Critic, Princeton, N.J.: Princeton University Press, 1970 hobson, harold, ‘Samuel Beckett, dramatist of the year’, International Theatre Annual, no. 1, London: Calder, 1956 jacobsen, josbphinb and muller, william r., The Testament of Samuel Beckett, New York: Hill Wang, 1964 janvier, ludovic, Pour Samuel Beckett, Paris: Editions de Minuit,
1966
JOYCE, JAMES, Letters (ed. Stuart Gilbert), London: Faber Faber, 1957
KENNER, HUGH, Samuel Beckett, A Critical Study, New York: Grove Press, 1961; London: Calder, 1962
— The Stoic Comedians: Flaubert, Joyce and Beckett, London: W. H.
Allen, 1964
kern, edith, ‘Drama stripped for inaction: Beckett’s Godot’, Yale French Studies, no. 14, Winter 1954-5 levy, alan, ‘The long wait for Godot’, New York: Theatre Arts, August 1956
BIBLIOGRAPHY
мarissel, andre, Beckett, Paris: Editions Universitaires, 1963 mauriac, Claude, La Litthature Contemporaine, Paris: Albin Michel, 1958
melese, pierre, Beckett, Paris: Seghers, 1966 (in the series ‘Thtre de Tous les Temps’) mercier, vivian, BeckettIBeckett, New York: Oxford University Press, 1977
- ‘Messenger of Gloom’ (profile), London: Observer, 9 November
1958
metman, eva, ‘Reflections on Samuel Beckett’s plays’, London: Journal of Analytical Psychology, January i960
— San Quentin News, San Quentin, Cal., vol. XVII, no. 24, 28
November 1957
schneider, alan, ‘Waiting for Beckett’, New York: Chelsea Review, Autumn 1958 SCHOELL, konrad, Das Theater Samuel Becketts, Munich: Wilhelm Fink, 1967
scott, nathan a, Samuel Beckett, London: Bowes Bowes, 1^65 (in the series ‘Studies in Modern European Thought and Literature’)
BUZZATI, DINO
Un Caso Clinico, Commedia in 2 tempi e 13 quadri, Milan: Mondadori, 1953 (no. 85 in the series ‘La Medusa degli Italiani’)
Un Verne al Ministero, Turin: II Dramma, no. 283
D’ERRICO, EZIO
La Foresta, Turin: II Dramma, no. 278 1Tempo di Cavalette, Turin: II Dramma, no. 261
II Formicaio, stage ms.