Sorely tempted to bark out his own rude refrain, Caedmon craned his head, glaring. “Cheeky bastard,” he muttered under his breath, the chap already out of barking range.
“Lucky for you, I happen to like older men.” As she spoke, Edie pulled him toward a narrow passageway that bisected Craven Street. Little more than a paved alley between two buildings.
Their backs turned to street traffic, they huddled close together, giving every appearance of being two lovers sharing an intimate moment.
Reaching inside his anorak, he removed the pouch. Edie, barely able to contain her excitement, tugged on the leather thong that fastened it, releasing the loose knot. Holding his breath, his companion’s excitement contagious, Caedmon lifted the flap and scanned the contents. It contained what appeared to be a dozen sheets of yellowing paper. Well aware that they were irresponsibly handling rare ephemera—viewing the document in the rain, no less!—he slid the pages several inches out of the pouch. Just far enough to read the elegantly penned title at the top of the first page.
Edie was the first to break the silence. “Coincidence? I think not.”
“Nor I,” he murmured.
Like Edie, he was taken aback that Franklin had titled his work The Book of Moses.
CHAPTER 56
Softly humming, Saviour Panos turned onto St. Martin’s Lane, the pouring rain coating everything in a wet patina. Amused at how easy it had been to jostle the Brit, he twirled his big black umbrella. All was going according to plan.
As he strolled past a shoe shop, a sales clerk arranging leather footwear in the window silently appraised him. Saviour lifted his chin to acknowledge the admiring glance.
After listening to the surveillance tapes from last night’s conversation, Mercurius had initially expressed delight upon learning the Emerald Tablet had been brought to England. But delight soon turned to alarm. And though Saviour didn’t have the intellect to fully grasp the connection, he knew that the Creator’s star was the symbolic embodiment of the Emerald Tablet. Mercurius feared what would happen if the threesome actually found the sacred relic; claiming it would be an unthinkable sacrilege.
Rest assured, that won’t happen, he fervently promised his mentor.
You are well and truly loved, Saviour.
About to turn onto Cecil Court, he glanced in a plate-glass window—and smiled. Feeling very much like the conquering hero.
An instant later, recalling the infuriated expression on Aisquith’s face, he chuckled.
“Soon, Englishman, your goose will be thoroughly cooked.”
Burned to a crisp.
CHAPTER 57
♫Moses supposes his toes are roses, but Moses supposes erroneously. ♫
Alone in the flat, Rubin Woolf sang the silly ditty in a booming voice. Old Hollywood musicals were a secret obsession, Singin’ in the Rain one of his favorites.
Still annoyed that he couldn’t accompany Peter Willoughby-Jones to Craven Street, he trudged upstairs. He preferred to await the eleven o’clock appointment in the comfort of his boudoir. Opening the door at the top of the landing, he entered the foyer.
Almost immediately, his gaze went to one of the photographs displayed on top of the court cabinet. Hit with an inexplicable burst of nostalgia, he walked over and picked up the framed picture. Long moments passed as he stared at the scowling, bare-chested punk rocker who had glared at the camera that memorable night. 1977. The Pegasus. As he recalled, one had to scowl just to get past the bouncer.
He carefully replaced the photograph. Then, lost in thought, he idly watched the slow-moving minute hand on the German-made cuckoo clock, counting the seconds until the little shutters on the clock flew open, the nesting chick shrilly announcing the hour.
He should have chucked the gaudy old-fashioned clock years ago. Should have. But could never summon the courage to toss it on the rubbish heap. A glutton for punishment, he kept the annoying cuckoo clock because it was the only memento he had of his long-dead father.
And, as fate would have it, the clock was the only memento that Chaim Woolf had of that violent night in 1938 when the Jewish community in Berlin was rudely awakened in the middle of the night by the sound of smashing glass and raucous jeers, the SS banging at their doors.
Kristallnacht.
The spark that ignited the Holocaust.
Chaim had been a lad of eight, forced to witness an unspeakable atrocity—his father, Menachem Woolf, a veteran of the Great War, foolishly standing his ground with a rusty firearm as the windows of Menachem’s antiquarian shop had been smashed with a sledgehammer, as the books and volumes that lined his antiquarian shop were tossed onto a fiery bonfire. The SS officer in charge acted with the detached efficiency for which the German people pride themselves: He put a single bullet in Menachem Woolf’s head, killing him on the spot. Then, to show he was not the monster that the screaming Chaim accused him of being, he removed the handcrafted Bavarian cuckoo clock from the wall. The only item in the room that had not yet been smashed. Handing it to the tearful child, he patted Chaim’s head and said, “Never resist—and never forget.”
Indeed, that night stayed with Chaim Woolf for the rest of his life. Even after his mother, two small children in tow, paid a small fortune for the three British visas that secured them safe passage out of Berlin. They arrived in England just in time for the blitzkrieg of German bombs that nightly rained down on the scurrying, frightened denizens of London.
Rubin learned of these things from his aunt Tovah. She’d not been given a cuckoo clock on that long-ago night. Instead, she’d been bequeathed a badly scarred face from having been shoved into the bonfire by a gang of local boys intent on “joining the fun.” It was his aunt Tovah who told Rubin about that monstrous episode, hoping he’d understand why, each year on November 10, his father would sit for hours on end, in the dark, sobbing uncontrollably. Rubin only understood that living with his father was akin to living with a ghost. Chaim Woolf walked and talked and took meals with his family, but he had no ties or bonds with the living.
Rubin had always asserted, rather strenuously in fact, that he didn’t care. What use did he have for a father who lacked the emotional fortitude to overcome his inner demons? Chaim Woolf’s retreat from the world bespoke a weakness that made his son cringe.
Daddy, daddy, you bastard, I’m through.
As the line of poetry popped into his head, Rubin derisively snorted. Sylvia Plath. Really. How pathetic. Besides, what need did he have for a father? What need did anyone have?
“I have my books. I am content,” he reassured himself as he entered the boudoir. Originally a staid Victorian parlor, ten years ago he’d completely transformed the space, paying a small fortune to have a room in a half-timber Winchester abode completely dismantled, the woodwork shipped to Cecil Court and reassembled. The paneled walls exemplified the very best of the era, masculine exuberance wedded to feminine civility.
He suspected that his father had never known an exuberant day in his life.
No doubt that was the reason why Rubin had been drawn to the scowling anarchists who’d invaded the London club scene in the 1970s. But, like the punk-rock movement itself, the love affair had been short-lived. Rubin had always required an intellectual challenge to maintain a long-term interest.
Enter Sir Francis Bacon.
He’d often wondered if his family history didn’t have something to do with his fascination with Sir Francis. A Renaissance man extraordinaire, Sir Francis was at once philosopher, courtier, and esoteric adept. But more important, Sir Francis Bacon was a tolerant and benevolent man of God.