Now they stared at one another with a new understanding, recognizing each other as innocents. For a minute it was almost as if they had fallen in love with each other from sheer relief.
The car gathered momentum again like their silence — and soon they were racing across the desert towards the steely glitter of stars, and a horizon stained black with the thunder of surf. Nessim, with this strange sleepy creature at his side, found himself thinking over and over again: ‘Thank God I am not a genius — for a genius has nobody in whom he can confide.’ The glances he snatched at her enabled him to study her, and to study me in her. Her loveliness must have disarmed and disturbed him as it had me. It was a beauty which filled one with the terrible premonition that it had been born to be a target for the forces of destruction. Perhaps he remembered an anecdote of Pursewarden’s in which she figured, for the latter had found her as Nessim himself had done, in the same stale cabaret; only on this particular evening she had been sitting in a row of dance-hostesses selling dance-tickets. Pursewarden, who was gravely drunk, took her to the floor and, after a moment’s silence, addressed her in his sad yet masterful way: ‘Comment vous defendez-vous contre la solitude?’ he asked her. Melissa turned upon him an eye replete with all the candour of experience and replied softly: ‘Monsieur,je suis devenue la solitude mкme.’ Pursewarden was sufficiently struck to remember and repeat this passage later to his friends, adding: ‘I suddenly thought to myself that here was a woman one might very well love.’ Yet he did not, as far as I know, take the risk of revisiting her, for the book was going well, and he recognized in the kindling of this sympathy a trick being played on him by the least intent part of his nature. He was writing about love at the time and did not wish to disturb the ideas he had formed on the subject. (‘I cannot fall in love’ he made a character exclaim ‘for I belong to that ancient secret society — the Jokers!’; and elsewhere speaking about his marriage he wrote: ‘I found that as well as displeasing another I also displeased myself; now, alone, I have only myself to displease.
Joy!’) Justine was still standing over me, watching my face as I composed these scorching scenes in my mind. ‘You will make some excuse’ she repeated hoarsely. ‘You will not go.’ It seemed to me impossible to find a way out of this predicament. ‘How canI refuse?’ I said. ‘How can you?’ They had driven across that warm, tideless desert night, Nessim and Melissa, consumed by a sudden sympathy for each other, yet speechless. On the last scarp before Bourg El Arab he switched off the engine and let the car roll off the road. ‘Come’ he said. ‘I want to show you Justine’s Summer Palace.’ Hand in hand they took the road to the little house. The caretaker was asleep but he had the key. The rooms smelt damp and uninhabited, but were full of light reflected from the white dunes.
It was not long before he had kindled a fire of thorns in the great fireplace, and taking his old abba from the cupboard he clothed himself in it and sat down before it saying: ‘Tell me now, Melissa, who sent you to persecute me?’ He meant it as a joke but forgot to smile, and Melissa turned crimson with shame and bit her lip.
They sat there for a long time enjoying the firelight and the sensation of sharing something — their common hopelessness.
(Justine stubbed out her cigarette and got slowly out of bed. She began to walk slowly up and down the carpet. Fear had overcome her and I could see that it was only with an effort that she overcame the need for a characteristic outburst. ‘I have done so many things in my life’ she said to the mirror. ‘Evil things, perhaps. But never inattentively, never wastefully. I’ve always thought of acts as messages, wishes from the past to the future, which invited selfdiscovery. Was I wrong? Was I wrong?’ It was not to me she addressed the question now but to Nessim. It is so much easier to address questions intended for one’s husband to one’s lover. ‘As for the dead’ she went on after a moment, ‘I have always thought that the dead think of us as dead. They have rejoined the living after this trifling excursion into quasi-life.’ Hamid was stirring now and she turned to her clothes in a panic. ‘So you must go’ she said sadly, ‘and so must I. You are right. We must go.’ And then turning to the mirror to complete her toilet she added: ‘Another grey hair’ studying that wicked fashionable face.
Watching her thus, trapped for a moment by a rare sunbeam on the dirty window-pane, I could not help reflecting once more that in her there was nothing to control or modify the intuition which she had developed out of a nature gorged upon introspection: no education, no resources of intellection to battle against the imperatives of a violent heart. Her gift was the gift one finds occasionally in ignorant fortune-tellers. Whatever passed for thought in her was borrowed — even the remark about the dead which occurs in Moeurs; she had picked out what was significant in books not by reading them but by listening to the matchless discourses of Balthazar, Arnauti, Pursewarden, upon them. She was a walking abstract of the writers and thinkers whom she had loved or admired — but what clever woman is more?)
Nessim now took Melissa’s hands between his own (they lay there effortless, cool, like wafers) and began to question her about me with an avidity which might have easily suggested that his passion was not Justine, but myself. One always falls in love with the love—choice of the person one loves. What would I not give to learn all that she told him, striking ever more deeply into his sympathies with her candours, her unexpected reserves? All I know is that she concluded stupidly, ‘Even now they are not happy: they quarrel dreadfully: Hamid told me so when last I met him.’ Surely she was experienced enough to recognize in these reported quarrels the very subject-matter of our love? I think she saw only the selfishness of Justine — that almost deafening lack of interest in other people which characterized my tyrant. She utterly lacked the charity of mind upon which Melissa’s good opinion alone could be grounded. She was not really human — nobody wholly dedicated to the ego is. What on earth could I see in her? — I asked this question of myself for the thousandth time. Yet Nessim, in beginning to explore and love Melissa as an extension of Justine, delineated perfectly the human situation. Melissa would hunt in him for the qualities which she imagined I must have found in his wife. The four of us were unrecognized complementaries of one another, inextricably bound together. (‘We who have travelled much and loved much: we who have — I will not say suffered for we have always recognized through suffering our own self-sufficiency — only we appreciate the complexities of tenderness, and understand how narrowly love and friendship are related.’ Moeurs.)
They talked now as a doomed brother and sister might, renewing in each other the sense of relief which comes to those who find someone to share the burden of unconfessed preoccupations.
In all this sympathy an unexpected shadow of desire stirred within them, a wraith merely, the stepchild of confession and release. It foreshadowed, in a way, their own love-making, which was to come, and which was so much less ugly than ours — mine and Justine’s. Loving is so much truer when sympathy and not desire makes the match; for it leaves no wounds. It was already dawn when they rose from their conversation, stiff and cramped, the fire long since out, and marched across the damp sand to the car, scouting the pale lavender light of dawn. Melissa had found a friend and patron; as for Nessim, he was transfigured. The sensation of a new sympathy had enabled him, magically, to become his own man again — that is to say, a man who could act (could murder his wife’s lover if he so wished)!